Gordon Craig’s Scene Project: a history open to revision
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Brasileira de Estudos da Presença |
Texto Completo: | https://seer.ufrgs.br/index.php/presenca/article/view/49083 |
Resumo: | The article proposes a review of Gordon Craig’s Scene project, an invention patented in 1910 and developed until 1922. Craig himself kept an ambiguous position whether it was an unfulfilled project or not. His son and biographer Edward Craig sustained that Craig’s original aims were never achieved because of technical limitation, and most of the scholars who examined the matter followed this position. Departing from the actual screen models saved in the Bibliothèque Nationale de France, Craig’s original notebooks, and a short film from 1963, I defend that the patented project and the essay published in 1923 mean,indeed, the materialisation of the dreamed device of the thousand scenes in one scene. |
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Gordon Craig’s Scene Project: a history open to revisionLe Projet Scene de Gordon Craig: une histoire ouverte à révisionO Projeto Scene de Gordon Craig: uma história aberta à revisãoScreensSceneModelsStagecraftHistoryTelasCenaModelosCenotécnicaHistóriaThe article proposes a review of Gordon Craig’s Scene project, an invention patented in 1910 and developed until 1922. Craig himself kept an ambiguous position whether it was an unfulfilled project or not. His son and biographer Edward Craig sustained that Craig’s original aims were never achieved because of technical limitation, and most of the scholars who examined the matter followed this position. Departing from the actual screen models saved in the Bibliothèque Nationale de France, Craig’s original notebooks, and a short film from 1963, I defend that the patented project and the essay published in 1923 mean,indeed, the materialisation of the dreamed device of the thousand scenes in one scene.L’article a pour but de faire une révision du projet Scene, de Gordon Craig, une invention brevetée en 1910 et développée jusqu’en 1922. Craig lui-même a soutenu une position ambiguë s’il s’agissait ou non d’un projet irréalisé. Son fils et biographe, Edward Craig a défendu que les aspirations originales de Craig n’aient jamais été atteintes à cause des limitations techniques et la plupart des chercheurs qui ont examiné la question ont suivi cette position. Je pars des écrans modèles gardés à la Bibliothèque Nationale de France, des cahiers d’annotations originaux de Craig et d’un court métrage datant de 1963, pour défendre que le projet breveté et l’essai publié en 1923 représentent la vraie concrétisation du dispositif rêvé des milles scènes en une scène.O artigo propõe uma revisão do projeto Scene, de Gordon Craig, uma invenção patenteada em 1910 e desenvolvida até 1922. O próprio Craig manteve uma posição ambígua sobre se foi ou não um projeto irrealizado. Seu filho e biógrafo Edward Craig sustentou que as aspirações originais de Craig nunca foram alcançadas devido a limitações técnicas, e a maioria dos estudiosos que examinaram o assunto seguiram essa posição. Partindo das telas modelos guardadas na Biblioteca Nacional da França, dos cadernos de anotação originais de Craig e de um curta-metragem de 1963, eu defendo que o projeto patenteado e o ensaio publicado em 1923 representam, de fato, a concretização do sonhado dispositivo das mil cenas em uma cena.Universidade Federal do Rio Grande do Sul2022-10-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/49083Brazilian Journal on Presence Studies; Vol. 4 No. 3 (2014): set./dez. 2014; 443-462Révue Brésilienne d'Études de la Présence; Vol. 4 No. 3 (2014): set./dez. 2014; 443-462Révue Brésilienne d'Études de la Présence; Vol. 4 No 3 (2014): set./dez. 2014; 443-462Revista Brasileira de Estudos da Presença; v. 4 n. 3 (2014): set./dez. 2014; 443-4622237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/49083/50601Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessRamos (Universidade de São Paulo, São Paulo/SP, Brasil), Luiz Fernando2022-10-14T19:23:53Zoai:seer.ufrgs.br:article/49083Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-14T19:23:53Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
Gordon Craig’s Scene Project: a history open to revision Le Projet Scene de Gordon Craig: une histoire ouverte à révision O Projeto Scene de Gordon Craig: uma história aberta à revisão |
title |
Gordon Craig’s Scene Project: a history open to revision |
spellingShingle |
Gordon Craig’s Scene Project: a history open to revision Ramos (Universidade de São Paulo, São Paulo/SP, Brasil), Luiz Fernando Screens Scene Models Stagecraft History Telas Cena Modelos Cenotécnica História |
title_short |
Gordon Craig’s Scene Project: a history open to revision |
title_full |
Gordon Craig’s Scene Project: a history open to revision |
title_fullStr |
Gordon Craig’s Scene Project: a history open to revision |
title_full_unstemmed |
Gordon Craig’s Scene Project: a history open to revision |
title_sort |
Gordon Craig’s Scene Project: a history open to revision |
author |
Ramos (Universidade de São Paulo, São Paulo/SP, Brasil), Luiz Fernando |
author_facet |
Ramos (Universidade de São Paulo, São Paulo/SP, Brasil), Luiz Fernando |
author_role |
author |
dc.contributor.author.fl_str_mv |
Ramos (Universidade de São Paulo, São Paulo/SP, Brasil), Luiz Fernando |
dc.subject.por.fl_str_mv |
Screens Scene Models Stagecraft History Telas Cena Modelos Cenotécnica História |
topic |
Screens Scene Models Stagecraft History Telas Cena Modelos Cenotécnica História |
description |
The article proposes a review of Gordon Craig’s Scene project, an invention patented in 1910 and developed until 1922. Craig himself kept an ambiguous position whether it was an unfulfilled project or not. His son and biographer Edward Craig sustained that Craig’s original aims were never achieved because of technical limitation, and most of the scholars who examined the matter followed this position. Departing from the actual screen models saved in the Bibliothèque Nationale de France, Craig’s original notebooks, and a short film from 1963, I defend that the patented project and the essay published in 1923 mean,indeed, the materialisation of the dreamed device of the thousand scenes in one scene. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-10-14 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/49083 |
url |
https://seer.ufrgs.br/index.php/presenca/article/view/49083 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/49083/50601 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Revista Brasileira de Estudos da Presença info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Revista Brasileira de Estudos da Presença |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Brazilian Journal on Presence Studies; Vol. 4 No. 3 (2014): set./dez. 2014; 443-462 Révue Brésilienne d'Études de la Présence; Vol. 4 No. 3 (2014): set./dez. 2014; 443-462 Révue Brésilienne d'Études de la Présence; Vol. 4 No 3 (2014): set./dez. 2014; 443-462 Revista Brasileira de Estudos da Presença; v. 4 n. 3 (2014): set./dez. 2014; 443-462 2237-2660 reponame:Revista Brasileira de Estudos da Presença instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Revista Brasileira de Estudos da Presença |
collection |
Revista Brasileira de Estudos da Presença |
repository.name.fl_str_mv |
Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||rev.presenca@gmail.com |
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