Cruising Eisenman’s Holocaust Memorial

Detalhes bibliográficos
Autor(a) principal: Krause, Valentina Rozas
Data de Publicação: 2015
Tipo de documento: Artigo
Idioma: por
Título da fonte: Anos 90 (Online)
Texto Completo: https://seer.ufrgs.br/index.php/anos90/article/view/52481
Resumo: Profile pictures from gay dating sites of young men posing with the stelae of the Memorial to the Murdered Jews in Europe in Berlin have been subject to an art exhibition at the Jewish Museum in New York and a tribute online blog. This paper unveils the meaning of these pictures on this particular site, in an effort to understand why these men chose to portray themselves at the Holocaust Memorial in order to cruise the digital sphere of gay dating websites. In three consecutive sections, the paper asserts that, on the one hand, the conversion of the Holocaust Memorial into a cruising scenario is facilitated by a design that — putting forward autonomy and abstraction — allows and even invites its constant resignification in terms of everyday practices. And, on the other hand, it posits that the images exhibited at the Jewish Museum can be interpreted as a performative memorial which reinscribes sexuality and gender into Holocaust narratives.
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spelling Cruising Eisenman’s Holocaust MemorialBusca por parceiros no Memorial do Holocausto de EisenmanHolocaustMemorialMonumentBerlinCruisingEveryday lifeHolocaustoMemorialMonumentoBerlimBusca de parceirosVida cotidianaArquitecturaMemoriaHistoriaIdentidadProfile pictures from gay dating sites of young men posing with the stelae of the Memorial to the Murdered Jews in Europe in Berlin have been subject to an art exhibition at the Jewish Museum in New York and a tribute online blog. This paper unveils the meaning of these pictures on this particular site, in an effort to understand why these men chose to portray themselves at the Holocaust Memorial in order to cruise the digital sphere of gay dating websites. In three consecutive sections, the paper asserts that, on the one hand, the conversion of the Holocaust Memorial into a cruising scenario is facilitated by a design that — putting forward autonomy and abstraction — allows and even invites its constant resignification in terms of everyday practices. And, on the other hand, it posits that the images exhibited at the Jewish Museum can be interpreted as a performative memorial which reinscribes sexuality and gender into Holocaust narratives.Fotos de perfis de sites de namoro gay de homens jovens posando junto a objetos do Memorial do Holocausto em Berlim são objeto de exposição de arte no Museu Judaico de Nova York e em um blog online. Este artigo revela o significado dessas imagens neste site particular, em um esforço para entender por que esses homens escolheram retratar-se no Memorial do Holocausto a fim de encontrar parceiros por meio digital em sites de namoro gay. Em três seções consecutivas, o artigo afirma que, por um lado, a conversão do Memorial do Holocausto em um cenário de busca por parceiros é facilitada por um design que – por conduzir a uma compreensão autônoma e abstrata – permite e convida uma ressignificação constante a partir das práticas cotidianas. E, por outro lado, postula que as imagens exibidas no Museu Judaico podem ser interpretadas como um memorial performativo que reinscreve sexualidade e gênero em narrativas do Holocausto.UFRGS2015-09-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionenfoque cualitativo, investigación de casosapplication/pdfhttps://seer.ufrgs.br/index.php/anos90/article/view/5248110.22456/1983-201X.52481Anos 90; Vol. 22 No. 42 (2015): USOS PÚBLICOS E POLÍTICOS DA MEMÓRIA: CONSTRUÇÕES, CONFLITOS E REPRESENTAÇÕES.; 53-85Anos 90; v. 22 n. 42 (2015): USOS PÚBLICOS E POLÍTICOS DA MEMÓRIA: CONSTRUÇÕES, CONFLITOS E REPRESENTAÇÕES.; 53-851983-201X0104-236Xreponame:Anos 90 (Online)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGS-30porhttps://seer.ufrgs.br/index.php/anos90/article/view/52481/36142Krause, Valentina Rozasinfo:eu-repo/semantics/openAccess2023-01-12T17:04:18Zoai:seer.ufrgs.br:article/52481Revistahttps://seer.ufrgs.br/anos90PUBhttps://seer.ufrgs.br/anos90/oaianos90@ufrgs.br||1983-201X0104-236Xopendoar:2023-01-12T17:04:18Anos 90 (Online) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Cruising Eisenman’s Holocaust Memorial
