Women of the Sea:: performative practices as a critique of Brazilian patriarchal colonial myths

Detalhes bibliográficos
Autor(a) principal: Araujo Auip, Marie
Data de Publicação: 2024
Outros Autores: Aurélio Bulhões Martins, Marcos
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/138145
Resumo: Women of the Sea: performative practices as a critique of Brazilian patriarchal colonial myths – The text analyses the Mulheres do Mar (Women of the Sea) project, conducted with elderly women from the Serviluz community in Fortaleza (CE). Through performance workshops, the colonial myth Iracema, by José de Alencar, was challenged. Feminist analyses in conjunction with Diana Taylor’s approach to archives and repertoires underpin the critique of the novel. Next, aspects of the methodological approach to creation are shared, with an emphasis on cartographies of the self. It reflects on how the collective development of a counter-narrative to the patriarchal heritage summarised in Iracema contributes to the debate on decolonial artistic-pedagogical practices.
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spelling Women of the Sea:: performative practices as a critique of Brazilian patriarchal colonial mythsMulheres do Mar:: pratiques performatives comme critique des mythes coloniaux patriarcaux brésiliensWomen of the Sea:: performative practices as a critique of Brazilian patriarchal colonial mythsPráticas PerformativasFeminismoDecolonialMemóriaArquivoPratiques PerformativesFéminismeDécolonialMémoireArchivesPerformative PracticesFeminismDecolonialMemoryArchiveWomen of the Sea: performative practices as a critique of Brazilian patriarchal colonial myths – The text analyses the Mulheres do Mar (Women of the Sea) project, conducted with elderly women from the Serviluz community in Fortaleza (CE). Through performance workshops, the colonial myth Iracema, by José de Alencar, was challenged. Feminist analyses in conjunction with Diana Taylor’s approach to archives and repertoires underpin the critique of the novel. Next, aspects of the methodological approach to creation are shared, with an emphasis on cartographies of the self. It reflects on how the collective development of a counter-narrative to the patriarchal heritage summarised in Iracema contributes to the debate on decolonial artistic-pedagogical practices.Mulheres do Mar: pratiques performatives comme critique des mythes coloniaux patriarcaux brésiliens – Le texte analyse le projet Mulheres do Mar, méné avec des femmes âgées de la communauté Serviluz à Fortaleza (CE). Par le biais d’ateliers de pratiques performatives, le mythe colo-nial Iracema, de José de Alencar, a été remis en question. Des analyses féministes articulées avec l’approche des archives et des répertoires de Diana Taylor étayent la critique du roman. Ensuite, des aspects de l’approche méthodologique de la création sont partagés, en mettant l’accent sur les car-tographies de soi. La réflexion porte sur la manière dont l’élaboration collective d’un contre-récit à l’héritage patriarcal résumé dans Iracema contribue au débat sur les pratiques artistico-pédagogiques décoloniales.Women of the Sea: performative practices as a critique of Brazilian patriarchal colonial myths – The text analyses the Mulheres do Mar (Women of the Sea) project, conducted with elderly women from the Serviluz community in Fortaleza (CE). Through performance workshops, the colonial myth Iracema, by José de Alencar, was challenged. Feminist analyses in conjunction with Diana Taylor’s approach to archives and repertoires underpin the critique of the novel. Next, aspects of the methodological approach to creation are shared, with an emphasis on cartographies of the self. It reflects on how the collective development of a counter-narrative to the patriarchal heritage summarised in Iracema contributes to the debate on decolonial artistic-pedagogical practices.Universidade Federal do Rio Grande do Sul2024-04-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/138145Brazilian Journal on Presence Studies; Vol. 14 No. 2 (2024): Abr./Jun. 2024Révue Brésilienne d'Études de la Présence; Vol. 