The End and the Beginning: chance and poetics of listening in Eduardo Coutinho: o acaso e a poética da escuta em Eduardo Coutinho

Detalhes bibliográficos
Autor(a) principal: Fischer, Rosa Maria Bueno
Data de Publicação: 2024
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/134563
Resumo: This text discusses the pleasure of filming and researching, focusing on the documentary The End and the Beginning, by Eduardo Coutinho. The aim is to articulate affirmations by the director about his creative process, with scenes and statements from the people interviewed in the film, most of whom are over 80 years old. In dialogue with Didi-Huberman, Foucault, Rancière, and Marie José Mondzain, as well as partners of Coutinho such as Jordana Berg, João Moreira Salles, and Consuelo Lins, issues related to the craft of academic research are discussed: the relations between truth and montage, real and imaginary, listening to the other and poetry of the word, image and ethical commitment.
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spelling The End and the Beginning: chance and poetics of listening in Eduardo Coutinho: o acaso e a poética da escuta em Eduardo CoutinhoLa Fin et le Début: le hasard et la poétique de l'écoute chez Eduardo Coutinho: o acaso e a poética da escuta em Eduardo CoutinhoO Fim e o Princípio: : o acaso e a poética da escuta em Eduardo CoutinhoEduardo CoutinhoResearchCinemaListeningDocumentaryEduardo CoutinhoRechercheCinémaÉcouteCinéma documentaireEduardo CoutinhoPesquisaEscutaCinemaDocumentárioThis text discusses the pleasure of filming and researching, focusing on the documentary The End and the Beginning, by Eduardo Coutinho. The aim is to articulate affirmations by the director about his creative process, with scenes and statements from the people interviewed in the film, most of whom are over 80 years old. In dialogue with Didi-Huberman, Foucault, Rancière, and Marie José Mondzain, as well as partners of Coutinho such as Jordana Berg, João Moreira Salles, and Consuelo Lins, issues related to the craft of academic research are discussed: the relations between truth and montage, real and imaginary, listening to the other and poetry of the word, image and ethical commitment.Ce texte traite du plaisir de filmer et de rechercher, autour du documentaire La fin et le début, d'Eduardo Coutinho. L'objectif est d'articuler les discours du réalisateur sur son processus de création, avec des scènes et des témoignages de personnages du film, dont la plupart ont plus de 80 ans. En dialogue avec Didi-Huberman, Foucault, Rancière et Marie José Mondzain, ainsi qu'avec les partenaires du cinéaste, comme Jordana Berg, João Moreira Salles et Consuelo Lins, les questions liées au métier du chercheur, dans le domaine académique sont discutés: le rapport entre vérité et montage, réel et imaginaire, écoute de l'autre et poésie du mot, de l'image et de l'engagement éthique.Este texto trata do prazer de filmar e pesquisar, tendo como foco o documentário O fim e o princípio, de Eduardo Coutinho. Busca-se articular afirmações do diretor, sobre seu processo criativo, com cenas e depoimentos dos personagens do filme, a maioria com mais de 80 anos. Num diálogo com DidiHuberman, Foucault, Rancière e Marie José Mondzain, além de parceiros do cineasta, como Jordana Berg, João Moreira Salles e Consuelo Lins, discutem-se questões que remetem ao ofício do pesquisador, na área acadêmica: as relações entre verdade e montagem, real e imaginário, escuta do outro e poesia da palavra, imagem e compromisso ético.Universidade Federal do Rio Grande do Sul2024-01-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/134563Brazilian Journal on Presence Studies; Vol. 14 No. 1 (2024): Jan./Mar. 2024Révue Brésilienne d'Études de la Présence; Vol. 14 No. 1 (2024): Jan./Mar. 2024Révue Brésilienne d'Études de la Présence; Vol. 14 No 1 (2024): Jan./Mar. 2024Revista Brasileira de Estudos da Presença; v. 14 n. 1 (2024): Jan./Mar. 20242237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/134563/91251Copyright (c) 2024 Revista Brasileira de Estudos da Presençahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessFischer, Rosa Maria Bueno2024-01-31T23:48:56Zoai:seer.ufrgs.br:article/134563Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2024-01-31T23:48:56Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv The End and the Beginning: chance and poetics of listening in Eduardo Coutinho: o acaso e a poética da escuta em Eduardo Coutinho
