Transcestrality, Travestiland, Traviarchy:: the stage and gender dissidences in Brazil

Detalhes bibliográficos
Autor(a) principal: Meneses, Emerson
Data de Publicação: 2024
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/138422
Resumo: Transcestrality, Travestiland, Traviarchy: the stage and gender dissidences in Brazil – This article aims to put into historical perspective the relationship between the arts (especially performing arts) and travestilities in Brazil since the beginning of the 20th century. Based on a literature review that included both academic works and non-academic documents, the study identifies three patterns (or paradigms) experienced by travesti artists in what refers to their insertion in society: transcestrality, travestiland, and, more recently, traviarchy. This allows a better interpretation and understanding of the role played by the current generation of these artists: if on the one hand they fuel social change with a work which is both artistic and political, on the other this role can only be understood as the result of a historical process, in which the importance and contribution of artists from the other two paradigms must be also recognized.
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spelling Transcestrality, Travestiland, Traviarchy:: the stage and gender dissidences in BrazilTranscentralité, Travestiland, Traviarchie :: la scène et la dissidence de genre au BrésilTranscestrality, Travestiland, Traviarchy:: the stage and gender dissidences in BrazilTravestisPerforming ArtsSociocultural MediationGender DissidencesTravestisArts du SpectacleMédiation SocioculturelleDissidence de GenreTranscestrality, Travestiland, Traviarchy: the stage and gender dissidences in Brazil – This article aims to put into historical perspective the relationship between the arts (especially performing arts) and travestilities in Brazil since the beginning of the 20th century. Based on a literature review that included both academic works and non-academic documents, the study identifies three patterns (or paradigms) experienced by travesti artists in what refers to their insertion in society: transcestrality, travestiland, and, more recently, traviarchy. This allows a better interpretation and understanding of the role played by the current generation of these artists: if on the one hand they fuel social change with a work which is both artistic and political, on the other this role can only be understood as the result of a historical process, in which the importance and contribution of artists from the other two paradigms must be also recognized.Transcentralité, Travestiland, Traviarchie : la scène et la dissidence de genre au Brésil – Cet article vise à mettre en perspective historique les relations entre les arts (notamment les arts du spectacle) et les identités ‘travestis’ au Brésil depuis le XXe siècle. S’appuyant sur une revue de la littérature incluant à la fois des travaux académiques et des documents non académiques, l’étude identifie trois modèles (ou paradigmes) d’insertion dans la société vécus par les artistes ‘travestis’ : la transcestralité, le travestiland et, plus récemment, la traviarchie. Cette distinction permet de mieux interpréter et comprendre le rôle social joué par la génération actuelle de ces artistes : si d’un côté elles alimentent le changement social avec leur travail à la fois artistique et politique, de l’autre ce rôle ne peut être compris que comme le résultat d’un processus historique, dans lequel l’importance et la contribution des artistes des deux autres paradigmes doivent également être reconnues.Transcestrality, Travestiland, Traviarchy: the stage and gender dissidences in Brazil – This article aims to put into historical perspective the relationship between the arts (especially performing arts) and travestilities in Brazil since the beginning of the 20th century. Based on a literature review that included both academic works and non-academic documents, the study identifies three patterns (or paradigms) experienced by travesti artists in what refers to their insertion in society: transcestrality, travestiland, and, more recently, traviarchy. This allows a better interpretation and understanding of the role played by the current generation of these artists: if on the one hand they fuel social change with a work which is both artistic and political, on the other this role can only be understood as the result of a historical process, in which the importance and contribution of artists from the other two paradigms must be also recognized.Universidade Federal do Rio Grande do Sul2024-04-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/138422Brazilian Journal on Presence Studies; Vol. 14 No. 2 (2024): Abr./Jun. 2024Révue Brésilienne d'Études de la Présence; Vol. 14 No. 2 (2024): Abr./Jun. 2024Révue Brésilienne d'Études de la Présence; Vol. 14 No 2 (2024): Abr./Jun. 2024Revista Brasileira de Estudos da Presença; v. 14 n. 2 (2024): Abr./Jun. 20242237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/138422/91796Copyright (c) 2024 Revista Brasileira de Estudos da Presençahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMeneses, Emerson2024-04-30T00:40:41Zoai:seer.ufrgs.br:article/138422Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2024-04-30T00:40:41Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Transcestrality, Travestiland, Traviarchy:: the stage and gender dissidences in Brazil
Transcentralité, Travestiland, Traviarchie :: la scène et la dissidence de genre au Brésil
Transcestrality, Travestiland, Traviarchy:: the stage and gender dissidences in Brazil
title Transcestrality, Travestiland, Traviarchy:: the stage and gender dissidences in Brazil
spellingShingle Transcestrality, Travestiland, Traviarchy:: the stage and gender dissidences in Brazil
Meneses, Emerson
Travestis
Performing Arts
Sociocultural Mediation
Gender Dissidences
Travestis
Arts du Spectacle
Médiation Socioculturelle
Dissidence de Genre
title_short Transcestrality, Travestiland, Traviarchy:: the stage and gender dissidences in Brazil
title_full Transcestrality, Travestiland, Traviarchy:: the stage and gender dissidences in Brazil
title_fullStr Transcestrality, Travestiland, Traviarchy:: the stage and gender dissidences in Brazil
title_full_unstemmed Transcestrality, Travestiland, Traviarchy:: the stage and gender dissidences in Brazil
title_sort Transcestrality, Travestiland, Traviarchy:: the stage and gender dissidences in Brazil
author Meneses, Emerson
author_facet Meneses, Emerson
author_role author
dc.contributor.author.fl_str_mv Meneses, Emerson
dc.subject.por.fl_str_mv Travestis
Performing Arts
Sociocultural Mediation
Gender Dissidences
Travestis
Arts du Spectacle
Médiation Socioculturelle
Dissidence de Genre
topic Travestis
Performing Arts
Sociocultural Mediation
Gender Dissidences
Travestis
Arts du Spectacle
Médiation Socioculturelle
Dissidence de Genre
description Transcestrality, Travestiland, Traviarchy: the stage and gender dissidences in Brazil – This article aims to put into historical perspective the relationship between the arts (especially performing arts) and travestilities in Brazil since the beginning of the 20th century. Based on a literature review that included both academic works and non-academic documents, the study identifies three patterns (or paradigms) experienced by travesti artists in what refers to their insertion in society: transcestrality, travestiland, and, more recently, traviarchy. This allows a better interpretation and understanding of the role played by the current generation of these artists: if on the one hand they fuel social change with a work which is both artistic and political, on the other this role can only be understood as the result of a historical process, in which the importance and contribution of artists from the other two paradigms must be also recognized.
publishDate 2024
dc.date.none.fl_str_mv 2024-04-29
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/138422
url https://seer.ufrgs.br/index.php/presenca/article/view/138422
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/138422/91796
dc.rights.driver.fl_str_mv Copyright (c) 2024 Revista Brasileira de Estudos da Presença
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2024 Revista Brasileira de Estudos da Presença
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 14 No. 2 (2024): Abr./Jun. 2024
Révue Brésilienne d'Études de la Présence; Vol. 14 No. 2 (2024): Abr./Jun. 2024
Révue Brésilienne d'Études de la Présence; Vol. 14 No 2 (2024): Abr./Jun. 2024
Revista Brasileira de Estudos da Presença; v. 14 n. 2 (2024): Abr./Jun. 2024
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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