14 No. 2 (2024): Abr./Jun. 2024Révue Brésilienne d'Études de la Présence; Vol. 14 No 2 (2024): Abr./Jun. 2024Revista Brasileira de Estudos da Presença; v. 14 n. 2 (2024): Abr./Jun. 20242237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/138145/91793Copyright (c) 2024 Revista Brasileira de Estudos da Presençahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessAraujo Auip, MarieAurélio Bulhões Martins, Marcos2024-04-30T00:40:45Zoai:seer.ufrgs.br:article/138145Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2024-04-30T00:40:45Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Women of the Sea:: performative practices as a critique of Brazilian patriarchal colonial myths
Mulheres do Mar:: pratiques performatives comme critique des mythes coloniaux patriarcaux brésiliens
Women of the Sea:: performative practices as a critique of Brazilian patriarchal colonial myths
title Women of the Sea:: performative practices as a critique of Brazilian patriarchal colonial myths
spellingShingle Women of the Sea:: performative practices as a critique of Brazilian patriarchal colonial myths
Araujo Auip, Marie
Práticas Performativas
Feminismo
Decolonial
Memória
Arquivo
Pratiques Performatives
Féminisme
Décolonial
Mémoire
Archives
Performative Practices
Feminism
Decolonial
Memory
Archive
title_short Women of the Sea:: performative practices as a critique of Brazilian patriarchal colonial myths
title_full Women of the Sea:: performative practices as a critique of Brazilian patriarchal colonial myths
title_fullStr Women of the Sea:: performative practices as a critique of Brazilian patriarchal colonial myths
title_full_unstemmed Women of the Sea:: performative practices as a critique of Brazilian patriarchal colonial myths
title_sort Women of the Sea:: performative practices as a critique of Brazilian patriarchal colonial myths
author Araujo Auip, Marie
author_facet Araujo Auip, Marie
Aurélio Bulhões Martins, Marcos
author_role author
author2 Aurélio Bulhões Martins, Marcos
author2_role author
dc.contributor.author.fl_str_mv Araujo Auip, Marie
Aurélio Bulhões Martins, Marcos
dc.subject.por.fl_str_mv Práticas Performativas
Feminismo
Decolonial
Memória
Arquivo
Pratiques Performatives
Féminisme
Décolonial
Mémoire
Archives
Performative Practices
Feminism
Decolonial
Memory
Archive
topic Práticas Performativas
Feminismo
Decolonial
Memória
Arquivo
Pratiques Performatives
Féminisme
Décolonial
Mémoire
Archives
Performative Practices
Feminism
Decolonial
Memory
Archive
description Women of the Sea: performative practices as a critique of Brazilian patriarchal colonial myths – The text analyses the Mulheres do Mar (Women of the Sea) project, conducted with elderly women from the Serviluz community in Fortaleza (CE). Through performance workshops, the colonial myth Iracema, by José de Alencar, was challenged. Feminist analyses in conjunction with Diana Taylor’s approach to archives and repertoires underpin the critique of the novel. Next, aspects of the methodological approach to creation are shared, with an emphasis on cartographies of the self. It reflects on how the collective development of a counter-narrative to the patriarchal heritage summarised in Iracema contributes to the debate on decolonial artistic-pedagogical practices.
publishDate 2024
dc.date.none.fl_str_mv 2024-04-29
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/138145
url https://seer.ufrgs.br/index.php/presenca/article/view/138145
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/138145/91793
dc.rights.driver.fl_str_mv Copyright (c) 2024 Revista Brasileira de Estudos da Presença
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2024 Revista Brasileira de Estudos da Presença
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 14 No. 2 (2024): Abr./Jun. 2024
Révue Brésilienne d'Études de la Présence; Vol. 14 No. 2 (2024): Abr./Jun. 2024
Révue Brésilienne d'Études de la Présence; Vol. 14 No 2 (2024): Abr./Jun. 2024
Revista Brasileira de Estudos da Presença; v. 14 n. 2 (2024): Abr./Jun. 2024
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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