Performance as aesthetic experience´s expression: modes of seizure and operatinal mechanisms.
Autor(a) principal: | |
---|---|
Data de Publicação: | 2019 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Intexto (Porto Alegre) |
Texto Completo: | https://seer.ufrgs.br/index.php/intexto/article/view/81918 |
Resumo: | This article comprehends performances as empirical expressions of aesthetic experience, understanding that destabilization in the performances account for expressive forms of experience. While restored behaviors, performances can be seen in various social situations, which suggests various possibilities of apprehension. Based on the observation of how we accessed the performance from media processes, we list here four conceptual figurations that can function as operational mechanisms analysis: mimesis, mise-en-scène, context communication and media genre. |
id |
UFRGS-6_b14ff87e9adddd5cff0a63f51adaeea3 |
---|---|
oai_identifier_str |
oai:seer.ufrgs.br:article/81918 |
network_acronym_str |
UFRGS-6 |
network_name_str |
Intexto (Porto Alegre) |
repository_id_str |
|
spelling |
Performance as aesthetic experience´s expression: modes of seizure and operatinal mechanisms.Performances como expressões da experiência estética: modos de apreensão e mecanismos operativosExperiência estética. Performance. Operadores de análise.Aesthetic Experience. Performance. Analysis mechanisms.This article comprehends performances as empirical expressions of aesthetic experience, understanding that destabilization in the performances account for expressive forms of experience. While restored behaviors, performances can be seen in various social situations, which suggests various possibilities of apprehension. Based on the observation of how we accessed the performance from media processes, we list here four conceptual figurations that can function as operational mechanisms analysis: mimesis, mise-en-scène, context communication and media genre.O artigo compreende as performances como expressões empíricas da experiência estética, entendendo que desestabilizações nas performances respondem por formas expressivas dessa experiência. Enquanto comportamentos restaurados, as performances podem ser observadas em situações sociais diversas, o que sugere possibilidades variadas de apreensão. Com base na observação de como temos acessado a performance a partir de distintos processos midiáticos, elencamos quatro figurações conceituais que podem ser tomadas enquanto mecanismos operativos de análise: mimesis, mise-en-scène, contexto comunicativo e gênero midiático.Universidade Federal do Rio Grande do Sul2019-08-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/8191810.19132/1807-8583201947.104-120Intexto; n. 47, set./dez. 2019; 104-120Intexto; n. 47, set./dez. 2019; 104-120Intexto; n. 47, set./dez. 2019; 104-120Intexto; n. 47, set./dez. 2019; 104-120Intexto; n. 47, set./dez. 2019; 104-1201807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/81918/53002Copyright (c) 2019 Jorge Cunha Cardoso Filho, Juliana Freire Gutmannhttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessCardoso Filho, Jorge CunhaGutmann, Juliana Freire2023-11-23T15:39:20Zoai:seer.ufrgs.br:article/81918Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-11-23T15:39:20Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
Performance as aesthetic experience´s expression: modes of seizure and operatinal mechanisms. Performances como expressões da experiência estética: modos de apreensão e mecanismos operativos |
title |
Performance as aesthetic experience´s expression: modes of seizure and operatinal mechanisms. |
spellingShingle |
Performance as aesthetic experience´s expression: modes of seizure and operatinal mechanisms. Cardoso Filho, Jorge Cunha Experiência estética. Performance. Operadores de análise. Aesthetic Experience. Performance. Analysis mechanisms. |
title_short |
Performance as aesthetic experience´s expression: modes of seizure and operatinal mechanisms. |
title_full |
Performance as aesthetic experience´s expression: modes of seizure and operatinal mechanisms. |
title_fullStr |
Performance as aesthetic experience´s expression: modes of seizure and operatinal mechanisms. |
title_full_unstemmed |
Performance as aesthetic experience´s expression: modes of seizure and operatinal mechanisms. |
title_sort |
Performance as aesthetic experience´s expression: modes of seizure and operatinal mechanisms. |
author |
Cardoso Filho, Jorge Cunha |
author_facet |
Cardoso Filho, Jorge Cunha Gutmann, Juliana Freire |
author_role |
author |
author2 |
Gutmann, Juliana Freire |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Cardoso Filho, Jorge Cunha Gutmann, Juliana Freire |
dc.subject.por.fl_str_mv |
Experiência estética. Performance. Operadores de análise. Aesthetic Experience. Performance. Analysis mechanisms. |
topic |
Experiência estética. Performance. Operadores de análise. Aesthetic Experience. Performance. Analysis mechanisms. |
description |
This article comprehends performances as empirical expressions of aesthetic experience, understanding that destabilization in the performances account for expressive forms of experience. While restored behaviors, performances can be seen in various social situations, which suggests various possibilities of apprehension. Based on the observation of how we accessed the performance from media processes, we list here four conceptual figurations that can function as operational mechanisms analysis: mimesis, mise-en-scène, context communication and media genre. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-08-06 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/intexto/article/view/81918 10.19132/1807-8583201947.104-120 |
url |
https://seer.ufrgs.br/index.php/intexto/article/view/81918 |
identifier_str_mv |
10.19132/1807-8583201947.104-120 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/intexto/article/view/81918/53002 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Jorge Cunha Cardoso Filho, Juliana Freire Gutmann https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Jorge Cunha Cardoso Filho, Juliana Freire Gutmann https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Intexto; n. 47, set./dez. 2019; 104-120 Intexto; n. 47, set./dez. 2019; 104-120 Intexto; n. 47, set./dez. 2019; 104-120 Intexto; n. 47, set./dez. 2019; 104-120 Intexto; n. 47, set./dez. 2019; 104-120 1807-8583 reponame:Intexto (Porto Alegre) instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Intexto (Porto Alegre) |
collection |
Intexto (Porto Alegre) |
repository.name.fl_str_mv |
Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||intexto@ufrgs.br |
_version_ |
1799766110294245376 |