Civilization conflict and death drive. Pasolini's Medea, a current paradigm
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | fra |
Título da fonte: | Intexto (Porto Alegre) |
Texto Completo: | https://seer.ufrgs.br/index.php/intexto/article/view/66011 |
Resumo: | This communication adopts as its object a textual analysis of the film Medea by Pier Paolo Pasolini, referring to his treatment of the conflict between a culture of the sacred, magic the ritual embodied by Medea and a culture of the profane, the rational and the historical represented by Jason during the course of his heroic and destructive adventure of appropriating the Golden Fleece and the seduction of woman. On examining the readings in anthropology and psychoanalysis, along with the study of archetypes and myths carried out by the film director in preparation for his work, and above all, his encounter with the Traité d'histoire des religions (Patterns in Comparative Religions) by Mircea Eliade, the reader can understand the deep, inner reasons behind the effect of deflagration t not only of the ancient world of Colchis, but also the original land in which Jason was raised and brought up by the Centaur and submitted to the violence of hubris, therefore incapable of discerning the relationship with subconscious matrices and, at the same time, with those structured by an earlier and more powerful civilization. Medea's revenge , in this respect, represents, for Pasolini the desperate and irrepressible revelation of a violated law, which questions through the force of atrocious revenge, the mentality of modern men, who are already launched into the nineteen-sixties and seventies and heading towards a nihilistic model of development. |
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Civilization conflict and death drive. Pasolini's Medea, a current paradigmConflits de civilisation et pulsion de mort. La Médée de Pasolini, un paradigme actuelMedea. Jason. Sacré. Profane.Medea. Jason. Sacred. Profane.This communication adopts as its object a textual analysis of the film Medea by Pier Paolo Pasolini, referring to his treatment of the conflict between a culture of the sacred, magic the ritual embodied by Medea and a culture of the profane, the rational and the historical represented by Jason during the course of his heroic and destructive adventure of appropriating the Golden Fleece and the seduction of woman. On examining the readings in anthropology and psychoanalysis, along with the study of archetypes and myths carried out by the film director in preparation for his work, and above all, his encounter with the Traité d'histoire des religions (Patterns in Comparative Religions) by Mircea Eliade, the reader can understand the deep, inner reasons behind the effect of deflagration t not only of the ancient world of Colchis, but also the original land in which Jason was raised and brought up by the Centaur and submitted to the violence of hubris, therefore incapable of discerning the relationship with subconscious matrices and, at the same time, with those structured by an earlier and more powerful civilization. Medea's revenge , in this respect, represents, for Pasolini the desperate and irrepressible revelation of a violated law, which questions through the force of atrocious revenge, the mentality of modern men, who are already launched into the nineteen-sixties and seventies and heading towards a nihilistic model of development.Cette communication a pour objet la lecture textuelle du film Médée de Pier Paolo Pasolini. Elle fait référence au conflit entre une culture du sacré, du magique, du rituel, incarnée par Médée, et une culture du profane, du rationnel, de l’historique, représentée par Jason au cours de son héroïque et destructive entreprise de s’emparer de la Toison d’Or et de séduction de la femme. Avec un regard aux lectures d’anthropologie et de psychanalyse des archétypes et des mythes, effectuées par le réalisateur dans la période de préparation de son film, et grâce à sa rencontre avec le Traité des Religions de Mircea Eliade, on met en évidence les motivations les plus profondes de l'effet de déflagration d’un monde, le monde archaïque de la Colchide, mais aussi de celui des origines, dans lequel Jason fut élevé et éduqué. Ce monde a été soumis à la violence d’une hybris incapable à reconnaître le rapport avec les matrices inconscientes, mais en même temps structurées, d’une civilisation antécédente et plus puissante. En ce sens, la vengeance de Médée représente pour Pasolini la révélation désespérée et incoercible d’une lois violée qui, avec la force de son atroce revanche, interroge la mentalité des hommes modernes, lancés désormais vers un modèle de développement tout à fait nihiliste.Universidade Federal do Rio Grande do Sul2017-01-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/6601110.19132/1807-8583201738.240-251Intexto; n. 38, jan./abr. 2017; 240-251Intexto; n. 38, jan./abr. 2017; 240-251Intexto; n. 38, jan./abr. 2017; 240-251Intexto; n. 38, jan./abr. 2017; 240-251Intexto; n. 38, jan./abr. 2017; 240-2511807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSfrahttps://seer.ufrgs.br/index.php/intexto/article/view/66011/40229Copyright (c) 2017 Sonia Rovitohttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessRovito, Sonia2023-11-23T17:11:50Zoai:seer.ufrgs.br:article/66011Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-11-23T17:11:50Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
