The Actor-Document: traits of a poetics that challenges the limits between presence and representation
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Revista Brasileira de Estudos da Presença |
Texto Completo: | https://seer.ufrgs.br/index.php/presenca/article/view/108480 |
Resumo: | During the 1960s and 1970s, Argentine theater experienced an almost simultaneous interest in the documentary and the political, as well as a experimental hybridization of forms. Later developments led to the autobiographical theater of the 1980s and 1990s and to the biodrama of the 2000s. Mi vida después [My life after] by Lola Arias is a renowned play derived from these traditions. By analyzing the model of acting of this work and study the figure of the actor-document and its contribution to contemporary theater. The actor in this model brings into crisis notions of illusion and mimesis and challenges the limits between fiction and reality by constantly oscillating amidst presence and representation. |
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The Actor-Document: traits of a poetics that challenges the limits between presence and representationActor-DocumentPresenceRepresentationDocumentary TheaterPerformanceTheatre. Stagecraft. Dramatic performancesDuring the 1960s and 1970s, Argentine theater experienced an almost simultaneous interest in the documentary and the political, as well as a experimental hybridization of forms. Later developments led to the autobiographical theater of the 1980s and 1990s and to the biodrama of the 2000s. Mi vida después [My life after] by Lola Arias is a renowned play derived from these traditions. By analyzing the model of acting of this work and study the figure of the actor-document and its contribution to contemporary theater. The actor in this model brings into crisis notions of illusion and mimesis and challenges the limits between fiction and reality by constantly oscillating amidst presence and representation.Universidade Federal do Rio Grande do Sul2021-04-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/108480Brazilian Journal on Presence Studies; Vol. 11 No. 2 (2021): Abr./Jun. 2021; 01-22Révue Brésilienne d'Études de la Présence; Vol. 11 No. 2 (2021): Abr./Jun. 2021; 01-22Révue Brésilienne d'Études de la Présence; Vol. 11 No 2 (2021): Abr./Jun. 2021; 01-22Revista Brasileira de Estudos da Presença; v. 11 n. 2 (2021): Abr./Jun. 2021; 01-222237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/108480/61296Copyright (c) 2021 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessCobello, Denise2021-04-13T00:31:41Zoai:seer.ufrgs.br:article/108480Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2021-04-13T00:31:41Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
The Actor-Document: traits of a poetics that challenges the limits between presence and representation |
title |
The Actor-Document: traits of a poetics that challenges the limits between presence and representation |
spellingShingle |
The Actor-Document: traits of a poetics that challenges the limits between presence and representation Cobello, Denise Actor-Document Presence Representation Documentary Theater Performance Theatre. Stagecraft. Dramatic performances |
title_short |
The Actor-Document: traits of a poetics that challenges the limits between presence and representation |
title_full |
The Actor-Document: traits of a poetics that challenges the limits between presence and representation |
title_fullStr |
The Actor-Document: traits of a poetics that challenges the limits between presence and representation |
title_full_unstemmed |
The Actor-Document: traits of a poetics that challenges the limits between presence and representation |
title_sort |
The Actor-Document: traits of a poetics that challenges the limits between presence and representation |
author |
Cobello, Denise |
author_facet |
Cobello, Denise |
author_role |
author |
dc.contributor.author.fl_str_mv |
Cobello, Denise |
dc.subject.por.fl_str_mv |
Actor-Document Presence Representation Documentary Theater Performance Theatre. Stagecraft. Dramatic performances |
topic |
Actor-Document Presence Representation Documentary Theater Performance Theatre. Stagecraft. Dramatic performances |
description |
During the 1960s and 1970s, Argentine theater experienced an almost simultaneous interest in the documentary and the political, as well as a experimental hybridization of forms. Later developments led to the autobiographical theater of the 1980s and 1990s and to the biodrama of the 2000s. Mi vida después [My life after] by Lola Arias is a renowned play derived from these traditions. By analyzing the model of acting of this work and study the figure of the actor-document and its contribution to contemporary theater. The actor in this model brings into crisis notions of illusion and mimesis and challenges the limits between fiction and reality by constantly oscillating amidst presence and representation. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-04-12 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/108480 |
url |
https://seer.ufrgs.br/index.php/presenca/article/view/108480 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/108480/61296 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Revista Brasileira de Estudos da Presença info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Revista Brasileira de Estudos da Presença |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Brazilian Journal on Presence Studies; Vol. 11 No. 2 (2021): Abr./Jun. 2021; 01-22 Révue Brésilienne d'Études de la Présence; Vol. 11 No. 2 (2021): Abr./Jun. 2021; 01-22 Révue Brésilienne d'Études de la Présence; Vol. 11 No 2 (2021): Abr./Jun. 2021; 01-22 Revista Brasileira de Estudos da Presença; v. 11 n. 2 (2021): Abr./Jun. 2021; 01-22 2237-2660 reponame:Revista Brasileira de Estudos da Presença instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Revista Brasileira de Estudos da Presença |
collection |
Revista Brasileira de Estudos da Presença |
repository.name.fl_str_mv |
Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||rev.presenca@gmail.com |
_version_ |
1799766309545705472 |