Figures of movement in Athenian tragedy of the 5th century BC

Detalhes bibliográficos
Autor(a) principal: Torres Machado, Vinicius
Data de Publicação: 2022
Outros Autores: Ferreira dos Santos Ribeiro, João Pedro
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/123277
Resumo: The purpose of this article is to place dance at the center of the historical analysis of Athenian tragedy of the 5th century BC. To do so, a trajectory is proposed that begins with the culture of performance, passes through the culture of festivals, the dance of the chorus and the teaching of the old drunken satyr, and then reviews the concepts of opsis and psuchagôgia in Aristotle's Poetics. Thus, the objective is to understand how the ritual-civic performance of the ancient Greek actors-singers-dancers, based on the creation of figures of movement, was also an act of evoking souls in the context of a public festivity.
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spelling Figures of movement in Athenian tragedy of the 5th century BCThe purpose of this article is to place dance at the center of the historical analysis of Athenian tragedy of the 5th century BC. To do so, a trajectory is proposed that begins with the culture of performance, passes through the culture of festivals, the dance of the chorus and the teaching of the old drunken satyr, and then reviews the concepts of opsis and psuchagôgia in Aristotle's Poetics. Thus, the objective is to understand how the ritual-civic performance of the ancient Greek actors-singers-dancers, based on the creation of figures of movement, was also an act of evoking souls in the context of a public festivity.Universidade Federal do Rio Grande do Sul2022-06-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/123277Brazilian Journal on Presence Studies; Vol. 12 No. 2 (2022): Abr./Jun. 2022; 1-21Révue Brésilienne d'Études de la Présence; Vol. 12 No. 2 (2022): Abr./Jun. 2022; 1-21Révue Brésilienne d'Études de la Présence; Vol. 12 No 2 (2022): Abr./Jun. 2022; 1-21Revista Brasileira de Estudos da Presença; v. 12 n. 2 (2022): Abr./Jun. 2022; 1-212237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/123277/85160Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessTorres Machado, ViniciusFerreira dos Santos Ribeiro, João Pedro2022-06-28T13:21:17Zoai:seer.ufrgs.br:article/123277Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-06-28T13:21:17Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Figures of movement in Athenian tragedy of the 5th century BC
title Figures of movement in Athenian tragedy of the 5th century BC
spellingShingle Figures of movement in Athenian tragedy of the 5th century BC
Torres Machado, Vinicius
title_short Figures of movement in Athenian tragedy of the 5th century BC
title_full Figures of movement in Athenian tragedy of the 5th century BC
title_fullStr Figures of movement in Athenian tragedy of the 5th century BC
title_full_unstemmed Figures of movement in Athenian tragedy of the 5th century BC
title_sort Figures of movement in Athenian tragedy of the 5th century BC
author Torres Machado, Vinicius
author_facet Torres Machado, Vinicius
Ferreira dos Santos Ribeiro, João Pedro
author_role author
author2 Ferreira dos Santos Ribeiro, João Pedro
author2_role author
dc.contributor.author.fl_str_mv Torres Machado, Vinicius
Ferreira dos Santos Ribeiro, João Pedro
description The purpose of this article is to place dance at the center of the historical analysis of Athenian tragedy of the 5th century BC. To do so, a trajectory is proposed that begins with the culture of performance, passes through the culture of festivals, the dance of the chorus and the teaching of the old drunken satyr, and then reviews the concepts of opsis and psuchagôgia in Aristotle's Poetics. Thus, the objective is to understand how the ritual-civic performance of the ancient Greek actors-singers-dancers, based on the creation of figures of movement, was also an act of evoking souls in the context of a public festivity.
publishDate 2022
dc.date.none.fl_str_mv 2022-06-28
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/123277
url https://seer.ufrgs.br/index.php/presenca/article/view/123277
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/123277/85160
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 12 No. 2 (2022): Abr./Jun. 2022; 1-21
Révue Brésilienne d'Études de la Présence; Vol. 12 No. 2 (2022): Abr./Jun. 2022; 1-21
Révue Brésilienne d'Études de la Présence; Vol. 12 No 2 (2022): Abr./Jun. 2022; 1-21
Revista Brasileira de Estudos da Presença; v. 12 n. 2 (2022): Abr./Jun. 2022; 1-21
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
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instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
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