Stage Directions Beyond Theater: Eugène Ionesco’s exercise in theatricality

Detalhes bibliográficos
Autor(a) principal: Pereira (Universidade Federal do Paraná – UFPR, Curitiba/PR, Brazil), Viviane Araujo Alves da Costa
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/60627
Resumo: Stage directions are a special type of genre in theater, ranging from indications for the dramatic text to the emergence of the author’s voice. In Eugène Ionesco’s case, stage directions go beyond his plays and find another function in his critical writings and in his correspondence with directors. In this paper, we analyze how stage directions function in the texts published in Notes et contre-notes and in the manuscripts housed in Ionesco’s Archives, from the perspective of a theoretical debate that involves Bernard Dort, Roland Barthes and Luiz Fernando Ramos, among other researchers interested in theatricality. 
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spelling Stage Directions Beyond Theater: Eugène Ionesco’s exercise in theatricalityLes Didascalies Hors le Théâtre: un exercice de théâtralité d’Eugène IonescoStage Directions Beyond Theater: Eugène Ionesco’s exercise in theatricalityTheatricalityStage DirectionsEugène IonescoNotes and Counter notesManuscripts82ThéâtralitéDidascaliesEugène IonescoNotes et contre-notesManuscritsTheatricalityStage DirectionsEugène IonescoNotes and Counter notesManuscriptsStage directions are a special type of genre in theater, ranging from indications for the dramatic text to the emergence of the author’s voice. In Eugène Ionesco’s case, stage directions go beyond his plays and find another function in his critical writings and in his correspondence with directors. In this paper, we analyze how stage directions function in the texts published in Notes et contre-notes and in the manuscripts housed in Ionesco’s Archives, from the perspective of a theoretical debate that involves Bernard Dort, Roland Barthes and Luiz Fernando Ramos, among other researchers interested in theatricality. Les didascalies constituent un genre tout particulier dans le domaine théâtral: de l’indication scénique à l’inscription de la voix de l’auteur dans le texte destiné à être mis en scène. Chez Eugène Ionesco, les didascalies échappent des pièces pour trouver une autre fonction dans ses textes critiques, ainsi que dans la correspondance de l’auteur avec ses metteurs en scène. On analyse dans cet article l’insertion des didascalies dans les textes publiés dans Notes et contre-notes et dans les manuscrits du Fonds Ionesco, à partir d’une discussion théorique sur le genre et l’importance de la figure de l’auteur, basée notamment sur les idées de Bernard Dort, Roland Barthes et Luiz Fernando Ramos sur la théâtralité. Stage directions are a special type of genre in theater, ranging from indications for the dramatic text to the emergence of the author’s voice. In Eugène Ionesco’s case, stage directions go beyond his plays and find another function in his critical writings and in his correspondence with directors. In this paper, we analyze how stage directions function in the texts published in Notes et contre-notes and in the manuscripts housed in Ionesco’s Archives, from the perspective of a theoretical debate that involves Bernard Dort, Roland Barthes and Luiz Fernando Ramos, among other researchers interested in theatricality. Universidade Federal do Rio Grande do Sul2022-10-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/60627Brazilian Journal on Presence Studies; Vol. 6 No. 2 (2016): May/Aug. 2016; 331-351Révue Brésilienne d'Études de la Présence; Vol. 6 No. 2 (2016): Mai/Aôut 2016; 331-351Révue Brésilienne d'Études de la Présence; Vol. 6 No 2 (2016): maio/ago. 2016; 331-351Revista Brasileira de Estudos da Presença; v. 6 n. 2 (2016): maio/ago. 2016; 331-3512237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/60627/50463Pereira (Universidade Federal do Paraná – UFPR, Curitiba/PR, Brazil), Viviane Araujo Alves da Costainfo:eu-repo/semantics/openAccess2022-10-12T19:22:14Zoai:seer.ufrgs.br:article/60627Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-12T19:22:14Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Stage Directions Beyond Theater: Eugène Ionesco’s exercise in theatricality
Les Didascalies Hors le Théâtre: un exercice de théâtralité d’Eugène Ionesco
Stage Directions Beyond Theater: Eugène Ionesco’s exercise in theatricality
title Stage Directions Beyond Theater: Eugène Ionesco’s exercise in theatricality
spellingShingle Stage Directions Beyond Theater: Eugène Ionesco’s exercise in theatricality
Pereira (Universidade Federal do Paraná – UFPR, Curitiba/PR, Brazil), Viviane Araujo Alves da Costa
Theatricality
Stage Directions
Eugène Ionesco
Notes and Counter notes
Manuscripts
82
Théâtralité
Didascalies
Eugène Ionesco
Notes et contre-notes
Manuscrits
Theatricality
Stage Directions
Eugène Ionesco
Notes and Counter notes
Manuscripts
title_short Stage Directions Beyond Theater: Eugène Ionesco’s exercise in theatricality
title_full Stage Directions Beyond Theater: Eugène Ionesco’s exercise in theatricality
title_fullStr Stage Directions Beyond Theater: Eugène Ionesco’s exercise in theatricality
title_full_unstemmed Stage Directions Beyond Theater: Eugène Ionesco’s exercise in theatricality
title_sort Stage Directions Beyond Theater: Eugène Ionesco’s exercise in theatricality
author Pereira (Universidade Federal do Paraná – UFPR, Curitiba/PR, Brazil), Viviane Araujo Alves da Costa
author_facet Pereira (Universidade Federal do Paraná – UFPR, Curitiba/PR, Brazil), Viviane Araujo Alves da Costa
author_role author
dc.contributor.author.fl_str_mv Pereira (Universidade Federal do Paraná – UFPR, Curitiba/PR, Brazil), Viviane Araujo Alves da Costa
dc.subject.por.fl_str_mv Theatricality
Stage Directions
Eugène Ionesco
Notes and Counter notes
Manuscripts
82
Théâtralité
Didascalies
Eugène Ionesco
Notes et contre-notes
Manuscrits
Theatricality
Stage Directions
Eugène Ionesco
Notes and Counter notes
Manuscripts
topic Theatricality
Stage Directions
Eugène Ionesco
Notes and Counter notes
Manuscripts
82
Théâtralité
Didascalies
Eugène Ionesco
Notes et contre-notes
Manuscrits
Theatricality
Stage Directions
Eugène Ionesco
Notes and Counter notes
Manuscripts
description Stage directions are a special type of genre in theater, ranging from indications for the dramatic text to the emergence of the author’s voice. In Eugène Ionesco’s case, stage directions go beyond his plays and find another function in his critical writings and in his correspondence with directors. In this paper, we analyze how stage directions function in the texts published in Notes et contre-notes and in the manuscripts housed in Ionesco’s Archives, from the perspective of a theoretical debate that involves Bernard Dort, Roland Barthes and Luiz Fernando Ramos, among other researchers interested in theatricality. 
publishDate 2022
dc.date.none.fl_str_mv 2022-10-12
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/60627
url https://seer.ufrgs.br/index.php/presenca/article/view/60627
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/60627/50463
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 6 No. 2 (2016): May/Aug. 2016; 331-351
Révue Brésilienne d'Études de la Présence; Vol. 6 No. 2 (2016): Mai/Aôut 2016; 331-351
Révue Brésilienne d'Études de la Présence; Vol. 6 No 2 (2016): maio/ago. 2016; 331-351
Revista Brasileira de Estudos da Presença; v. 6 n. 2 (2016): maio/ago. 2016; 331-351
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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