Zoe: threatened common life

Detalhes bibliográficos
Autor(a) principal: Siqueira, Elton Bruno
Data de Publicação: 2022
Outros Autores: Pontes, Francini Barros
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/85380
Resumo: In 2017, the dance performance Zoe, directed by the choreographer Francini Barros, was censored because its first scene had a naked performer on the sidewalk of the Apolo Theater in Recife. The fact led to a reflection on art as a mechanism to establish a utopia against neoliberal conservatism. This paper aims at understanding how the creative processes of the performance Zoe are placed as a micropolitical strategy of resistance to that conservatism. In order to do so, it establishes a dialogue with Agamben, Foucault, Deleuze, Guattari and Rolnik to discuss categories that served as a basis for our argumentative line, like ordinary life (zoé), utopian body, heterotopia, culture and subjectivity.
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spelling Zoe: threatened common lifeZoé: la vie commune menacéeZoe: Vida comum ameaçadazoécorpo utópicoheterotopiaculturasubjetividadeCensura sofrida pelo espetáculo ZoeZoeUtopian BodyHeterotopiaCultureSubjectivityZoéCorps UtopiqueHétérotopieCultureSubjectivitéIn 2017, the dance performance Zoe, directed by the choreographer Francini Barros, was censored because its first scene had a naked performer on the sidewalk of the Apolo Theater in Recife. The fact led to a reflection on art as a mechanism to establish a utopia against neoliberal conservatism. This paper aims at understanding how the creative processes of the performance Zoe are placed as a micropolitical strategy of resistance to that conservatism. In order to do so, it establishes a dialogue with Agamben, Foucault, Deleuze, Guattari and Rolnik to discuss categories that served as a basis for our argumentative line, like ordinary life (zoé), utopian body, heterotopia, culture and subjectivity.En 2017, le spectacle de danse Zoe, dirigé par le chorégraphe Francini Barros, a été censuré, pour commencer par un artiste nu, sur le trottoir du Teatro Apolo à Recife. Le fait a provoqué une réflexion sur l'art en tant que mécanisme pour établir une utopie contre le conservatisme néolibéral. Cet article vise à comprendre comment les processus créatifs du spectacle Zoe sont placés comme une stratégie micropolitique de résistance à ce conservatisme. Pour ce faire, on dialogue avec Agamben, Foucault, Deleuze, Guattari et Rolnik pour discuter des catégories qui ont servi de base à cette argumentation, telles que la vie commune (zoé), le corps utopique, l’hétérotopie, la culture et la subjectivité.Em 2017, o espetáculo de dança Zoe, dirigido pela coreógrafa Francini Barros, foi alvo de censura, por iniciar com um performer nu, na calçada do Teatro Apolo, em Recife. O fato ensejou uma reflexão sobre a arte como mecanismo instaurador de uma utopia frente ao conservadorismo neoliberal. O trabalho que ora se apresenta tem por objetivo compreender como os processos criativos do espetáculo Zoe se colocam como estratégia micropolítica de resistência a esse conservadorismo. Para tanto, dialogamos com o pensamento de Agamben (2010), Foucault (2013), Deleuze (2010), Peter Pál Pelbart (2007), Guattari e Rolnik (2013), para discutirmos categorias que serviram de base para nossa linha argumentativa, como vida comum (zoé), corpo utópico, heterotopia, cultura e subjetividade.Universidade Federal do Rio Grande do Sul2022-09-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/85380Brazilian Journal on Presence Studies; Vol. 9 No. 2 (2019): Apr./Jun. 2019; 1 -22Révue Brésilienne d'Études de la Présence; Vol. 9 No. 2 (2019): Abr./Jun. 2019; 1 -22Révue Brésilienne d'Études de la Présence; Vol. 9 No 2 (2019): Avr./Jun. 2019; 1 -22Revista Brasileira de Estudos da Presença; v. 9 n. 2 (2019): Abr./Jun. 2019; 1 -222237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/85380/52103Copyright (c) 2019 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessSiqueira, Elton BrunoPontes, Francini Barros2022-09-27T16:35:03Zoai:seer.ufrgs.br:article/85380Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-09-27T16:35:03Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Zoe: threatened common life
Zoé: la vie commune menacée
Zoe: Vida comum ameaçada
title Zoe: threatened common life
spellingShingle Zoe: threatened common life
Siqueira, Elton Bruno
zoé
corpo utópico
heterotopia
cultura
subjetividade
Censura sofrida pelo espetáculo Zoe
Zoe
Utopian Body
Heterotopia
Culture
Subjectivity
Zoé
Corps Utopique
Hétérotopie
Culture
Subjectivité
title_short Zoe: threatened common life
title_full Zoe: threatened common life
title_fullStr Zoe: threatened common life
title_full_unstemmed Zoe: threatened common life
title_sort Zoe: threatened common life
author Siqueira, Elton Bruno
author_facet Siqueira, Elton Bruno
Pontes, Francini Barros
author_role author
author2 Pontes, Francini Barros
author2_role author
dc.contributor.author.fl_str_mv Siqueira, Elton Bruno
Pontes, Francini Barros
dc.subject.por.fl_str_mv zoé
corpo utópico
heterotopia
cultura
subjetividade
Censura sofrida pelo espetáculo Zoe
Zoe
Utopian Body
Heterotopia
Culture
Subjectivity
Zoé
Corps Utopique
Hétérotopie
Culture
Subjectivité
topic zoé
corpo utópico
heterotopia
cultura
subjetividade
Censura sofrida pelo espetáculo Zoe
Zoe
Utopian Body
Heterotopia
Culture
Subjectivity
Zoé
Corps Utopique
Hétérotopie
Culture
Subjectivité
description In 2017, the dance performance Zoe, directed by the choreographer Francini Barros, was censored because its first scene had a naked performer on the sidewalk of the Apolo Theater in Recife. The fact led to a reflection on art as a mechanism to establish a utopia against neoliberal conservatism. This paper aims at understanding how the creative processes of the performance Zoe are placed as a micropolitical strategy of resistance to that conservatism. In order to do so, it establishes a dialogue with Agamben, Foucault, Deleuze, Guattari and Rolnik to discuss categories that served as a basis for our argumentative line, like ordinary life (zoé), utopian body, heterotopia, culture and subjectivity.
publishDate 2022
dc.date.none.fl_str_mv 2022-09-27
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/85380
url https://seer.ufrgs.br/index.php/presenca/article/view/85380
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/85380/52103
dc.rights.driver.fl_str_mv Copyright (c) 2019 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 9 No. 2 (2019): Apr./Jun. 2019; 1 -22
Révue Brésilienne d'Études de la Présence; Vol. 9 No. 2 (2019): Abr./Jun. 2019; 1 -22
Révue Brésilienne d'Études de la Présence; Vol. 9 No 2 (2019): Avr./Jun. 2019; 1 -22
Revista Brasileira de Estudos da Presença; v. 9 n. 2 (2019): Abr./Jun. 2019; 1 -22
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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