Chase-Riboud: Sally Hemings: speech, writing and the resignification of the past
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Anos 90 (Online) |
Texto Completo: | https://seer.ufrgs.br/index.php/anos90/article/view/51848 |
Resumo: | This article analyses the historical novel Sally Hemings by Chase-Ribaud within the African-American literary tradition. It compares the relationship between the novel and the first slave narratives, showing both their contacts and fractures. It delves into three of the main characters in the novel in terms of what each of them stands for: Langdon, writing; Sally, speech and James, the African-American culture and community. This work explores the legitimacy, historical value and veracity of the written discourse. It also dismantles the binary opposition of ‘fictional reality vs. historical reality’, destabilization that is carried out to denounce the way in which the historiography of the whites presents the marginalized people. It finally grapples with the harm that writing has produced in Sally and the way in which, through memory and oral reconstruction, she erases the master’s gaze with respect to her own identity and the place she occupies in the black community. The result is a construction of a new voice which attains a new subject position, which re-signifies the past while revisiting it. |
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Chase-Riboud: Sally Hemings: speech, writing and the resignification of the pastChase-Riboud: Sally Hemings: oralidad, escritura y la resignificación del pasadoEl nuevo relato de esclavosEscritura versus oralidadResignificación del pasadoConstrucción de identidad racialRealidad ficcional versus realidad históricaMito del héroeThe new slave narrativesSpeech versus writingResignification of the pastSlaveryRacial identity constructionHistorical truth versus fictional truthThe myth of the heroThis article analyses the historical novel Sally Hemings by Chase-Ribaud within the African-American literary tradition. It compares the relationship between the novel and the first slave narratives, showing both their contacts and fractures. It delves into three of the main characters in the novel in terms of what each of them stands for: Langdon, writing; Sally, speech and James, the African-American culture and community. This work explores the legitimacy, historical value and veracity of the written discourse. It also dismantles the binary opposition of ‘fictional reality vs. historical reality’, destabilization that is carried out to denounce the way in which the historiography of the whites presents the marginalized people. It finally grapples with the harm that writing has produced in Sally and the way in which, through memory and oral reconstruction, she erases the master’s gaze with respect to her own identity and the place she occupies in the black community. The result is a construction of a new voice which attains a new subject position, which re-signifies the past while revisiting it.Este trabajo analiza la novela histórica de Chase-Riboud dentro del marco de la tradición literaria negra. En particular, compara la relación entre la novela y las primeras narraciones de esclavos, mostrando tanto los puntos de contactos como los quiebres. Indaga sobre tres personajes principales en términos de lo que simboliza cada uno, Langdon, la escritura; Sally, la oralidad, y James, la cultura y comunidad negra. El trabajo explora la legitimidad, el valor histórico y la veracidad de los discursos escritos, así como la desestabilización del par binario ‘realidad ficcional’ y ‘realidad histórica’, desestabilización que se lleva a cabo para denunciar la manera en que la historiografía de los blancos presenta a los marginados. Finalmente, analiza el daño que produce la escritura en la vida de Sally y la manera en que, a través de la memoria y la reconstrucción oral, ella borra la mirada del amo con respecto a su propia identidad y al lugar que ocupa en la comunidad negra. El resultado es la construcción de una nueva voz que mira ese pasado y lo resignifica y de ese modo, se constituye como sujeto nuevo.UFRGS2015-04-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/anos90/article/view/5184810.22456/1983-201X.51848Anos 90; Vol. 22 No. 41 (2015): ESTADOS UNIDOS: HISTÓRIA E HISTORIOGRAFIA; 151-171Anos 90; v. 22 n. 41 (2015): ESTADOS UNIDOS: HISTÓRIA E HISTORIOGRAFIA; 151-1711983-201X0104-236Xreponame:Anos 90 (Online)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGS-30porhttps://seer.ufrgs.br/index.php/anos90/article/view/51848/34950De Cunto, Marthainfo:eu-repo/semantics/openAccess2023-01-12T17:04:16Zoai:seer.ufrgs.br:article/51848Revistahttps://seer.ufrgs.br/anos90PUBhttps://seer.ufrgs.br/anos90/oaianos90@ufrgs.br||1983-201X0104-236Xopendoar:2023-01-12T17:04:16Anos 90 (Online) - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
