Presence in Art as Something that is not there by Itself: the affect potencies in the act of com-position between bodies

Detalhes bibliográficos
Autor(a) principal: Duenha, Milene Lopes
Data de Publicação: 2022
Outros Autores: Nunes (Universidade do Estado de Santa Catarina – UDESC, Florianópolis/SC, Brasil), Sandra Meyer
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/63628
Resumo: This text presents an approach to the artist presence as a relation by offering a perspective about the body, and also the shift of presence as a non prior assignment from the artist, which allows us to bring attention to what emerges in the encounter between bodies in the here and now. The audience is considered an active partner and the artist is understood as the one that ceases starring to compose (add-with) the viewer, becoming a porous invitation-presence by an accurate perception practice of the environment settings. This combination of art, philosophy, anthropology and cognitive sciences references allows that the differences between an imposing presence and shared presence become apparent.
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spelling Presence in Art as Something that is not there by Itself: the affect potencies in the act of com-position between bodiesLa Présence ne se fait pas tout Seule: la puissance de l’affect dans l’acte de composition entre les corpsPresença que não se Faz Só: potências de afeto no ato de com-por entre corposPresença-conviteCorpoAfetoRelaçãoCom-posiçãoInvitation-presenceBodyAffect RelationCo(m)positionPrésence-invitationCorpsAffectRelationCom-positionThis text presents an approach to the artist presence as a relation by offering a perspective about the body, and also the shift of presence as a non prior assignment from the artist, which allows us to bring attention to what emerges in the encounter between bodies in the here and now. The audience is considered an active partner and the artist is understood as the one that ceases starring to compose (add-with) the viewer, becoming a porous invitation-presence by an accurate perception practice of the environment settings. This combination of art, philosophy, anthropology and cognitive sciences references allows that the differences between an imposing presence and shared presence become apparent.Cet article présente une approche à la présence de l’artiste comme une relation en offrant un regard sur le corps et le déplacement de la notion de présence en tant que attribution antérieure de l’artiste, ce qui permet l’attention sur ce qui émerge dans la rencontre entre les corps dans l’ici et le maintenant. Cette étude prend en considération le public comme un interlocuteur actif, et l’artiste ne serait plus le protagoniste de la com-position (position avec) le spectateur, L’artiste est une présence-invitation, poreux, au moyen d’une écoute attentive de ce qui apparaît dans l’expérience. Une combinaison de références de l’art, de la philosophie, de l’anthropologie et de les sciences cognitives met en évidence les différences entre la présence imposante et la présence partagée.Este texto apresenta uma abordagem da presença do artista como relação, propondo um olhar sobre o corpo e sobre o deslocamento da noção de presença como uma atribuição prévia do artista, possibilitando a atenção ao que emerge no encontro entre corpos, no aqui e agora. O público é considerado como interlocutor ativo e o artista como aquele que deixa de protagonizar para com-por (por-se com) o espectador, como uma presença-convite, porosa, por meio de uma escuta apurada às configurações do ambiente. Uma articulação entre referências da arte, da filosofia, da antropologia e das ciências cognitivas permite que as diferenças entre presença impositiva e presença partilhada se evidenciem.Universidade Federal do Rio Grande do Sul2022-10-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/63628Brazilian Journal on Presence Studies; Vol. 7 No. 1 (2017): jan./abr. 2017; 99-122Révue Brésilienne d'Études de la Présence; Vol. 7 No. 1 (2017): jan./abr. 2017; 99-122Révue Brésilienne d'Études de la Présence; Vol. 7 No 1 (2017): jan./ abr. 2017; 99-122Revista Brasileira de Estudos da Presença; v. 7 n. 1 (2017): jan./abr. 2017; 99-1222237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/63628/50360Copyright (c) 2016 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessDuenha, Milene LopesNunes (Universidade do Estado de Santa Catarina – UDESC, Florianópolis/SC, Brasil), Sandra Meyer2022-10-04T20:17:39Zoai:seer.ufrgs.br:article/63628Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-04T20:17:39Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Presence in Art as Something that is not there by Itself: the affect potencies in the act of com-position between bodies
La Présence ne se fait pas tout Seule: la puissance de l’affect dans l’acte de composition entre les corps
Presença que não se Faz Só: potências de afeto no ato de com-por entre corpos
title Presence in Art as Something that is not there by Itself: the affect potencies in the act of com-position between bodies
spellingShingle Presence in Art as Something that is not there by Itself: the affect potencies in the act of com-position between bodies
Duenha, Milene Lopes
Presença-convite
Corpo
Afeto
Relação
Com-posição
Invitation-presence
Body
Affect Relation
Co(m)position
Présence-invitation
Corps
Affect
Relation
Com-position
title_short Presence in Art as Something that is not there by Itself: the affect potencies in the act of com-position between bodies
title_full Presence in Art as Something that is not there by Itself: the affect potencies in the act of com-position between bodies
title_fullStr Presence in Art as Something that is not there by Itself: the affect potencies in the act of com-position between bodies
title_full_unstemmed Presence in Art as Something that is not there by Itself: the affect potencies in the act of com-position between bodies
title_sort Presence in Art as Something that is not there by Itself: the affect potencies in the act of com-position between bodies
author Duenha, Milene Lopes
author_facet Duenha, Milene Lopes
Nunes (Universidade do Estado de Santa Catarina – UDESC, Florianópolis/SC, Brasil), Sandra Meyer
author_role author
author2 Nunes (Universidade do Estado de Santa Catarina – UDESC, Florianópolis/SC, Brasil), Sandra Meyer
author2_role author
dc.contributor.author.fl_str_mv Duenha, Milene Lopes
Nunes (Universidade do Estado de Santa Catarina – UDESC, Florianópolis/SC, Brasil), Sandra Meyer
dc.subject.por.fl_str_mv Presença-convite
Corpo
Afeto
Relação
Com-posição
Invitation-presence
Body
Affect Relation
Co(m)position
Présence-invitation
Corps
Affect
Relation
Com-position
topic Presença-convite
Corpo
Afeto
Relação
Com-posição
Invitation-presence
Body
Affect Relation
Co(m)position
Présence-invitation
Corps
Affect
Relation
Com-position
description This text presents an approach to the artist presence as a relation by offering a perspective about the body, and also the shift of presence as a non prior assignment from the artist, which allows us to bring attention to what emerges in the encounter between bodies in the here and now. The audience is considered an active partner and the artist is understood as the one that ceases starring to compose (add-with) the viewer, becoming a porous invitation-presence by an accurate perception practice of the environment settings. This combination of art, philosophy, anthropology and cognitive sciences references allows that the differences between an imposing presence and shared presence become apparent.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-04
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/63628
url https://seer.ufrgs.br/index.php/presenca/article/view/63628
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/63628/50360
dc.rights.driver.fl_str_mv Copyright (c) 2016 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 7 No. 1 (2017): jan./abr. 2017; 99-122
Révue Brésilienne d'Études de la Présence; Vol. 7 No. 1 (2017): jan./abr. 2017; 99-122
Révue Brésilienne d'Études de la Présence; Vol. 7 No 1 (2017): jan./ abr. 2017; 99-122
Revista Brasileira de Estudos da Presença; v. 7 n. 1 (2017): jan./abr. 2017; 99-122
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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