A Dialogue on the Banks of the Ganges: Gordon Craig and Ananda Coomaraswamy
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Brasileira de Estudos da Presença |
Texto Completo: | https://seer.ufrgs.br/index.php/presenca/article/view/45461 |
Resumo: | This paper analyzes the dialogue between Edward Gordon Craig and Ananda Coomaraswamy, a historian of Indian art, as launching point of the investigative universe known as intercultural theater and the consequences of this dialogue in the thought of the British director, challenging his creation of the Über-marionette. From this dialogue, the text presents Gordon Craig’s cautious stance on trade between cultural traditions. Those inherent idiosyncrasies in these exchanges, which populated the research throughout the 20th and early 21st centuries, are problematized in this article. The debate’s cyclical aspect is exemplified, recovering the clash between Rustom Bharucha, severe critic of Western attempts to Interculturalism and Richard Schechner, one of the mentors of intercultural theater. |
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A Dialogue on the Banks of the Ganges: Gordon Craig and Ananda CoomaraswamyUn Dialogue sur les Rives du Gange: Gordon Craig et Ananda CoomaraswamyUm Diálogo às Margens do Ganges: Gordon Craig e Ananda CoomaraswamyEdward Gordon CraigÜber-marionetteInterculturalismTheatreEastern TheatreEdward Gordon CraigSur-marionnetteInterculturalismeThéâtreThéâtre OrientalEdward Gordon CraigÜber-marionetteInterculturalismoTeatroTeatro Oriental792This paper analyzes the dialogue between Edward Gordon Craig and Ananda Coomaraswamy, a historian of Indian art, as launching point of the investigative universe known as intercultural theater and the consequences of this dialogue in the thought of the British director, challenging his creation of the Über-marionette. From this dialogue, the text presents Gordon Craig’s cautious stance on trade between cultural traditions. Those inherent idiosyncrasies in these exchanges, which populated the research throughout the 20th and early 21st centuries, are problematized in this article. The debate’s cyclical aspect is exemplified, recovering the clash between Rustom Bharucha, severe critic of Western attempts to Interculturalism and Richard Schechner, one of the mentors of intercultural theater.L’article examine le dialogue entre Edward Gordon Craig et Ananda Coomaraswamy, historien de l’art indien, comme point de départ de l’univers d’investigation connu sous le nom de théâtre interculturel et les conséquences de ce dialogue dans la pensée du metteur en scène anglais, contestant sa création de la sur-marionnette. A partir de ce dialogue, le texte présente la position prudente de Gordon Craig concernant les échanges entre traditions culturelles. Sont interrogées les idiosyncrasies inhérentes à ces changes, qui ont peuplé la recherche tout au long du XXe siècle et au début du XXIe. L’aspect cyclique du débat est illustré par la confrontation entre Rustom Bharucha, critique sévère des tentatives occidentales d’interculturalisme, et Richard Schechner, l’un des mentors du théâtre interculturel.O artigo analisa o diálogo entre Edward Gordon Craig e Ananda Coomaraswamy, historiador de arte indiana, como ponto inaugural do universo investigativo conhecido como teatro intercultural e as consequências desse diálogo no pensamento do diretor inglês, desafiando sua criação do Über-marionette. A partir desse diálogo, o texto apresenta a postura precavida de Gordon Craig sobre as trocas entre tradições culturais. Problematiza-se as idiossincrasias inerentes a estes intercâmbios, que povoaram as pesquisas ao longo do século XX e início do XXI. Exemplifica-se o aspecto cíclico do debate, resgatando o embate entre Rustom Bharucha, crítico severo das tentativas de interculturalismo ocidental, e Richard Schechner, um dos mentores do teatro intercultural.Universidade Federal do Rio Grande do Sul2022-10-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/45461Brazilian Journal on Presence Studies; Vol. 4 No. 3 (2014): set./dez. 2014; 463-485Révue Brésilienne d'Études de la Présence; Vol. 4 No. 3 (2014): set./dez. 2014; 463-485Révue Brésilienne d'Études de la Présence; Vol. 4 No 3 (2014): set./dez. 2014; 463-485Revista Brasileira de Estudos da Presença; v. 4 n. 3 (2014): set./dez. 2014; 463-4852237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/45461/50603Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessRibeiro (Universidade de São Paulo, São Paulo/SP, Brasil), Almir2022-10-14T19:23:57Zoai:seer.ufrgs.br:article/45461Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-14T19:23:57Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
