The emergence of contact improvisation in the aesthetic-political laboratory of the 60s and 70s

Detalhes bibliográficos
Autor(a) principal: Singer, Mariela
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/122206
Resumo: ABSTRACT – The emergence of Contact Improvisation in the aesthetic-political laboratory of the 60s and 70s – This text reflects on the emergence of contact improvisation and the changes generated by postmodern dance in the American aesthetic-political context of the 60s and 70s. New modes of dance production developed by the New York neo-avant-garde of that period are addressed; the experimental attitude of the artists; and their interest in collaborative forms, among others. Based on the research results of my doctoral thesis, the literature on an emblematic discipline of postmodern dance, about which there are few publications in Spanish, is expanded. Further study may open imaginative horizons for new laboratory practices. 
id UFRGS-17_4376e82f0c137c213477d5365f13f18b
oai_identifier_str oai:seer.ufrgs.br:article/122206
network_acronym_str UFRGS-17
network_name_str Revista Brasileira de Estudos da Presença
repository_id_str
spelling The emergence of contact improvisation in the aesthetic-political laboratory of the 60s and 70sThe emergence of Contact Improvisation in the aesthetic-political laboratory of the 60s and 70sContact Improvisation. Dance. Laboratory. Neo-Avant-Garde. Experimentation.Contact Improvisationdancelaboratoryneo-avant-gardeexperimentationABSTRACT – The emergence of Contact Improvisation in the aesthetic-political laboratory of the 60s and 70s – This text reflects on the emergence of contact improvisation and the changes generated by postmodern dance in the American aesthetic-political context of the 60s and 70s. New modes of dance production developed by the New York neo-avant-garde of that period are addressed; the experimental attitude of the artists; and their interest in collaborative forms, among others. Based on the research results of my doctoral thesis, the literature on an emblematic discipline of postmodern dance, about which there are few publications in Spanish, is expanded. Further study may open imaginative horizons for new laboratory practices. This text reflects on the emergence of contact improvisation and the changes generated by postmodern dance in the American aesthetic-political context of the 60s and 70s. New modes of dance production developed by the New York neo-avant-garde of that period are addressed; the experimental attitude of the artists; and their interest in collaborative forms, among others. Based on the research results of my doctoral thesis, the literature on an emblematic discipline of postmodern dance, about which there are few publications in Spanish, is expanded. Further study may open imaginative horizons for new laboratory practices.Universidade Federal do Rio Grande do Sul2022-06-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/122206Brazilian Journal on Presence Studies; Vol. 12 No. 2 (2022): Abr./Jun. 2022; 1-26Révue Brésilienne d'Études de la Présence; Vol. 12 No. 2 (2022): Abr./Jun. 2022; 1-26Révue Brésilienne d'Études de la Présence; Vol. 12 No 2 (2022): Abr./Jun. 2022; 1-26Revista Brasileira de Estudos da Presença; v. 12 n. 2 (2022): Abr./Jun. 2022; 1-262237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/122206/85156Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessSinger, Mariela2022-06-28T13:21:19Zoai:seer.ufrgs.br:article/122206Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-06-28T13:21:19Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv The emergence of contact improvisation in the aesthetic-political laboratory of the 60s and 70s
The emergence of Contact Improvisation in the aesthetic-political laboratory of the 60s and 70s
title The emergence of contact improvisation in the aesthetic-political laboratory of the 60s and 70s
spellingShingle The emergence of contact improvisation in the aesthetic-political laboratory of the 60s and 70s
Singer, Mariela
Contact Improvisation. Dance. Laboratory. Neo-Avant-Garde. Experimentation.
Contact Improvisation
dance
laboratory
neo-avant-garde
experimentation
title_short The emergence of contact improvisation in the aesthetic-political laboratory of the 60s and 70s
title_full The emergence of contact improvisation in the aesthetic-political laboratory of the 60s and 70s
title_fullStr The emergence of contact improvisation in the aesthetic-political laboratory of the 60s and 70s
title_full_unstemmed The emergence of contact improvisation in the aesthetic-political laboratory of the 60s and 70s
title_sort The emergence of contact improvisation in the aesthetic-political laboratory of the 60s and 70s
author Singer, Mariela
author_facet Singer, Mariela
author_role author
dc.contributor.author.fl_str_mv Singer, Mariela
dc.subject.por.fl_str_mv Contact Improvisation. Dance. Laboratory. Neo-Avant-Garde. Experimentation.
Contact Improvisation
dance
laboratory
neo-avant-garde
experimentation
topic Contact Improvisation. Dance. Laboratory. Neo-Avant-Garde. Experimentation.
Contact Improvisation
dance
laboratory
neo-avant-garde
experimentation
description ABSTRACT – The emergence of Contact Improvisation in the aesthetic-political laboratory of the 60s and 70s – This text reflects on the emergence of contact improvisation and the changes generated by postmodern dance in the American aesthetic-political context of the 60s and 70s. New modes of dance production developed by the New York neo-avant-garde of that period are addressed; the experimental attitude of the artists; and their interest in collaborative forms, among others. Based on the research results of my doctoral thesis, the literature on an emblematic discipline of postmodern dance, about which there are few publications in Spanish, is expanded. Further study may open imaginative horizons for new laboratory practices. 
publishDate 2022
dc.date.none.fl_str_mv 2022-06-28
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/122206
url https://seer.ufrgs.br/index.php/presenca/article/view/122206
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/122206/85156
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 12 No. 2 (2022): Abr./Jun. 2022; 1-26
Révue Brésilienne d'Études de la Présence; Vol. 12 No. 2 (2022): Abr./Jun. 2022; 1-26
Révue Brésilienne d'Études de la Présence; Vol. 12 No 2 (2022): Abr./Jun. 2022; 1-26
Revista Brasileira de Estudos da Presença; v. 12 n. 2 (2022): Abr./Jun. 2022; 1-26
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
_version_ 1799766310116130816

Registros relacionados