A Driving Force, Odin Teatret: Convergence of Diverse Performance Trainings in Ur-Hamlet

Detalhes bibliográficos
Autor(a) principal: Ramis, A. Gabriela
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/88202
Resumo: Ur-Hamlet is Eugenio Barba’s production performed at the Elsinore castle in Denmark in 2006. Odin Teatret worked in collaboration with many actors, dancers and musicians from diverse cultures and theatrical traditions. This paper traces the relationships that Odin Teatret has established with other theatre groups in the world, their exchanges and the concept of the third theater. It analyzes the artistic practices that Odin Teatret usually applies and how the integration of actors with different Western and Eastern backgrounds was marked by their professional trajectory. There was a clear distinction between actors with diverse theatre training and also experience, and younger Western actors who took part in Odin Teatret’s workshops. 
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spelling A Driving Force, Odin Teatret: Convergence of Diverse Performance Trainings in Ur-HamletEsthetic PrinciplesEthicsMarginalityMulticulturalismThird TheaterUr-Hamlet is Eugenio Barba’s production performed at the Elsinore castle in Denmark in 2006. Odin Teatret worked in collaboration with many actors, dancers and musicians from diverse cultures and theatrical traditions. This paper traces the relationships that Odin Teatret has established with other theatre groups in the world, their exchanges and the concept of the third theater. It analyzes the artistic practices that Odin Teatret usually applies and how the integration of actors with different Western and Eastern backgrounds was marked by their professional trajectory. There was a clear distinction between actors with diverse theatre training and also experience, and younger Western actors who took part in Odin Teatret’s workshops. Universidade Federal do Rio Grande do Sul2022-09-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/88202Brazilian Journal on Presence Studies; Vol. 9 No. 3 (2019): Jul./Set. 2019; 01-25Révue Brésilienne d'Études de la Présence; Vol. 9 No. 3 (2019): Jul./Set. 2019; 01-25Révue Brésilienne d'Études de la Présence; Vol. 9 No 3 (2019): Jul./Set. 2019; 01-25Revista Brasileira de Estudos da Presença; v. 9 n. 3 (2019): Jul./Set. 2019; 01-252237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/88202/53241Copyright (c) 2019 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessRamis, A. Gabriela2022-09-27T03:41:16Zoai:seer.ufrgs.br:article/88202Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-09-27T03:41:16Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv A Driving Force, Odin Teatret: Convergence of Diverse Performance Trainings in Ur-Hamlet
title A Driving Force, Odin Teatret: Convergence of Diverse Performance Trainings in Ur-Hamlet
spellingShingle A Driving Force, Odin Teatret: Convergence of Diverse Performance Trainings in Ur-Hamlet
Ramis, A. Gabriela
Esthetic Principles
Ethics
Marginality
Multiculturalism
Third Theater
title_short A Driving Force, Odin Teatret: Convergence of Diverse Performance Trainings in Ur-Hamlet
title_full A Driving Force, Odin Teatret: Convergence of Diverse Performance Trainings in Ur-Hamlet
title_fullStr A Driving Force, Odin Teatret: Convergence of Diverse Performance Trainings in Ur-Hamlet
title_full_unstemmed A Driving Force, Odin Teatret: Convergence of Diverse Performance Trainings in Ur-Hamlet
title_sort A Driving Force, Odin Teatret: Convergence of Diverse Performance Trainings in Ur-Hamlet
author Ramis, A. Gabriela
author_facet Ramis, A. Gabriela
author_role author
dc.contributor.author.fl_str_mv Ramis, A. Gabriela
dc.subject.por.fl_str_mv Esthetic Principles
Ethics
Marginality
Multiculturalism
Third Theater
topic Esthetic Principles
Ethics
Marginality
Multiculturalism
Third Theater
description Ur-Hamlet is Eugenio Barba’s production performed at the Elsinore castle in Denmark in 2006. Odin Teatret worked in collaboration with many actors, dancers and musicians from diverse cultures and theatrical traditions. This paper traces the relationships that Odin Teatret has established with other theatre groups in the world, their exchanges and the concept of the third theater. It analyzes the artistic practices that Odin Teatret usually applies and how the integration of actors with different Western and Eastern backgrounds was marked by their professional trajectory. There was a clear distinction between actors with diverse theatre training and also experience, and younger Western actors who took part in Odin Teatret’s workshops. 
publishDate 2022
dc.date.none.fl_str_mv 2022-09-27
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/88202
url https://seer.ufrgs.br/index.php/presenca/article/view/88202
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/88202/53241
dc.rights.driver.fl_str_mv Copyright (c) 2019 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 9 No. 3 (2019): Jul./Set. 2019; 01-25
Révue Brésilienne d'Études de la Présence; Vol. 9 No. 3 (2019): Jul./Set. 2019; 01-25
Révue Brésilienne d'Études de la Présence; Vol. 9 No 3 (2019): Jul./Set. 2019; 01-25
Revista Brasileira de Estudos da Presença; v. 9 n. 3 (2019): Jul./Set. 2019; 01-25
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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