Gender Performativity and Cross Dressing through some Stagings of Genet’s The Maids

Detalhes bibliográficos
Autor(a) principal: Lozano (Universidad de Buenos Aires - Buenos Aires, Argentina), Ezequiel
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: spa
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/39230
Resumo: This article explores the concepts of cross dressing and gender performativity through the conceptualization of queer studies, exemplifying them with successive stagings of The Maids, by Jean Genet. It focuses specifically on Argentine directors, whose common feature lies not only in the dramatic text but in objections to the idea of representation, as Genet suggests in his text. S. Renán, V. García, A. Arias and C. Zorzoli problematise this idea, with each new staging, and allow us to reflect on the destabilization operated by The Maids.
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spelling Gender Performativity and Cross Dressing through some Stagings of Genet’s The MaidsGender Performativity and Cross Dressing through some Stagings of Genet’s The MaidsPerformativité du Genre et Travestissement dans les Mises en Scène de Les Bonnes de GenetPerformatividad de Género y Travestismo a través de Escenificaciones de Las Criadas de GenetCross DressingPerformativityGenderQueerThe MaidsTravestismoPerformatividadGéneroQueerLas CriadasTravestissementPerformativitéGenreQueerLes BonnesCross DressingPerformativityGenderQueerThe MaidsThis article explores the concepts of cross dressing and gender performativity through the conceptualization of queer studies, exemplifying them with successive stagings of The Maids, by Jean Genet. It focuses specifically on Argentine directors, whose common feature lies not only in the dramatic text but in objections to the idea of representation, as Genet suggests in his text. S. Renán, V. García, A. Arias and C. Zorzoli problematise this idea, with each new staging, and allow us to reflect on the destabilization operated by The Maids.This article explores the concepts of cross dressing and genderperformativity through the conceptualization of queer studies, exemplifying them with successive stagings of The Maids, by Jean Genet. It focuses specifically on Argentine directors,whose common feature lies not only in the dramatic text but in objections to the idea of representation, as Genet suggests in his text. S. Renán, V. García, A. Arias and C. Zorzoli problematise this idea, with each new staging, and allow us to reflect on the destabilization operated by The Maids.L’auteur se propose d’examiner les concepts de travestissement et de performativité du genre, au regard des études queer, en s’appuyant sur des mises en scène de Les Bonnes de Genet. Il s’agit de spectacles produits par des argentins, à Buenos Aires et dans d’autres ville du monde, dont le socle commun réside non seulement dans le texte dramatique mais aussi dans la remise en question de la représentation. L’analyse des mises en scène de S. Renán, V. García, A. Arias et C. Zorzoli qui réfléchissent à cette idée, permettra de réfléchir sur la déstabilisation opérée par Les Bonnes.Se reflexiona sobre los conceptos de travestismo y  performatividad de género mediante la lente de los estudios queer, ejemplificando con sucesivas puestas en escena de Las Criadas de Jean Genet. Se trata de teatro producido por argentinos, en Buenos Aires y algunas otras ciudades del mundo, cuyo factor común reside no sólo en el texto dramático sino en los cuestionamientos a la idea de la representación. Los directores S. Renán, V. García, A. Arias y C. Zorzoli problematizan esta idea y nos permiten pensar la desestabilización operada por Las Criadas.Universidade Federal do Rio Grande do Sul2022-10-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/39230Brazilian Journal on Presence Studies; Vol. 3 No. 3 (2013): set./dez. 2013; 796-807Révue Brésilienne d'Études de la Présence; Vol. 3 No. 3 (2013): set./dez. 2013; 796-807Révue Brésilienne d'Études de la Présence; Vol. 3 No 3 (2013): set./dez. 2013; 796-807Revista Brasileira de Estudos da Presença; v. 3 n. 3 (2013): set./dez. 2013; 796-8072237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSspahttps://seer.ufrgs.br/index.php/presenca/article/view/39230/50869Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessLozano (Universidad de Buenos Aires - Buenos Aires, Argentina), Ezequiel2022-10-16T21:15:56Zoai:seer.ufrgs.br:article/39230Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-16T21:15:56Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Gender Performativity and Cross Dressing through some Stagings of Genet’s The Maids
Gender Performativity and Cross Dressing through some Stagings of Genet’s The Maids
Performativité du Genre et Travestissement dans les Mises en Scène de Les Bonnes de Genet
Performatividad de Género y Travestismo a través de Escenificaciones de Las Criadas de Genet
title Gender Performativity and Cross Dressing through some Stagings of Genet’s The Maids
spellingShingle Gender Performativity and Cross Dressing through some Stagings of Genet’s The Maids
Lozano (Universidad de Buenos Aires - Buenos Aires, Argentina), Ezequiel
Cross Dressing
Performativity
Gender
Queer
The Maids
Travestismo
Performatividad
Género
Queer
Las Criadas
Travestissement
Performativité
Genre
Queer
Les Bonnes
Cross Dressing
Performativity
Gender
Queer
The Maids
title_short Gender Performativity and Cross Dressing through some Stagings of Genet’s The Maids
title_full Gender Performativity and Cross Dressing through some Stagings of Genet’s The Maids
title_fullStr Gender Performativity and Cross Dressing through some Stagings of Genet’s The Maids
title_full_unstemmed Gender Performativity and Cross Dressing through some Stagings of Genet’s The Maids
title_sort Gender Performativity and Cross Dressing through some Stagings of Genet’s The Maids
author Lozano (Universidad de Buenos Aires - Buenos Aires, Argentina), Ezequiel
author_facet Lozano (Universidad de Buenos Aires - Buenos Aires, Argentina), Ezequiel
author_role author
dc.contributor.author.fl_str_mv Lozano (Universidad de Buenos Aires - Buenos Aires, Argentina), Ezequiel
dc.subject.por.fl_str_mv Cross Dressing
Performativity
Gender
Queer
The Maids
Travestismo
Performatividad
Género
Queer
Las Criadas
Travestissement
Performativité
Genre
Queer
Les Bonnes
Cross Dressing
Performativity
Gender
Queer
The Maids
topic Cross Dressing
Performativity
Gender
Queer
The Maids
Travestismo
Performatividad
Género
Queer
Las Criadas
Travestissement
Performativité
Genre
Queer
Les Bonnes
Cross Dressing
Performativity
Gender
Queer
The Maids
description This article explores the concepts of cross dressing and gender performativity through the conceptualization of queer studies, exemplifying them with successive stagings of The Maids, by Jean Genet. It focuses specifically on Argentine directors, whose common feature lies not only in the dramatic text but in objections to the idea of representation, as Genet suggests in his text. S. Renán, V. García, A. Arias and C. Zorzoli problematise this idea, with each new staging, and allow us to reflect on the destabilization operated by The Maids.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-16
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/39230
url https://seer.ufrgs.br/index.php/presenca/article/view/39230
dc.language.iso.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/39230/50869
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 3 No. 3 (2013): set./dez. 2013; 796-807
Révue Brésilienne d'Études de la Présence; Vol. 3 No. 3 (2013): set./dez. 2013; 796-807
Révue Brésilienne d'Études de la Présence; Vol. 3 No 3 (2013): set./dez. 2013; 796-807
Revista Brasileira de Estudos da Presença; v. 3 n. 3 (2013): set./dez. 2013; 796-807
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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