The Perception is a Prism: body, presence and technologies
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Brasileira de Estudos da Presença |
Texto Completo: | https://seer.ufrgs.br/index.php/presenca/article/view/46743 |
Resumo: | Starting from an interdisciplinary perspective of the concepts of body, perception, and technologies in the contemporary scene, this text will attempt to define the general aesthetic notion as bodyscape as an extension of the performer’s perception. Through a survey of some key practices from the contemporary scene such as choreographic compositions by Myriam Gourfink, Isabelle Choinière, and project of motion signature by Martine Époque and Denis Poulin, the impact of technologies on redefining the process of the performer’s perception in the composition of the movement and the change of the notion of presence will be analysed. In this sense, a series of modifications that influence also the spectator’s perception is presented. Therefore, the notion of empathy is discussed, and an attempt to find out how this applies in the context of a digital image of the body is made. |
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The Perception is a Prism: body, presence and technologiesLa Perception est un Prisme: corps, présence, technologiesA Percepção é um Prisma: corpo, presença e tecnologiasCorpoPercepçãoMovimentoPresençaTecnologiasBodyPerceptionMovementPresenceTechnologiesCorpsPerceptionMouvementPrésenceTechnologiesStarting from an interdisciplinary perspective of the concepts of body, perception, and technologies in the contemporary scene, this text will attempt to define the general aesthetic notion as bodyscape as an extension of the performer’s perception. Through a survey of some key practices from the contemporary scene such as choreographic compositions by Myriam Gourfink, Isabelle Choinière, and project of motion signature by Martine Époque and Denis Poulin, the impact of technologies on redefining the process of the performer’s perception in the composition of the movement and the change of the notion of presence will be analysed. In this sense, a series of modifications that influence also the spectator’s perception is presented. Therefore, the notion of empathy is discussed, and an attempt to find out how this applies in the context of a digital image of the body is made.En partant d’une perspective interdisciplinaire autour du corps, de la perception et de l’intervention des technologies sur la scène contemporaine, ce texte définit la notion de bodyscape comme forme d’extension de la perception du performeur. En analysant des processus de composition chorégraphiques contemporains – Myriam Gourfink, Isabelle Chonière, et le projet signature motrice conçu et dirigé par Martine Époque et Denis Paulin – nous discuterons l’intervention des technologies sur la redéfinition de la perception des performeurs, pendant la composition du mouvement en redefinissant la notion de présence. Le cadre de cette réflexion mène aussi à interroger les modifications de la perception concernant le spectateur en nous permettant d’introduire la notion d’empathie pour comprendre si cela s’applique face à l’image numérique du corps.Ao partir de uma perspectiva interdisciplinar acerca dos conceitos de corpo, percepção e tecnologias na cena contemporânea, este texto tentará definir a noção estética geral de bodyscape como uma extensão da percepção do performer. Por meio de um exame de algumas práticas chave da cena contemporânea, como as composições coreográficas de Myriam Gourfink, Isabelle Choinière e o projeto de assinatura do movimento de Martine Époque e Denis Poulin, analisa-se o impacto das tecnologias sobre a redefinição do processo da percepção do performer na composição do movimento e a mudança da noção de presença. Nesse sentido, tem-se uma série das modificações que também influenciam a percepção do espectador. Portanto, discute-se a noção de empatia e tenta-se descobrir como ela se aplica ao contextode uma imagem digital do corpo.Universidade Federal do Rio Grande do Sul2022-10-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/46743Brazilian Journal on Presence Studies; Vol. 4 No. 2 (2014): maio/ago. 2014; 174-204Révue Brésilienne d'Études de la Présence; Vol. 4 No. 2 (2014): maio/ago. 2014; 174-204Révue Brésilienne d'Études de la Présence; Vol. 4 No 2 (2014): maio/ago. 2014; 174-204Revista Brasileira de Estudos da Presença; v. 4 n. 2 (2014): maio/ago. 2014; 174-2042237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/46743/50619Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessPitozzi (Universidade de Bolonha - Bolonha, Itália), Enrico2022-10-16T20:42:34Zoai:seer.ufrgs.br:article/46743Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-16T20:42:34Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
The Perception is a Prism: body, presence and technologies La Perception est un Prisme: corps, présence, technologies A Percepção é um Prisma: corpo, presença e tecnologias |
title |
The Perception is a Prism: body, presence and technologies |
spellingShingle |
The Perception is a Prism: body, presence and technologies Pitozzi (Universidade de Bolonha - Bolonha, Itália), Enrico Corpo Percepção Movimento Presença Tecnologias Body Perception Movement Presence Technologies Corps Perception Mouvement Présence Technologies |
title_short |
The Perception is a Prism: body, presence and technologies |
title_full |
The Perception is a Prism: body, presence and technologies |
title_fullStr |
The Perception is a Prism: body, presence and technologies |
title_full_unstemmed |
The Perception is a Prism: body, presence and technologies |
title_sort |
The Perception is a Prism: body, presence and technologies |
author |
Pitozzi (Universidade de Bolonha - Bolonha, Itália), Enrico |
author_facet |
Pitozzi (Universidade de Bolonha - Bolonha, Itália), Enrico |
author_role |
author |
dc.contributor.author.fl_str_mv |
Pitozzi (Universidade de Bolonha - Bolonha, Itália), Enrico |
dc.subject.por.fl_str_mv |
Corpo Percepção Movimento Presença Tecnologias Body Perception Movement Presence Technologies Corps Perception Mouvement Présence Technologies |
topic |
Corpo Percepção Movimento Presença Tecnologias Body Perception Movement Presence Technologies Corps Perception Mouvement Présence Technologies |
description |
Starting from an interdisciplinary perspective of the concepts of body, perception, and technologies in the contemporary scene, this text will attempt to define the general aesthetic notion as bodyscape as an extension of the performer’s perception. Through a survey of some key practices from the contemporary scene such as choreographic compositions by Myriam Gourfink, Isabelle Choinière, and project of motion signature by Martine Époque and Denis Poulin, the impact of technologies on redefining the process of the performer’s perception in the composition of the movement and the change of the notion of presence will be analysed. In this sense, a series of modifications that influence also the spectator’s perception is presented. Therefore, the notion of empathy is discussed, and an attempt to find out how this applies in the context of a digital image of the body is made. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-10-16 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/46743 |
url |
https://seer.ufrgs.br/index.php/presenca/article/view/46743 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/46743/50619 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Revista Brasileira de Estudos da Presença info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Revista Brasileira de Estudos da Presença |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Brazilian Journal on Presence Studies; Vol. 4 No. 2 (2014): maio/ago. 2014; 174-204 Révue Brésilienne d'Études de la Présence; Vol. 4 No. 2 (2014): maio/ago. 2014; 174-204 Révue Brésilienne d'Études de la Présence; Vol. 4 No 2 (2014): maio/ago. 2014; 174-204 Revista Brasileira de Estudos da Presença; v. 4 n. 2 (2014): maio/ago. 2014; 174-204 2237-2660 reponame:Revista Brasileira de Estudos da Presença instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Revista Brasileira de Estudos da Presença |
collection |
Revista Brasileira de Estudos da Presença |
repository.name.fl_str_mv |
Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||rev.presenca@gmail.com |
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