Chase-Riboud: Sally Hemings: speech, writing and the resignification of the past Chase-Riboud: Sally Hemings: oralidad, escritura y la resignificación del pasado |
title |
Chase-Riboud: Sally Hemings: speech, writing and the resignification of the past |
spellingShingle |
Chase-Riboud: Sally Hemings: speech, writing and the resignification of the past De Cunto, Martha El nuevo relato de esclavos Escritura versus oralidad Resignificación del pasado Construcción de identidad racial Realidad ficcional versus realidad histórica Mito del héroe The new slave narratives Speech versus writing Resignification of the past Slavery Racial identity construction Historical truth versus fictional truth The myth of the hero |
title_short |
Chase-Riboud: Sally Hemings: speech, writing and the resignification of the past |
title_full |
Chase-Riboud: Sally Hemings: speech, writing and the resignification of the past |
title_fullStr |
Chase-Riboud: Sally Hemings: speech, writing and the resignification of the past |
title_full_unstemmed |
Chase-Riboud: Sally Hemings: speech, writing and the resignification of the past |
title_sort |
Chase-Riboud: Sally Hemings: speech, writing and the resignification of the past |
author |
De Cunto, Martha |
author_facet |
De Cunto, Martha |
author_role |
author |
dc.contributor.author.fl_str_mv |
De Cunto, Martha |
dc.subject.por.fl_str_mv |
El nuevo relato de esclavos Escritura versus oralidad Resignificación del pasado Construcción de identidad racial Realidad ficcional versus realidad histórica Mito del héroe The new slave narratives Speech versus writing Resignification of the past Slavery Racial identity construction Historical truth versus fictional truth The myth of the hero |
topic |
El nuevo relato de esclavos Escritura versus oralidad Resignificación del pasado Construcción de identidad racial Realidad ficcional versus realidad histórica Mito del héroe The new slave narratives Speech versus writing Resignification of the past Slavery Racial identity construction Historical truth versus fictional truth The myth of the hero |
description |
This article analyses the historical novel Sally Hemings by Chase-Ribaud within the African-American literary tradition. It compares the relationship between the novel and the first slave narratives, showing both their contacts and fractures. It delves into three of the main characters in the novel in terms of what each of them stands for: Langdon, writing; Sally, speech and James, the African-American culture and community. This work explores the legitimacy, historical value and veracity of the written discourse. It also dismantles the binary opposition of ‘fictional reality vs. historical reality’, destabilization that is carried out to denounce the way in which the historiography of the whites presents the marginalized people. It finally grapples with the harm that writing has produced in Sally and the way in which, through memory and oral reconstruction, she erases the master’s gaze with respect to her own identity and the place she occupies in the black community. The result is a construction of a new voice which attains a new subject position, which re-signifies the past while revisiting it. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-04-22 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/anos90/article/view/51848 10.22456/1983-201X.51848 |
url |
https://seer.ufrgs.br/index.php/anos90/article/view/51848 |
identifier_str_mv |
10.22456/1983-201X.51848 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/anos90/article/view/51848/34950 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
UFRGS |
publisher.none.fl_str_mv |
UFRGS |
dc.source.none.fl_str_mv |
Anos 90; Vol. 22 No. 41 (2015): ESTADOS UNIDOS: HISTÓRIA E HISTORIOGRAFIA; 151-171 Anos 90; v. 22 n. 41 (2015): ESTADOS UNIDOS: HISTÓRIA E HISTORIOGRAFIA; 151-171 1983-201X 0104-236X reponame:Anos 90 (Online) instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS-30 |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS-30 |
institution |
UFRGS-30 |
reponame_str |
Anos 90 (Online) |
collection |
Anos 90 (Online) |
repository.name.fl_str_mv |
Anos 90 (Online) - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
anos90@ufrgs.br|| |
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1797067840827686912 |