Brazilian filmmakers’ theories in dispersion about the audiovisual: archeology, semiotics and deconstruction

Detalhes bibliográficos
Autor(a) principal: Silva, Alexandre Rocha da
Data de Publicação: 2022
Outros Autores: Müller, Luiza, Lucas, Cássio de Borba, Araujo, André Corrêa da Silva de
Tipo de documento: Artigo
Idioma: por
Título da fonte: Intexto (Porto Alegre)
Texto Completo: https://seer.ufrgs.br/index.php/intexto/article/view/120608
Resumo: Brazilian filmmakers’ theories in dispersion about the audiovisual: archeology, semiotics and deconstruction investigates semiotic procedures in different registers – verbal and non-verbal – that indicate filmmakers' theories about the audiovisual. Such theories, in becoming, are dispersed among articles, interviews and films made by Glauber Rocha, Júlio Bressane and Rogério Sganzerla, directors whose productions constitute the corpus of this research. Reviews, dissertations and theses on the topic, written by other authors - academics or journalists - were used as support materials and critically revised according to the vestiges and vectors of dispersed theories, which are to be systematized by way of three theoretical axes: archeology, semiotics and deconstruction. Archeology was responsible for identifying dispersed theoretical features and their rules of visibility; semiotics, for the systematization of the logic of identified semiosis; and deconstruction, for the regulated transformation of what has already been written in the form of a theory about the audiovisual. The investigation of materials resulted (a) in an experimental methodology in three analytical gestures: floating attention, dispersion and serialization, and (b) in signification series derived from the work of each director that indicate their theories about the audiovisual (of which we present, in section four, the series of designation games in Bressane, crosses in Glauber and intersemiotic anthropophagy in Sganzerla).
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spelling Brazilian filmmakers’ theories in dispersion about the audiovisual: archeology, semiotics and deconstructionTeorias em dispersão dos cineastas brasileiros sobre o audiovisual: arqueologia, semiótica e desconstruçãoTeorias dos CineastasAudiovisual brasileiroSemióticaComunicaçãoFilmmakers theoriesBrazilian audiovisualSemioticsCommunicationBrazilian filmmakers’ theories in dispersion about the audiovisual: archeology, semiotics and deconstruction investigates semiotic procedures in different registers – verbal and non-verbal – that indicate filmmakers' theories about the audiovisual. Such theories, in becoming, are dispersed among articles, interviews and films made by Glauber Rocha, Júlio Bressane and Rogério Sganzerla, directors whose productions constitute the corpus of this research. Reviews, dissertations and theses on the topic, written by other authors - academics or journalists - were used as support materials and critically revised according to the vestiges and vectors of dispersed theories, which are to be systematized by way of three theoretical axes: archeology, semiotics and deconstruction. Archeology was responsible for identifying dispersed theoretical features and their rules of visibility; semiotics, for the systematization of the logic of identified semiosis; and deconstruction, for the regulated transformation of what has already been written in the form of a theory about the audiovisual. The investigation of materials resulted (a) in an experimental methodology in three analytical gestures: floating attention, dispersion and serialization, and (b) in signification series derived from the work of each director that indicate their theories about the audiovisual (of which we present, in section four, the series of designation games in Bressane, crosses in Glauber and intersemiotic anthropophagy in Sganzerla).Teorias em dispersão dos cineastas brasileiros sobre o audiovisual: arqueologia, semiótica e desconstrução investiga em diferentes registros – verbais e não-verbais – os procedimentos semióticos que indiciam teorias de cineastas sobre o audiovisual. Tais teorias, em devir, encontram-se dispersas entre artigos, entrevistas e filmes realizados por Glauber Rocha, Júlio Bressane e Rogério Sganzerla, cineastas cujas produções constituem o corpus desta pesquisa. As resenhas, dissertações e teses sobre o tema, escritas por outros autores – acadêmicos ou jornalistas – foram utilizadas como materiais de apoio criticamente revisados em função dos vestígios e vetores das teorias em dispersão, a serem sistematizadas teoricamente a partir de três eixos: a arqueologia, a semiótica e a desconstrução. À arqueologia, coube a identificação de traços teóricos em dispersão e de suas regras de visibilidade; à semiótica, a sistematização da lógica das semioses identificadas, e à desconstrução, a transformação regulada do que já foi escrito na forma de uma teoria sobre o audiovisual. A investigação dos materiais resultou (1) em uma metodologia experimental em três gestos analíticos: a atenção flutuante, a dispersão e a serialização, e (2) em séries sígnicas derivadas da obra de cada diretor que indiciam suas teorias sobre o audiovisual (os jogos de designação em Bressane, as cruzes em Glauber e a antropofagia intersemiótica em Sganzerla).Universidade Federal do Rio Grande do Sul2022-08-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/12060810.19132/1807-8583202254.120608Intexto; No. 