Image: from cinema to performance

Detalhes bibliográficos
Autor(a) principal: Sehn, Carina
Data de Publicação: 2022
Outros Autores: Zordan (Universidade Federal do Rio Grande do Sul, Porto Alegre/RS, Brasil), Paola
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/44271
Resumo: In the scope of a research on the body arts, the text approaches the issue of image representation in face of corporeal forces. With Deleuze’s philosophical studies on cinema, we bring his image taxonomy, which passes from a movement-image to a time-image, and we also consider theater to analyze how an image is launched from a stratified and moralizing representation to a performative and resonating image. The work of contemporary artists allows and makes us think an image in its relation with the new, with what is impossible to restrain, with images produced by the art of performance, by a body which creates images successively.
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spelling Image: from cinema to performanceImage: du cinéma à la performanceImagem: do cinema para a performancePerformance ArtImageBodyCinemaRepresentationPerformanceImageCorpsCinémaReprésentationPerformanceIn the scope of a research on the body arts, the text approaches the issue of image representation in face of corporeal forces. With Deleuze’s philosophical studies on cinema, we bring his image taxonomy, which passes from a movement-image to a time-image, and we also consider theater to analyze how an image is launched from a stratified and moralizing representation to a performative and resonating image. The work of contemporary artists allows and makes us think an image in its relation with the new, with what is impossible to restrain, with images produced by the art of performance, by a body which creates images successively.Dans le cadre d’une recherche sur les arts du corps, le texte qui suit parle de la question de la représentation de l’image face à des forces corporelles. Avec les études philosophiques que Deleuze réalise sur le cinéma, nous apportons sa taxinomie de l’image, qui passe d’une image-mouvement à une imagetemps, et nous considérons aussi le théâtre pour une analyse de la façon dont l’image passe de la représentation stratifiée, moralisante, à une image performative, vibratile. Le travail de certains artistes contemporains nous permet de penser l’image dans son rapport avec le nouveau, avec ce qui ne peut pas être contenu, avec les images produites par l’art de la performance, par un corps qui crée des images successivement.No âmbito de uma pesquisa sobre as artes do corpo, o texto aborda o problema da representação da imagem perante as forças corpóreas. Com os estudos filosóficos que Deleuze faz junto ao cinema, trazemos sua taxionomia da imagem, que passa de uma imagem-movimento a uma imagem-tempo, e também consideramos o teatro para analisar como a imagem se lança de uma representação estratificada, moralizante, a uma imagem performática, vibrátil. O trabalho de artistas contemporâneos nos permite e faz pensar a imagem na sua relação com o novo, com o que não é possível conter, com as imagens produzidas pela arte da performance, por um corpo que cria imagens sucessivamente.Universidade Federal do Rio Grande do Sul2022-10-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/44271Brazilian Journal on Presence Studies; Vol. 4 No. 3 (2014): set./dez. 2014; 551-568Révue Brésilienne d'Études de la Présence; Vol. 4 No. 3 (2014): set./dez. 2014; 551-568Révue Brésilienne d'Études de la Présence; Vol. 4 No 3 (2014): set./dez. 2014; 551-568Revista Brasileira de Estudos da Presença; v. 4 n. 3 (2014): set./dez. 2014; 551-5682237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/44271/50612Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessSehn, CarinaZordan (Universidade Federal do Rio Grande do Sul, Porto Alegre/RS, Brasil), Paola2022-10-14T19:23:58Zoai:seer.ufrgs.br:article/44271Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-14T19:23:58Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Image: from cinema to performance
Image: du cinéma à la performance
Imagem: do cinema para a performance
title Image: from cinema to performance
spellingShingle Image: from cinema to performance
Sehn, Carina
Performance Art
Image
Body
Cinema
Representation
Performance
Image
Corps
Cinéma
Représentation
Performance
title_short Image: from cinema to performance
title_full Image: from cinema to performance
title_fullStr Image: from cinema to performance
title_full_unstemmed Image: from cinema to performance
title_sort Image: from cinema to performance
author Sehn, Carina
author_facet Sehn, Carina
Zordan (Universidade Federal do Rio Grande do Sul, Porto Alegre/RS, Brasil), Paola
author_role author
author2 Zordan (Universidade Federal do Rio Grande do Sul, Porto Alegre/RS, Brasil), Paola
author2_role author
dc.contributor.author.fl_str_mv Sehn, Carina
Zordan (Universidade Federal do Rio Grande do Sul, Porto Alegre/RS, Brasil), Paola
dc.subject.por.fl_str_mv Performance Art
Image
Body
Cinema
Representation
Performance
Image
Corps
Cinéma
Représentation
Performance
topic Performance Art
Image
Body
Cinema
Representation
Performance
Image
Corps
Cinéma
Représentation
Performance
description In the scope of a research on the body arts, the text approaches the issue of image representation in face of corporeal forces. With Deleuze’s philosophical studies on cinema, we bring his image taxonomy, which passes from a movement-image to a time-image, and we also consider theater to analyze how an image is launched from a stratified and moralizing representation to a performative and resonating image. The work of contemporary artists allows and makes us think an image in its relation with the new, with what is impossible to restrain, with images produced by the art of performance, by a body which creates images successively.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-14
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/44271
url https://seer.ufrgs.br/index.php/presenca/article/view/44271
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/44271/50612
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 4 No. 3 (2014): set./dez. 2014; 551-568
Révue Brésilienne d'Études de la Présence; Vol. 4 No. 3 (2014): set./dez. 2014; 551-568
Révue Brésilienne d'Études de la Présence; Vol. 4 No 3 (2014): set./dez. 2014; 551-568
Revista Brasileira de Estudos da Presença; v. 4 n. 3 (2014): set./dez. 2014; 551-568
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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