Wandering paths on the margins of pop music: a sonic experience of differences

Detalhes bibliográficos
Autor(a) principal: Carvalho, Nilton Faria de
Data de Publicação: 2022
Outros Autores: Vargas, Herom
Tipo de documento: Artigo
Idioma: por
Título da fonte: Intexto (Porto Alegre)
Texto Completo: https://seer.ufrgs.br/index.php/intexto/article/view/102775
Resumo: This text seeks differentiation processes from the margins of pop music. We take Walter Benjamin as a methodological starting point, his wandering journey (flânerie) through the modern metropolis, to propose an opening to the sound differences. The path leads us to the experience of the self, less mediated by dominant media regimes, because listening to music here approaches to the experiment proposed by Giorgio Agamben, which asserts itself as singularity. Then, in the sound of some works, the possibility of a radically open listening that shifts the paradigms of recognition of pop music in the media is identified. The result is a communicational experience of enjoyment permeated by differences and alterities, which reviews narrative inequalities in the globalization scenario.
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spelling Wandering paths on the margins of pop music: a sonic experience of differencesPercursos errantes nas margens da música pop: uma experiência sonora de diferençasExperiênciaAlteridadeDiferençaMúsica PopSingularidadeExperienceOthernessDifferencePop MusicSingularityThis text seeks differentiation processes from the margins of pop music. We take Walter Benjamin as a methodological starting point, his wandering journey (flânerie) through the modern metropolis, to propose an opening to the sound differences. The path leads us to the experience of the self, less mediated by dominant media regimes, because listening to music here approaches to the experiment proposed by Giorgio Agamben, which asserts itself as singularity. Then, in the sound of some works, the possibility of a radically open listening that shifts the paradigms of recognition of pop music in the media is identified. The result is a communicational experience of enjoyment permeated by differences and alterities, which reviews narrative inequalities in the globalization scenario.O presente texto busca processos de diferenciação a partir das margens da música pop. Tomamos Walter Benjamin como ponto de partida metodológico, seu percurso errante (flânerie) pela moderna metrópole, para propor uma abertura às diferenças sonoras. O caminho nos conduz à experiência de si, menos mediada por regimes midiáticos dominantes, pois a escuta musical aqui se aproxima do experimento proposto por Giorgio Agamben, que se afirma enquanto singularidade. Identifica-se então, na sonoridade de algumas obras, a possibilidade de uma escuta radicalmente aberta que desloca os paradigmas de reconhecimento da música pop nas mídias. O resultado é uma experiência comunicacional de fruição permeada por diferenças e alteridades, que revisa as desigualdades narrativas no cenário da globalização.Universidade Federal do Rio Grande do Sul2022-07-07info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPesquisa exploratória; análise qualitativaapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/10277510.19132/1807-8583202253.102775Intexto; No. 53 (2022); 102775Intexto; Núm. 53 (2022); 102775Intexto; No. 53 (2022); 102775Intexto; N. 53 (2022); 102775Intexto; n. 53 (2022); 1027751807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/102775/85393Copyright (c) 2022 Nilton Faria de Carvalho, Herom Vargashttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessCarvalho, Nilton Faria deVargas, Herom2023-07-18T16:47:24Zoai:seer.ufrgs.br:article/102775Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-07-18T16:47:24Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Wandering paths on the margins of pop music: a sonic experience of differences
Percursos errantes nas margens da música pop: uma experiência sonora de diferenças
title Wandering paths on the margins of pop music: a sonic experience of differences
spellingShingle Wandering paths on the margins of pop music: a sonic experience of differences
Carvalho, Nilton Faria de
Experiência
Alteridade
Diferença
Música Pop
Singularidade
Experience
Otherness
Difference
Pop Music
Singularity
title_short Wandering paths on the margins of pop music: a sonic experience of differences
title_full Wandering paths on the margins of pop music: a sonic experience of differences
title_fullStr Wandering paths on the margins of pop music: a sonic experience of differences
title_full_unstemmed Wandering paths on the margins of pop music: a sonic experience of differences
title_sort Wandering paths on the margins of pop music: a sonic experience of differences
author Carvalho, Nilton Faria de
author_facet Carvalho, Nilton Faria de
Vargas, Herom
author_role author
author2 Vargas, Herom
author2_role author
dc.contributor.author.fl_str_mv Carvalho, Nilton Faria de
Vargas, Herom
dc.subject.por.fl_str_mv Experiência
Alteridade
Diferença
Música Pop
Singularidade
Experience
Otherness
Difference
Pop Music
Singularity
topic Experiência
Alteridade
Diferença
Música Pop
Singularidade
Experience
Otherness
Difference
Pop Music
Singularity
description This text seeks differentiation processes from the margins of pop music. We take Walter Benjamin as a methodological starting point, his wandering journey (flânerie) through the modern metropolis, to propose an opening to the sound differences. The path leads us to the experience of the self, less mediated by dominant media regimes, because listening to music here approaches to the experiment proposed by Giorgio Agamben, which asserts itself as singularity. Then, in the sound of some works, the possibility of a radically open listening that shifts the paradigms of recognition of pop music in the media is identified. The result is a communicational experience of enjoyment permeated by differences and alterities, which reviews narrative inequalities in the globalization scenario.
publishDate 2022
dc.date.none.fl_str_mv 2022-07-07
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Pesquisa exploratória; análise qualitativa
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/102775
10.19132/1807-8583202253.102775
url https://seer.ufrgs.br/index.php/intexto/article/view/102775
identifier_str_mv 10.19132/1807-8583202253.102775
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/102775/85393
dc.rights.driver.fl_str_mv Copyright (c) 2022 Nilton Faria de Carvalho, Herom Vargas
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Nilton Faria de Carvalho, Herom Vargas
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Intexto; No. 53 (2022); 102775
Intexto; Núm. 53 (2022); 102775
Intexto; No. 53 (2022); 102775
Intexto; N. 53 (2022); 102775
Intexto; n. 53 (2022); 102775
1807-8583
reponame:Intexto (Porto Alegre)
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instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Intexto (Porto Alegre)
collection Intexto (Porto Alegre)
repository.name.fl_str_mv Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||intexto@ufrgs.br
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