54 (2022): Edição especial em homenagem a Alexandre Rocha da Silva; 120608Intexto; Núm. 54 (2022): Edição especial em homenagem a Alexandre Rocha da Silva; 120608Intexto; No. 54 (2022): Edição especial em homenagem a Alexandre Rocha da Silva; 120608Intexto; N. 54 (2022): Edição especial em homenagem a Alexandre Rocha da Silva; 120608Intexto; n. 54 (2022): Edição especial em homenagem a Alexandre Rocha da Silva; 1206081807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/120608/85343Copyright (c) 2022 Luiza Müller, Cássio de Borba Lucas, Alexandre Rocha da Silva, André Correia da Silva de Araújohttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessSilva, Alexandre Rocha daMüller, LuizaLucas, Cássio de BorbaAraujo, André Corrêa da Silva de2023-08-10T15:55:06Zoai:seer.ufrgs.br:article/120608Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-08-10T15:55:06Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Brazilian filmmakers’ theories in dispersion about the audiovisual: archeology, semiotics and deconstruction
Teorias em dispersão dos cineastas brasileiros sobre o audiovisual: arqueologia, semiótica e desconstrução
title Brazilian filmmakers’ theories in dispersion about the audiovisual: archeology, semiotics and deconstruction
spellingShingle Brazilian filmmakers’ theories in dispersion about the audiovisual: archeology, semiotics and deconstruction
Silva, Alexandre Rocha da
Teorias dos Cineastas
Audiovisual brasileiro
Semiótica
Comunicação
Filmmakers theories
Brazilian audiovisual
Semiotics
Communication
title_short Brazilian filmmakers’ theories in dispersion about the audiovisual: archeology, semiotics and deconstruction
title_full Brazilian filmmakers’ theories in dispersion about the audiovisual: archeology, semiotics and deconstruction
title_fullStr Brazilian filmmakers’ theories in dispersion about the audiovisual: archeology, semiotics and deconstruction
title_full_unstemmed Brazilian filmmakers’ theories in dispersion about the audiovisual: archeology, semiotics and deconstruction
title_sort Brazilian filmmakers’ theories in dispersion about the audiovisual: archeology, semiotics and deconstruction
author Silva, Alexandre Rocha da
author_facet Silva, Alexandre Rocha da
Müller, Luiza
Lucas, Cássio de Borba
Araujo, André Corrêa da Silva de
author_role author
author2 Müller, Luiza
Lucas, Cássio de Borba
Araujo, André Corrêa da Silva de
author2_role author
author
author
dc.contributor.author.fl_str_mv Silva, Alexandre Rocha da
Müller, Luiza
Lucas, Cássio de Borba
Araujo, André Corrêa da Silva de
dc.subject.por.fl_str_mv Teorias dos Cineastas
Audiovisual brasileiro
Semiótica
Comunicação
Filmmakers theories
Brazilian audiovisual
Semiotics
Communication
topic Teorias dos Cineastas
Audiovisual brasileiro
Semiótica
Comunicação
Filmmakers theories
Brazilian audiovisual
Semiotics
Communication
description Brazilian filmmakers’ theories in dispersion about the audiovisual: archeology, semiotics and deconstruction investigates semiotic procedures in different registers – verbal and non-verbal – that indicate filmmakers' theories about the audiovisual. Such theories, in becoming, are dispersed among articles, interviews and films made by Glauber Rocha, Júlio Bressane and Rogério Sganzerla, directors whose productions constitute the corpus of this research. Reviews, dissertations and theses on the topic, written by other authors - academics or journalists - were used as support materials and critically revised according to the vestiges and vectors of dispersed theories, which are to be systematized by way of three theoretical axes: archeology, semiotics and deconstruction. Archeology was responsible for identifying dispersed theoretical features and their rules of visibility; semiotics, for the systematization of the logic of identified semiosis; and deconstruction, for the regulated transformation of what has already been written in the form of a theory about the audiovisual. The investigation of materials resulted (a) in an experimental methodology in three analytical gestures: floating attention, dispersion and serialization, and (b) in signification series derived from the work of each director that indicate their theories about the audiovisual (of which we present, in section four, the series of designation games in Bressane, crosses in Glauber and intersemiotic anthropophagy in Sganzerla).
publishDate 2022
dc.date.none.fl_str_mv 2022-08-08
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
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dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/120608
10.19132/1807-8583202254.120608
url https://seer.ufrgs.br/index.php/intexto/article/view/120608
identifier_str_mv 10.19132/1807-8583202254.120608
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/120608/85343
dc.rights.driver.fl_str_mv https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Intexto; No. 54 (2022): Edição especial em homenagem a Alexandre Rocha da Silva; 120608
Intexto; Núm. 54 (2022): Edição especial em homenagem a Alexandre Rocha da Silva; 120608
Intexto; No. 54 (2022): Edição especial em homenagem a Alexandre Rocha da Silva; 120608
Intexto; N. 54 (2022): Edição especial em homenagem a Alexandre Rocha da Silva; 120608
Intexto; n. 54 (2022): Edição especial em homenagem a Alexandre Rocha da Silva; 120608
1807-8583
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