Incandescence, the Flower and the Parapet

Detalhes bibliográficos
Autor(a) principal: Dusigne, Jean François
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/21328
Resumo: This article proposes a reflection on the notion of stage presence. In reviewing the terms frequently used to evoke this essential quality of acting – perceptible to anyone but always difficult to define –, the author shows to which degree the concept of presence can be oscillating and ideological. From a historical approach, he discusses the evolution of ideas and criteria for the actor's presence since staging, in the late nineteenth entury, began to assert itself as a form of art. His reflection is based mainly on the experiments developed by Stanislavski and, later on, by Ariane Mnouchkine. In general, the author demonstrates how presence studies allow for an assessment of the actor's impact upon the public.
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spelling Incandescence, the Flower and the ParapetL’Incandescence, la Fleur et le Garde-fouA Incandescência, a Flor e o AnteparoPresenceActingReceptionConstantin StanislavskiAriane MnouchkinePresençaAtuaçãoRecepçãoConstantin StanislavskiAriane MnouchkinePrésenceJeuRéceptionConstantin StanislavskiAriane MnouchkineThis article proposes a reflection on the notion of stage presence. In reviewing the terms frequently used to evoke this essential quality of acting – perceptible to anyone but always difficult to define –, the author shows to which degree the concept of presence can be oscillating and ideological. From a historical approach, he discusses the evolution of ideas and criteria for the actor's presence since staging, in the late nineteenth entury, began to assert itself as a form of art. His reflection is based mainly on the experiments developed by Stanislavski and, later on, by Ariane Mnouchkine. In general, the author demonstrates how presence studies allow for an assessment of the actor's impact upon the public. Cet article propose une réflexion autour de la notion de présence scénique. Passant en revue les termes fréquemment utilisés pour évoquer cette qualité essentielle du travail de l’acteur – perceptible aux yeux de tous, mais toujours rétive aux définitions – l’auteur montre combien le concept de présence est fluctuant et idéologique. À partir d’une approche historique, il retrace l’évolution des idées et des critères relatifs à la présence de l’acteur depuis que la mise en scène, à la fin du XIXème siècle, s’est affirmée en tant qu’art. Sa réflexion s’appuie notamment sur les expériences développées par Stanislavski et, plus tard, par Ariane Mnouchkine. D’une manière générale, l’auteur démontre comment les études de la présence permettent de mesurer l’impact produit par l’acteur sur le public. Este artigo propõe uma reflexão sobre a noção de presença cênica. Ao passar em revista os termos frequentemente utilizados para evocar essa qualidade essencial do trabalho do ator – perceptível aos olhos de todos, mas sempre difícil a definir –, o autor mostra o quanto o conceito de presença é oscilante e ideológico. A partir de uma abordagem histórica, ele discorre sobre a evolução das ideias e dos critérios relativos à presença do ator desde que a encenação, no final do século XIX, começou a se afirmar como arte. Sua reflexão se baseia notadamente sobre as experiências desenvolvidas por Constantin Stanislavski e, mais tarde, por Ariane Mnouchkine. De um modo geral, o autor demonstra como os estudos da presença permitem avaliar o impacto produzido pelo ator sobre o público.Universidade Federal do Rio Grande do Sul2022-10-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/21328Brazilian Journal on Presence Studies; Vol. 1 No. 1 (2011): jan./jun. 2011; 28-36Révue Brésilienne d'Études de la Présence; Vol. 1 No. 1 (2011): jan./jun. 2011; 28-36Révue Brésilienne d'Études de la Présence; Vol. 1 No 1 (2011): jan./jun. 2011; 28-36Revista Brasileira de Estudos da Presença; v. 1 n. 1 (2011): jan./jun. 2011; 28-362237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/21328/50188Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessDusigne, Jean François2022-10-21T00:59:27Zoai:seer.ufrgs.br:article/21328Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-21T00:59:27Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Incandescence, the Flower and the Parapet
L’Incandescence, la Fleur et le Garde-fou
A Incandescência, a Flor e o Anteparo
title Incandescence, the Flower and the Parapet
spellingShingle Incandescence, the Flower and the Parapet
Dusigne, Jean François
Presence
Acting
Reception
Constantin Stanislavski
Ariane Mnouchkine
Presença
Atuação
Recepção
Constantin Stanislavski
Ariane Mnouchkine
Présence
Jeu
Réception
Constantin Stanislavski
Ariane Mnouchkine
title_short Incandescence, the Flower and the Parapet
title_full Incandescence, the Flower and the Parapet
title_fullStr Incandescence, the Flower and the Parapet
title_full_unstemmed Incandescence, the Flower and the Parapet
title_sort Incandescence, the Flower and the Parapet
author Dusigne, Jean François
author_facet Dusigne, Jean François
author_role author
dc.contributor.author.fl_str_mv Dusigne, Jean François
dc.subject.por.fl_str_mv Presence
Acting
Reception
Constantin Stanislavski
Ariane Mnouchkine
Presença
Atuação
Recepção
Constantin Stanislavski
Ariane Mnouchkine
Présence
Jeu
Réception
Constantin Stanislavski
Ariane Mnouchkine
topic Presence
Acting
Reception
Constantin Stanislavski
Ariane Mnouchkine
Presença
Atuação
Recepção
Constantin Stanislavski
Ariane Mnouchkine
Présence
Jeu
Réception
Constantin Stanislavski
Ariane Mnouchkine
description This article proposes a reflection on the notion of stage presence. In reviewing the terms frequently used to evoke this essential quality of acting – perceptible to anyone but always difficult to define –, the author shows to which degree the concept of presence can be oscillating and ideological. From a historical approach, he discusses the evolution of ideas and criteria for the actor's presence since staging, in the late nineteenth entury, began to assert itself as a form of art. His reflection is based mainly on the experiments developed by Stanislavski and, later on, by Ariane Mnouchkine. In general, the author demonstrates how presence studies allow for an assessment of the actor's impact upon the public.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-20
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/21328
url https://seer.ufrgs.br/index.php/presenca/article/view/21328
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/21328/50188
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 1 No. 1 (2011): jan./jun. 2011; 28-36
Révue Brésilienne d'Études de la Présence; Vol. 1 No. 1 (2011): jan./jun. 2011; 28-36
Révue Brésilienne d'Études de la Présence; Vol. 1 No 1 (2011): jan./jun. 2011; 28-36
Revista Brasileira de Estudos da Presença; v. 1 n. 1 (2011): jan./jun. 2011; 28-36
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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