Flamenco Negro:: analysis of the spectacle by Companhia De Arte La Negra Ana Medeiros

Detalhes bibliográficos
Autor(a) principal: Andreoli, Giuliano
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/134612
Resumo: This paper proposes an analysis of the spectacle Flamenco Negro, based on the theoretical framework of the sociology of art and the sociology of ethnic-racial relations, combining the analysis of the social context of production of the work with the methodology of performance analysis. The study found that the process of creating such a work of art was part of a social network articulating a community of meaning that helped to form the dancers’ own racial consciousness, enabling them to reaffirm their position and their way of dancing within the art scene and resize the black diaspora as a collective experience by highlighting the hybridity between Afro-diasporic dances and musicalities in Flamenco.
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spelling Flamenco Negro:: analysis of the spectacle by Companhia De Arte La Negra Ana MedeirosFlamenco Negro:: analyse du spectacle par Companhia De Arte La Negra Ana MedeirosFlamencoRacismBlacknessDanceBlack AtlanticFlamencoRacismeNégritudeDanserAtlantique NoirThis paper proposes an analysis of the spectacle Flamenco Negro, based on the theoretical framework of the sociology of art and the sociology of ethnic-racial relations, combining the analysis of the social context of production of the work with the methodology of performance analysis. The study found that the process of creating such a work of art was part of a social network articulating a community of meaning that helped to form the dancers’ own racial consciousness, enabling them to reaffirm their position and their way of dancing within the art scene and resize the black diaspora as a collective experience by highlighting the hybridity between Afro-diasporic dances and musicalities in Flamenco.Cet article propose une analyse du spectacle Flamenco Negro, basée sur le cadre théorique de la sociologie de l'art et de la sociologie des relations ethniques-raciales, combinant l’analyse du contexte social de production de l’œuvre avec la méthodologie de l’analyse de la performance. L’étude a révélé que le processus de création d’une telle œuvre d’art faisait partie d’un réseau social articulant une communauté de sens qui a contribué à former la propre conscience raciale des danseuses, leur permettant de réaffirmer leur position et leur façon de danser au sein de la scène artistique et de redimensionner la diaspora noire comme une expérience collective en mettant en évidence l’hybridité entre danses et musicalités afrodiasporiques dans le flamenco.Universidade Federal do Rio Grande do Sul2023-10-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/134612Brazilian Journal on Presence Studies; Vol. 13 No. 4 (2023): Out./Dez. 2023Révue Brésilienne d'Études de la Présence; Vol. 13 No. 4 (2023): Out./Dez. 2023Révue Brésilienne d'Études de la Présence; Vol. 13 No 4 (2023): Out./Dez. 2023Revista Brasileira de Estudos da Presença; v. 13 n. 4 (2023): Out./Dez. 20232237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/134612/90120Copyright (c) 2023 Revista Brasileira de Estudos da Presençahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessAndreoli, Giuliano2023-10-24T18:54:15Zoai:seer.ufrgs.br:article/134612Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2023-10-24T18:54:15Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Flamenco Negro:: analysis of the spectacle by Companhia De Arte La Negra Ana Medeiros
Flamenco Negro:: analyse du spectacle par Companhia De Arte La Negra Ana Medeiros
title Flamenco Negro:: analysis of the spectacle by Companhia De Arte La Negra Ana Medeiros
spellingShingle Flamenco Negro:: analysis of the spectacle by Companhia De Arte La Negra Ana Medeiros
Andreoli, Giuliano
Flamenco
Racism
Blackness
Dance
Black Atlantic
Flamenco
Racisme
Négritude
Danser
Atlantique Noir
title_short Flamenco Negro:: analysis of the spectacle by Companhia De Arte La Negra Ana Medeiros
title_full Flamenco Negro:: analysis of the spectacle by Companhia De Arte La Negra Ana Medeiros
title_fullStr Flamenco Negro:: analysis of the spectacle by Companhia De Arte La Negra Ana Medeiros
title_full_unstemmed Flamenco Negro:: analysis of the spectacle by Companhia De Arte La Negra Ana Medeiros
title_sort Flamenco Negro:: analysis of the spectacle by Companhia De Arte La Negra Ana Medeiros
author Andreoli, Giuliano
author_facet Andreoli, Giuliano
author_role author
dc.contributor.author.fl_str_mv Andreoli, Giuliano
dc.subject.por.fl_str_mv Flamenco
Racism
Blackness
Dance
Black Atlantic
Flamenco
Racisme
Négritude
Danser
Atlantique Noir
topic Flamenco
Racism
Blackness
Dance
Black Atlantic
Flamenco
Racisme
Négritude
Danser
Atlantique Noir
description This paper proposes an analysis of the spectacle Flamenco Negro, based on the theoretical framework of the sociology of art and the sociology of ethnic-racial relations, combining the analysis of the social context of production of the work with the methodology of performance analysis. The study found that the process of creating such a work of art was part of a social network articulating a community of meaning that helped to form the dancers’ own racial consciousness, enabling them to reaffirm their position and their way of dancing within the art scene and resize the black diaspora as a collective experience by highlighting the hybridity between Afro-diasporic dances and musicalities in Flamenco.
publishDate 2023
dc.date.none.fl_str_mv 2023-10-24
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/134612
url https://seer.ufrgs.br/index.php/presenca/article/view/134612
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/134612/90120
dc.rights.driver.fl_str_mv Copyright (c) 2023 Revista Brasileira de Estudos da Presença
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Revista Brasileira de Estudos da Presença
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 13 No. 4 (2023): Out./Dez. 2023
Révue Brésilienne d'Études de la Présence; Vol. 13 No. 4 (2023): Out./Dez. 2023
Révue Brésilienne d'Études de la Présence; Vol. 13 No 4 (2023): Out./Dez. 2023
Revista Brasileira de Estudos da Presença; v. 13 n. 4 (2023): Out./Dez. 2023
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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