The Construction of Presence and the Multimidiatic Stage: hegemony of an immanent presence

Detalhes bibliográficos
Autor(a) principal: Nunes, Juarez José
Data de Publicação: 2022
Outros Autores: Baumgartel (Universidade do Estado de Santa Catarina – UDESC, Florianópolis/SC, Brazil), Stephan
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/54891
Resumo: In this work, we depart from the understanding that the co-presence of performers and spectators in contemporary theatre articulates itself through a focus on fiction and one that emphasizes the sensorial perception and concrete interaction. Based on a discussion of the problem of expression in Deleuze/Spinoza and on the critique of the production of meaning in Gumbrecht, we name these two modes of presence respectively emanative presence and immanent presence, with the latter becoming hegemonic in contemporary theatre. We aim to reflect on how a multimedia device, with its possibilities of intermediality, may impact on the interaction between immanence and transcendence. 
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spelling The Construction of Presence and the Multimidiatic Stage: hegemony of an immanent presenceLa Production de Présence et le Théâtre Multimédia: l’hégémonie d’une présence immanenteThe Construction of Presence and the Multimidiatic Stage: hegemony of an immanent presenceEmanative PresenceImmanent PresenceTheatrical PerformativityMultimidialityContemporary TheatrePrésence d’ÉmanationPrésence ImmanentePerformativité ThéâtraleMultimédiaThéâtre ContemporainEmanative PresenceImmanent PresenceTheatrical PerformativityMultimidialityContemporary TheatreIn this work, we depart from the understanding that the co-presence of performers and spectators in contemporary theatre articulates itself through a focus on fiction and one that emphasizes the sensorial perception and concrete interaction. Based on a discussion of the problem of expression in Deleuze/Spinoza and on the critique of the production of meaning in Gumbrecht, we name these two modes of presence respectively emanative presence and immanent presence, with the latter becoming hegemonic in contemporary theatre. We aim to reflect on how a multimedia device, with its possibilities of intermediality, may impact on the interaction between immanence and transcendence. Dans ce travail, nous partons de la compréhension que la coprésence des artistes et des spectateurs dans la scène contemporaine s’articule autour de deux axes: un sur la fiction et un autre qui met l’accent sur la perception et l’interaction concrète. Ayant pour bases la discussion du problème de l’expression chez Deleuze/Spinoza et la critique à la production du sens chez Gumbrecht, nous désignons deux modes de présence : présence d’émanation et présence immanente, ce dernier devenant hégémonique dans le théâtre contemporain. Notre objectif est de réfléchir comment un dispositif multimédia, avec ses possibilités de médiation, peut-il avoir un impact sur ce jeu de l’immanence et de la transcendance. In this work, we depart from the understanding that the co-presence of performers and spectators in contemporary theatre articulates itself through a focus on fiction and one that emphasizes the sensorial perception and concrete interaction. Based on a discussion of the problem of expression in Deleuze/Spinoza and on the critique of the production of meaning in Gumbrecht, we name these two modes of presence respectively emanative presence and immanent presence, with the latter becoming hegemonic in contemporary theatre. We aim to reflect on how a multimedia device, with its possibilities of intermediality, may impact on the interaction between immanence and transcendence. Universidade Federal do Rio Grande do Sul2022-10-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/54891Brazilian Journal on Presence Studies; Vol. 5 No. 3 (2015): set./dez. 2015; 640-661Révue Brésilienne d'Études de la Présence; Vol. 5 No. 3 (2015): set./dez. 2015; 640-661Révue Brésilienne d'Études de la Présence; Vol. 5 No 3 (2015): set./dez. 2015; 640-661Revista Brasileira de Estudos da Presença; v. 5 n. 3 (2015): set./dez. 2015; 640-6612237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/54891/50524Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessNunes, Juarez JoséBaumgartel (Universidade do Estado de Santa Catarina – UDESC, Florianópolis/SC, Brazil), Stephan2022-10-13T18:25:10Zoai:seer.ufrgs.br:article/54891Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-13T18:25:10Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv The Construction of Presence and the Multimidiatic Stage: hegemony of an immanent presence
La Production de Présence et le Théâtre Multimédia: l’hégémonie d’une présence immanente
The Construction of Presence and the Multimidiatic Stage: hegemony of an immanent presence
title The Construction of Presence and the Multimidiatic Stage: hegemony of an immanent presence
spellingShingle The Construction of Presence and the Multimidiatic Stage: hegemony of an immanent presence
Nunes, Juarez José
Emanative Presence
Immanent Presence
Theatrical Performativity
Multimidiality
Contemporary Theatre
Présence d’Émanation
Présence Immanente
Performativité Théâtrale
Multimédia
Théâtre Contemporain
Emanative Presence
Immanent Presence
Theatrical Performativity
Multimidiality
Contemporary Theatre
title_short The Construction of Presence and the Multimidiatic Stage: hegemony of an immanent presence
title_full The Construction of Presence and the Multimidiatic Stage: hegemony of an immanent presence
title_fullStr The Construction of Presence and the Multimidiatic Stage: hegemony of an immanent presence
title_full_unstemmed The Construction of Presence and the Multimidiatic Stage: hegemony of an immanent presence
title_sort The Construction of Presence and the Multimidiatic Stage: hegemony of an immanent presence
author Nunes, Juarez José
author_facet Nunes, Juarez José
Baumgartel (Universidade do Estado de Santa Catarina – UDESC, Florianópolis/SC, Brazil), Stephan
author_role author
author2 Baumgartel (Universidade do Estado de Santa Catarina – UDESC, Florianópolis/SC, Brazil), Stephan
author2_role author
dc.contributor.author.fl_str_mv Nunes, Juarez José
Baumgartel (Universidade do Estado de Santa Catarina – UDESC, Florianópolis/SC, Brazil), Stephan
dc.subject.por.fl_str_mv Emanative Presence
Immanent Presence
Theatrical Performativity
Multimidiality
Contemporary Theatre
Présence d’Émanation
Présence Immanente
Performativité Théâtrale
Multimédia
Théâtre Contemporain
Emanative Presence
Immanent Presence
Theatrical Performativity
Multimidiality
Contemporary Theatre
topic Emanative Presence
Immanent Presence
Theatrical Performativity
Multimidiality
Contemporary Theatre
Présence d’Émanation
Présence Immanente
Performativité Théâtrale
Multimédia
Théâtre Contemporain
Emanative Presence
Immanent Presence
Theatrical Performativity
Multimidiality
Contemporary Theatre
description In this work, we depart from the understanding that the co-presence of performers and spectators in contemporary theatre articulates itself through a focus on fiction and one that emphasizes the sensorial perception and concrete interaction. Based on a discussion of the problem of expression in Deleuze/Spinoza and on the critique of the production of meaning in Gumbrecht, we name these two modes of presence respectively emanative presence and immanent presence, with the latter becoming hegemonic in contemporary theatre. We aim to reflect on how a multimedia device, with its possibilities of intermediality, may impact on the interaction between immanence and transcendence. 
publishDate 2022
dc.date.none.fl_str_mv 2022-10-13
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/54891
url https://seer.ufrgs.br/index.php/presenca/article/view/54891
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/54891/50524
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 5 No. 3 (2015): set./dez. 2015; 640-661
Révue Brésilienne d'Études de la Présence; Vol. 5 No. 3 (2015): set./dez. 2015; 640-661
Révue Brésilienne d'Études de la Présence; Vol. 5 No 3 (2015): set./dez. 2015; 640-661
Revista Brasileira de Estudos da Presença; v. 5 n. 3 (2015): set./dez. 2015; 640-661
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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