The Romantic Cinema of Werner Herzog: approaches between German Romanticism and the Concept of Ecstatic Truth
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Data de Publicação: | 2020 |
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Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Intexto (Porto Alegre) |
Texto Completo: | https://seer.ufrgs.br/index.php/intexto/article/view/92857 |
Resumo: | This article explores the similarities between the intellectual movement German Romanticism and Werner Herzog’s concept of Ecstatic Truth. We seek to single out, in the filmmaker’s cinema, propositions of a romantic-influenced aesthetics. As methodology, we use direct sources related to the approach of “Theory of Filmmakers”. In other words, besides film fragments, we also turned to interviews and declarations by Werner Herzog about the making of his films as a creation process. The main similarities found from this comparison were: (1) an inherently romantic tendency towards escapism, present among Herzog’s characters; (2) nature seen as the only option left, and (3) moments filled with the sensation of fear, shiver and paralysis. |
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The Romantic Cinema of Werner Herzog: approaches between German Romanticism and the Concept of Ecstatic TruthO cinema romântico de Werner Herzog: aproximações entre o Romantismo Alemão e o conceito de Verdade ExtáticaRomantismo Alemão. Verdade Extática. Werner Herzog. Cinema.German Romanticism. Ecstatic Truth. Werner Herzog. Cinema.This article explores the similarities between the intellectual movement German Romanticism and Werner Herzog’s concept of Ecstatic Truth. We seek to single out, in the filmmaker’s cinema, propositions of a romantic-influenced aesthetics. As methodology, we use direct sources related to the approach of “Theory of Filmmakers”. In other words, besides film fragments, we also turned to interviews and declarations by Werner Herzog about the making of his films as a creation process. The main similarities found from this comparison were: (1) an inherently romantic tendency towards escapism, present among Herzog’s characters; (2) nature seen as the only option left, and (3) moments filled with the sensation of fear, shiver and paralysis.O artigo parte da investigação acerca das semelhanças existentes entre o movimento intelectual conhecido como Romantismo Alemão e o conceito de Verdade Extática de Werner Herzog. Buscamos reconhecer, no cinema do cineasta, proposições de uma estética de influência romântica. Utilizamos, como metodologia principal, fontes diretas referentes à abordagem da Teoria dos Cineastas, isto é, além de fragmentos das obras fílmicas per se, também as entrevistas e declarações analisadas nos discursos de Werner Herzog a respeito da feitura dos filmes enquanto processos de criação. Os principais resultados obtidos diante da associação estabelecida apontam para: (1) indissociabilidade entre a tendência ao escapismo, inerentemente romântica, e os personagens herzoguianos; (2) fuga para a natureza como única opção restante; (3) momentos carregados da sensação de medo, arrepio e paralisia.Universidade Federal do Rio Grande do Sul2020-01-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/9285710.19132/1807-8583202048.246-263Intexto; n. 48, jan./abr. Dossiê Teoria de Cineastas; 246-263Intexto; n. 48, jan./abr. Dossiê Teoria de Cineastas; 246-263Intexto; n. 48, jan./abr. Dossiê Teoria de Cineastas; 246-263Intexto; n. 48, jan./abr. Dossiê Teoria de Cineastas; 246-263Intexto; n. 48, jan./abr. Dossiê Teoria de Cineastas; 246-2631807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/92857/54374Copyright (c) 2019 Jéssica Pereira Frazão, Regiane Regina Ribeirohttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessFrazão, Jéssica PereiraRibeiro, Regiane Regina2023-02-27T18:09:57Zoai:seer.ufrgs.br:article/92857Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-02-27T18:09:57Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
The Romantic Cinema of Werner Herzog: approaches between German Romanticism and the Concept of Ecstatic Truth O cinema romântico de Werner Herzog: aproximações entre o Romantismo Alemão e o conceito de Verdade Extática |
title |
The Romantic Cinema of Werner Herzog: approaches between German Romanticism and the Concept of Ecstatic Truth |
spellingShingle |
The Romantic Cinema of Werner Herzog: approaches between German Romanticism and the Concept of Ecstatic Truth Frazão, Jéssica Pereira Romantismo Alemão. Verdade Extática. Werner Herzog. Cinema. German Romanticism. Ecstatic Truth. Werner Herzog. Cinema. |
title_short |
The Romantic Cinema of Werner Herzog: approaches between German Romanticism and the Concept of Ecstatic Truth |
title_full |
The Romantic Cinema of Werner Herzog: approaches between German Romanticism and the Concept of Ecstatic Truth |
title_fullStr |
The Romantic Cinema of Werner Herzog: approaches between German Romanticism and the Concept of Ecstatic Truth |
title_full_unstemmed |
The Romantic Cinema of Werner Herzog: approaches between German Romanticism and the Concept of Ecstatic Truth |
title_sort |
The Romantic Cinema of Werner Herzog: approaches between German Romanticism and the Concept of Ecstatic Truth |
author |
Frazão, Jéssica Pereira |
author_facet |
Frazão, Jéssica Pereira Ribeiro, Regiane Regina |
author_role |
author |
author2 |
Ribeiro, Regiane Regina |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Frazão, Jéssica Pereira Ribeiro, Regiane Regina |
dc.subject.por.fl_str_mv |
Romantismo Alemão. Verdade Extática. Werner Herzog. Cinema. German Romanticism. Ecstatic Truth. Werner Herzog. Cinema. |
topic |
Romantismo Alemão. Verdade Extática. Werner Herzog. Cinema. German Romanticism. Ecstatic Truth. Werner Herzog. Cinema. |
description |
This article explores the similarities between the intellectual movement German Romanticism and Werner Herzog’s concept of Ecstatic Truth. We seek to single out, in the filmmaker’s cinema, propositions of a romantic-influenced aesthetics. As methodology, we use direct sources related to the approach of “Theory of Filmmakers”. In other words, besides film fragments, we also turned to interviews and declarations by Werner Herzog about the making of his films as a creation process. The main similarities found from this comparison were: (1) an inherently romantic tendency towards escapism, present among Herzog’s characters; (2) nature seen as the only option left, and (3) moments filled with the sensation of fear, shiver and paralysis. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-01-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/intexto/article/view/92857 10.19132/1807-8583202048.246-263 |
url |
https://seer.ufrgs.br/index.php/intexto/article/view/92857 |
identifier_str_mv |
10.19132/1807-8583202048.246-263 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/intexto/article/view/92857/54374 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Jéssica Pereira Frazão, Regiane Regina Ribeiro https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Jéssica Pereira Frazão, Regiane Regina Ribeiro https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Intexto; n. 48, jan./abr. Dossiê Teoria de Cineastas; 246-263 Intexto; n. 48, jan./abr. Dossiê Teoria de Cineastas; 246-263 Intexto; n. 48, jan./abr. Dossiê Teoria de Cineastas; 246-263 Intexto; n. 48, jan./abr. Dossiê Teoria de Cineastas; 246-263 Intexto; n. 48, jan./abr. Dossiê Teoria de Cineastas; 246-263 1807-8583 reponame:Intexto (Porto Alegre) instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Intexto (Porto Alegre) |
collection |
Intexto (Porto Alegre) |
repository.name.fl_str_mv |
Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||intexto@ufrgs.br |
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