Postdramatic Theatre and Postdramatic Performance

Detalhes bibliográficos
Autor(a) principal: Carlson (The City University of New York – Nova Iorque, Estados Unidos), Marvin
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/57863
Resumo: Beginning with the concept of a postdramatic theatre as articulated by the German theorist Hans-Thies Lehmann, this essay considers the recent work of several major international directors – Ivo van Hove, Punchdrunk, Signa and others – as examples of postdramatic performance. It argues that what they have in common is a challenge to the traditional concept of mimesis and of the theatre world as a fictional construct distinctly separated from everyday life and its surroundings. 
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spelling Postdramatic Theatre and Postdramatic PerformanceThéâtre Postdramatique et performance PostdramatiqueTeatro Pós-dramático e Performance Pós-dramáticaTeatroPerformancePós-dramáticoHans-Thies LehmannArtesTheatrePerformancePostdramaticHans-Thies LehmannArtsThéâtrePerformancePostdramatiqueHans-Thies LehmannArtsBeginning with the concept of a postdramatic theatre as articulated by the German theorist Hans-Thies Lehmann, this essay considers the recent work of several major international directors – Ivo van Hove, Punchdrunk, Signa and others – as examples of postdramatic performance. It argues that what they have in common is a challenge to the traditional concept of mimesis and of the theatre world as a fictional construct distinctly separated from everyday life and its surroundings. Cet essai parle du concept de théâtre postdramatique, tel qu’il a été formulé par le théoricien allemand Hans-Thies Lehmann. Les exemples de performances postdramatiques étudiées ici sont des oeuvres récentes d’importants metteurs en scène de divers pays - dont, notamment, Ivo van Hove, Punchdrunk et Signa. Il est avancé que le point commun à ces oeuvres est de défier le concept traditionnel de la mimésis et de l’univers théâtral en tant que construction fictive clairement isolée de la vie quotidienne et de ses circonstances.Este ensaio inicia com o conceito de teatro pós-dramático conforme formulado pelo teórico alemão Hans- Thies Lehmann e nele se consideram as obras recentes de vários diretores internacionais relevantes – Ivo van Hove, Punchdrunk, Signa, entre outros – como exemplos de performance pós-dramática. Argumenta-se que o ponto comum a essas obras desafia o conceito tradicional de mimese e do universo teatral como construto fictício claramente separado da vida cotidiana e de suas circunstâncias. Universidade Federal do Rio Grande do Sul2022-10-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/57863Brazilian Journal on Presence Studies; Vol. 5 No. 3 (2015): set./dez. 2015; 577-595Révue Brésilienne d'Études de la Présence; Vol. 5 No. 3 (2015): set./dez. 2015; 577-595Révue Brésilienne d'Études de la Présence; Vol. 5 No 3 (2015): set./dez. 2015; 577-595Revista Brasileira de Estudos da Presença; v. 5 n. 3 (2015): set./dez. 2015; 577-5952237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/57863/50517Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessCarlson (The City University of New York – Nova Iorque, Estados Unidos), Marvin2022-10-13T18:25:06Zoai:seer.ufrgs.br:article/57863Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-13T18:25:06Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Postdramatic Theatre and Postdramatic Performance
Théâtre Postdramatique et performance Postdramatique
Teatro Pós-dramático e Performance Pós-dramática
title Postdramatic Theatre and Postdramatic Performance
spellingShingle Postdramatic Theatre and Postdramatic Performance
Carlson (The City University of New York – Nova Iorque, Estados Unidos), Marvin
Teatro
Performance
Pós-dramático
Hans-Thies Lehmann
Artes
Theatre
Performance
Postdramatic
Hans-Thies Lehmann
Arts
Théâtre
Performance
Postdramatique
Hans-Thies Lehmann
Arts
title_short Postdramatic Theatre and Postdramatic Performance
title_full Postdramatic Theatre and Postdramatic Performance
title_fullStr Postdramatic Theatre and Postdramatic Performance
title_full_unstemmed Postdramatic Theatre and Postdramatic Performance
title_sort Postdramatic Theatre and Postdramatic Performance
author Carlson (The City University of New York – Nova Iorque, Estados Unidos), Marvin
author_facet Carlson (The City University of New York – Nova Iorque, Estados Unidos), Marvin
author_role author
dc.contributor.author.fl_str_mv Carlson (The City University of New York – Nova Iorque, Estados Unidos), Marvin
dc.subject.por.fl_str_mv Teatro
Performance
Pós-dramático
Hans-Thies Lehmann
Artes
Theatre
Performance
Postdramatic
Hans-Thies Lehmann
Arts
Théâtre
Performance
Postdramatique
Hans-Thies Lehmann
Arts
topic Teatro
Performance
Pós-dramático
Hans-Thies Lehmann
Artes
Theatre
Performance
Postdramatic
Hans-Thies Lehmann
Arts
Théâtre
Performance
Postdramatique
Hans-Thies Lehmann
Arts
description Beginning with the concept of a postdramatic theatre as articulated by the German theorist Hans-Thies Lehmann, this essay considers the recent work of several major international directors – Ivo van Hove, Punchdrunk, Signa and others – as examples of postdramatic performance. It argues that what they have in common is a challenge to the traditional concept of mimesis and of the theatre world as a fictional construct distinctly separated from everyday life and its surroundings. 
publishDate 2022
dc.date.none.fl_str_mv 2022-10-13
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/57863
url https://seer.ufrgs.br/index.php/presenca/article/view/57863
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/57863/50517
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 5 No. 3 (2015): set./dez. 2015; 577-595
Révue Brésilienne d'Études de la Présence; Vol. 5 No. 3 (2015): set./dez. 2015; 577-595
Révue Brésilienne d'Études de la Présence; Vol. 5 No 3 (2015): set./dez. 2015; 577-595
Revista Brasileira de Estudos da Presença; v. 5 n. 3 (2015): set./dez. 2015; 577-595
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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