Civilization conflict and death drive. Pasolini's Medea, a current paradigm Conflits de civilisation et pulsion de mort. La Médée de Pasolini, un paradigme actuel |
title |
Civilization conflict and death drive. Pasolini's Medea, a current paradigm |
spellingShingle |
Civilization conflict and death drive. Pasolini's Medea, a current paradigm Rovito, Sonia Medea. Jason. Sacré. Profane. Medea. Jason. Sacred. Profane. |
title_short |
Civilization conflict and death drive. Pasolini's Medea, a current paradigm |
title_full |
Civilization conflict and death drive. Pasolini's Medea, a current paradigm |
title_fullStr |
Civilization conflict and death drive. Pasolini's Medea, a current paradigm |
title_full_unstemmed |
Civilization conflict and death drive. Pasolini's Medea, a current paradigm |
title_sort |
Civilization conflict and death drive. Pasolini's Medea, a current paradigm |
author |
Rovito, Sonia |
author_facet |
Rovito, Sonia |
author_role |
author |
dc.contributor.author.fl_str_mv |
Rovito, Sonia |
dc.subject.por.fl_str_mv |
Medea. Jason. Sacré. Profane. Medea. Jason. Sacred. Profane. |
topic |
Medea. Jason. Sacré. Profane. Medea. Jason. Sacred. Profane. |
description |
This communication adopts as its object a textual analysis of the film Medea by Pier Paolo Pasolini, referring to his treatment of the conflict between a culture of the sacred, magic the ritual embodied by Medea and a culture of the profane, the rational and the historical represented by Jason during the course of his heroic and destructive adventure of appropriating the Golden Fleece and the seduction of woman. On examining the readings in anthropology and psychoanalysis, along with the study of archetypes and myths carried out by the film director in preparation for his work, and above all, his encounter with the Traité d'histoire des religions (Patterns in Comparative Religions) by Mircea Eliade, the reader can understand the deep, inner reasons behind the effect of deflagration t not only of the ancient world of Colchis, but also the original land in which Jason was raised and brought up by the Centaur and submitted to the violence of hubris, therefore incapable of discerning the relationship with subconscious matrices and, at the same time, with those structured by an earlier and more powerful civilization. Medea's revenge , in this respect, represents, for Pasolini the desperate and irrepressible revelation of a violated law, which questions through the force of atrocious revenge, the mentality of modern men, who are already launched into the nineteen-sixties and seventies and heading towards a nihilistic model of development. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-01-24 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/intexto/article/view/66011 10.19132/1807-8583201738.240-251 |
url |
https://seer.ufrgs.br/index.php/intexto/article/view/66011 |
identifier_str_mv |
10.19132/1807-8583201738.240-251 |
dc.language.iso.fl_str_mv |
fra |
language |
fra |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/intexto/article/view/66011/40229 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Sonia Rovito https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 Sonia Rovito https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Intexto; n. 38, jan./abr. 2017; 240-251 Intexto; n. 38, jan./abr. 2017; 240-251 Intexto; n. 38, jan./abr. 2017; 240-251 Intexto; n. 38, jan./abr. 2017; 240-251 Intexto; n. 38, jan./abr. 2017; 240-251 1807-8583 reponame:Intexto (Porto Alegre) instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
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Universidade Federal do Rio Grande do Sul (UFRGS) |
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UFRGS |
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UFRGS |
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Intexto (Porto Alegre) |
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Intexto (Porto Alegre) |
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Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS) |
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||intexto@ufrgs.br |
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