La Fin et le Début: le hasard et la poétique de l'écoute chez Eduardo Coutinho: o acaso e a poética da escuta em Eduardo Coutinho
O Fim e o Princípio: : o acaso e a poética da escuta em Eduardo Coutinho
title The End and the Beginning: chance and poetics of listening in Eduardo Coutinho: o acaso e a poética da escuta em Eduardo Coutinho
spellingShingle The End and the Beginning: chance and poetics of listening in Eduardo Coutinho: o acaso e a poética da escuta em Eduardo Coutinho
Fischer, Rosa Maria Bueno
Eduardo Coutinho
Research
Cinema
Listening
Documentary
Eduardo Coutinho
Recherche
Cinéma
Écoute
Cinéma documentaire
Eduardo Coutinho
Pesquisa
Escuta
Cinema
Documentário
title_short The End and the Beginning: chance and poetics of listening in Eduardo Coutinho: o acaso e a poética da escuta em Eduardo Coutinho
title_full The End and the Beginning: chance and poetics of listening in Eduardo Coutinho: o acaso e a poética da escuta em Eduardo Coutinho
title_fullStr The End and the Beginning: chance and poetics of listening in Eduardo Coutinho: o acaso e a poética da escuta em Eduardo Coutinho
title_full_unstemmed The End and the Beginning: chance and poetics of listening in Eduardo Coutinho: o acaso e a poética da escuta em Eduardo Coutinho
title_sort The End and the Beginning: chance and poetics of listening in Eduardo Coutinho: o acaso e a poética da escuta em Eduardo Coutinho
author Fischer, Rosa Maria Bueno
author_facet Fischer, Rosa Maria Bueno
author_role author
dc.contributor.author.fl_str_mv Fischer, Rosa Maria Bueno
dc.subject.por.fl_str_mv Eduardo Coutinho
Research
Cinema
Listening
Documentary
Eduardo Coutinho
Recherche
Cinéma
Écoute
Cinéma documentaire
Eduardo Coutinho
Pesquisa
Escuta
Cinema
Documentário
topic Eduardo Coutinho
Research
Cinema
Listening
Documentary
Eduardo Coutinho
Recherche
Cinéma
Écoute
Cinéma documentaire
Eduardo Coutinho
Pesquisa
Escuta
Cinema
Documentário
description This text discusses the pleasure of filming and researching, focusing on the documentary The End and the Beginning, by Eduardo Coutinho. The aim is to articulate affirmations by the director about his creative process, with scenes and statements from the people interviewed in the film, most of whom are over 80 years old. In dialogue with Didi-Huberman, Foucault, Rancière, and Marie José Mondzain, as well as partners of Coutinho such as Jordana Berg, João Moreira Salles, and Consuelo Lins, issues related to the craft of academic research are discussed: the relations between truth and montage, real and imaginary, listening to the other and poetry of the word, image and ethical commitment.
publishDate 2024
dc.date.none.fl_str_mv 2024-01-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/134563
url https://seer.ufrgs.br/index.php/presenca/article/view/134563
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/134563/91251
dc.rights.driver.fl_str_mv Copyright (c) 2024 Revista Brasileira de Estudos da Presença
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2024 Revista Brasileira de Estudos da Presença
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 14 No. 1 (2024): Jan./Mar. 2024
Révue Brésilienne d'Études de la Présence; Vol. 14 No. 1 (2024): Jan./Mar. 2024
Révue Brésilienne d'Études de la Présence; Vol. 14 No 1 (2024): Jan./Mar. 2024
Revista Brasileira de Estudos da Presença; v. 14 n. 1 (2024): Jan./Mar. 2024
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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