Busca por parceiros no Memorial do Holocausto de Eisenman
title Cruising Eisenman’s Holocaust Memorial
spellingShingle Cruising Eisenman’s Holocaust Memorial
Krause, Valentina Rozas
Holocaust
Memorial
Monument
Berlin
Cruising
Everyday life
Holocausto
Memorial
Monumento
Berlim
Busca de parceiros
Vida cotidiana
Arquitectura
Memoria
Historia
Identidad
title_short Cruising Eisenman’s Holocaust Memorial
title_full Cruising Eisenman’s Holocaust Memorial
title_fullStr Cruising Eisenman’s Holocaust Memorial
title_full_unstemmed Cruising Eisenman’s Holocaust Memorial
title_sort Cruising Eisenman’s Holocaust Memorial
author Krause, Valentina Rozas
author_facet Krause, Valentina Rozas
author_role author
dc.contributor.author.fl_str_mv Krause, Valentina Rozas
dc.subject.por.fl_str_mv Holocaust
Memorial
Monument
Berlin
Cruising
Everyday life
Holocausto
Memorial
Monumento
Berlim
Busca de parceiros
Vida cotidiana
Arquitectura
Memoria
Historia
Identidad
topic Holocaust
Memorial
Monument
Berlin
Cruising
Everyday life
Holocausto
Memorial
Monumento
Berlim
Busca de parceiros
Vida cotidiana
Arquitectura
Memoria
Historia
Identidad
description Profile pictures from gay dating sites of young men posing with the stelae of the Memorial to the Murdered Jews in Europe in Berlin have been subject to an art exhibition at the Jewish Museum in New York and a tribute online blog. This paper unveils the meaning of these pictures on this particular site, in an effort to understand why these men chose to portray themselves at the Holocaust Memorial in order to cruise the digital sphere of gay dating websites. In three consecutive sections, the paper asserts that, on the one hand, the conversion of the Holocaust Memorial into a cruising scenario is facilitated by a design that — putting forward autonomy and abstraction — allows and even invites its constant resignification in terms of everyday practices. And, on the other hand, it posits that the images exhibited at the Jewish Museum can be interpreted as a performative memorial which reinscribes sexuality and gender into Holocaust narratives.
publishDate 2015
dc.date.none.fl_str_mv 2015-09-24
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
enfoque cualitativo, investigación de casos
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/anos90/article/view/52481
10.22456/1983-201X.52481
url https://seer.ufrgs.br/index.php/anos90/article/view/52481
identifier_str_mv 10.22456/1983-201X.52481
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/anos90/article/view/52481/36142
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFRGS
publisher.none.fl_str_mv UFRGS
dc.source.none.fl_str_mv Anos 90; Vol. 22 No. 42 (2015): USOS PÚBLICOS E POLÍTICOS DA MEMÓRIA: CONSTRUÇÕES, CONFLITOS E REPRESENTAÇÕES.; 53-85
Anos 90; v. 22 n. 42 (2015): USOS PÚBLICOS E POLÍTICOS DA MEMÓRIA: CONSTRUÇÕES, CONFLITOS E REPRESENTAÇÕES.; 53-85
1983-201X
0104-236X
reponame:Anos 90 (Online)
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS-30
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS-30
institution UFRGS-30
reponame_str Anos 90 (Online)
collection Anos 90 (Online)
repository.name.fl_str_mv Anos 90 (Online) - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv anos90@ufrgs.br||
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