A Dialogue on the Banks of the Ganges: Gordon Craig and Ananda Coomaraswamy Un Dialogue sur les Rives du Gange: Gordon Craig et Ananda Coomaraswamy Um Diálogo às Margens do Ganges: Gordon Craig e Ananda Coomaraswamy |
title |
A Dialogue on the Banks of the Ganges: Gordon Craig and Ananda Coomaraswamy |
spellingShingle |
A Dialogue on the Banks of the Ganges: Gordon Craig and Ananda Coomaraswamy Ribeiro (Universidade de São Paulo, São Paulo/SP, Brasil), Almir Edward Gordon Craig Über-marionette Interculturalism Theatre Eastern Theatre Edward Gordon Craig Sur-marionnette Interculturalisme Théâtre Théâtre Oriental Edward Gordon Craig Über-marionette Interculturalismo Teatro Teatro Oriental 792 |
title_short |
A Dialogue on the Banks of the Ganges: Gordon Craig and Ananda Coomaraswamy |
title_full |
A Dialogue on the Banks of the Ganges: Gordon Craig and Ananda Coomaraswamy |
title_fullStr |
A Dialogue on the Banks of the Ganges: Gordon Craig and Ananda Coomaraswamy |
title_full_unstemmed |
A Dialogue on the Banks of the Ganges: Gordon Craig and Ananda Coomaraswamy |
title_sort |
A Dialogue on the Banks of the Ganges: Gordon Craig and Ananda Coomaraswamy |
author |
Ribeiro (Universidade de São Paulo, São Paulo/SP, Brasil), Almir |
author_facet |
Ribeiro (Universidade de São Paulo, São Paulo/SP, Brasil), Almir |
author_role |
author |
dc.contributor.author.fl_str_mv |
Ribeiro (Universidade de São Paulo, São Paulo/SP, Brasil), Almir |
dc.subject.por.fl_str_mv |
Edward Gordon Craig Über-marionette Interculturalism Theatre Eastern Theatre Edward Gordon Craig Sur-marionnette Interculturalisme Théâtre Théâtre Oriental Edward Gordon Craig Über-marionette Interculturalismo Teatro Teatro Oriental 792 |
topic |
Edward Gordon Craig Über-marionette Interculturalism Theatre Eastern Theatre Edward Gordon Craig Sur-marionnette Interculturalisme Théâtre Théâtre Oriental Edward Gordon Craig Über-marionette Interculturalismo Teatro Teatro Oriental 792 |
description |
This paper analyzes the dialogue between Edward Gordon Craig and Ananda Coomaraswamy, a historian of Indian art, as launching point of the investigative universe known as intercultural theater and the consequences of this dialogue in the thought of the British director, challenging his creation of the Über-marionette. From this dialogue, the text presents Gordon Craig’s cautious stance on trade between cultural traditions. Those inherent idiosyncrasies in these exchanges, which populated the research throughout the 20th and early 21st centuries, are problematized in this article. The debate’s cyclical aspect is exemplified, recovering the clash between Rustom Bharucha, severe critic of Western attempts to Interculturalism and Richard Schechner, one of the mentors of intercultural theater. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-10-14 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/45461 |
url |
https://seer.ufrgs.br/index.php/presenca/article/view/45461 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/45461/50603 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Revista Brasileira de Estudos da Presença info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Revista Brasileira de Estudos da Presença |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Brazilian Journal on Presence Studies; Vol. 4 No. 3 (2014): set./dez. 2014; 463-485 Révue Brésilienne d'Études de la Présence; Vol. 4 No. 3 (2014): set./dez. 2014; 463-485 Révue Brésilienne d'Études de la Présence; Vol. 4 No 3 (2014): set./dez. 2014; 463-485 Revista Brasileira de Estudos da Presença; v. 4 n. 3 (2014): set./dez. 2014; 463-485 2237-2660 reponame:Revista Brasileira de Estudos da Presença instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Revista Brasileira de Estudos da Presença |
collection |
Revista Brasileira de Estudos da Presença |
repository.name.fl_str_mv |
Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||rev.presenca@gmail.com |
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