The redemptive limus Andrej Tarkovski

Detalhes bibliográficos
Autor(a) principal: Mottana, Paolo
Data de Publicação: 2015
Tipo de documento: Artigo
Idioma: fra
Título da fonte: Intexto (Porto Alegre)
Texto Completo: https://seer.ufrgs.br/index.php/intexto/article/view/51081
Resumo: The cinema of Tarkovski abounds in symbolic presences.The paper gives back, through an extended and devout contact to the various works of the Russian director, the constellation of its elements and its more meaningful figures. The dialogue earthwater, the work of the fire, the recurrence of the tree, the forest, the infancy, the slow flow of the time, the poetical phenomenology of the home. In the cinema of Tarkovski one gets lost, its work, a true alchemic opus magnus, is a travel in the survival of a mystical yearning deeply incarnated in the terrestrial matter. Its circular journery, from the burnt tree of Ivan to the tree that comes back to life miraculously at the end of the Sacrifice, is a fundamental dowel for being able to experience the power of the creative imagination when still it is the expression of an inspired sensibility to Anima Mundi.
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spelling The redemptive limus Andrej TarkovskiLe limus rédempteur de Andrej TarkovskiO limus redentor de Andrej TarkosviTarkovski. Terre. Eau. Opus alchimique. Imaginal.Tarkovski. Terra. Água. Obra alquímica. Imaginal.Tarkovski. Earth. Water. Alchemic opus. Imaginal.The cinema of Tarkovski abounds in symbolic presences.The paper gives back, through an extended and devout contact to the various works of the Russian director, the constellation of its elements and its more meaningful figures. The dialogue earthwater, the work of the fire, the recurrence of the tree, the forest, the infancy, the slow flow of the time, the poetical phenomenology of the home. In the cinema of Tarkovski one gets lost, its work, a true alchemic opus magnus, is a travel in the survival of a mystical yearning deeply incarnated in the terrestrial matter. Its circular journery, from the burnt tree of Ivan to the tree that comes back to life miraculously at the end of the Sacrifice, is a fundamental dowel for being able to experience the power of the creative imagination when still it is the expression of an inspired sensibility to Anima Mundi.Le cinéma de Tarkovski est riche de présences symboliques. L'essai rend, à travers le contact prolongé et fidèle aux différentes oeuvres du metteur en scène russe, la constellation de ses éléments archetipiques et de ses figures les plus significatives. Le dialogue terre-eau, le travail du feu, la récurrence de l'arbre, du bois, de l'enfance, le flux lent du temps, la phenomenologie poétique de la maison. Dans le cinéma de Tarkovski on se perd, son oeuvre, un vrai opus magnus alchimique, est un voyage dans la survivance d'un halètement mystique profondément incarné dans la matière terrestre. Son parcours circulaire, de l'arbre brûlé d'Ivan à ce qui renaît à la fin du Sacrifice miraculeusement, c'est une cheville fondamentale pour pouvoir expérimenter la puissance de l'imagination créatrice quand encore elle est l' expression d'une sensibilité inspirée à l'âme du monde".O cinema de Tarkovski é rico em presenças simbólicas. O artigo traz, através do contato prolongado e fiel com as diferentes obras do diretor russo, a constelação de seus elementos arquetípicos e de suas figuras mais significativas: o diálogo terra-água, o trabalho do fogo, a recorrência da árvore, da madeira, da infância, o fluxo lento do tempo, a fenomenologia poética da casa. O cinema de Tarkovski é uma verdadeira opus magnum uma viagem na sobrevivência de um fôlego místico profundamente encarnado na matéria terrestre. Seu percurso circular, da árvore queimada de Ivan àquela que renasce miraculosamente no fim do sacrifício é uma cavilha fundamental para a experiência da potência da imaginação criadora quando ela é ainda expressão de uma sensibilidade inspira na alma do mundo.Universidade Federal do Rio Grande do Sul2015-06-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/5108110.19132/1807-8583201532.38-63Intexto; n. 32, jan./abr. 2015; 38-63Intexto; n. 32, jan./abr. 2015; 38-63Intexto; n. 32, jan./abr. 2015; 38-63Intexto; n. 32, jan./abr. 2015; 38-63Intexto; n. 32, jan./abr. 2015; 38-631807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSfrahttps://seer.ufrgs.br/index.php/intexto/article/view/51081/33986Copyright (c) 2015 Paolo Mottanahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessMottana, Paolo2023-11-24T15:06:12Zoai:seer.ufrgs.br:article/51081Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-11-24T15:06:12Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv The redemptive limus Andrej Tarkovski
Le limus rédempteur de Andrej Tarkovski
O limus redentor de Andrej Tarkosvi
title The redemptive limus Andrej Tarkovski
spellingShingle The redemptive limus Andrej Tarkovski
Mottana, Paolo
Tarkovski. Terre. Eau. Opus alchimique. Imaginal.
Tarkovski. Terra. Água. Obra alquímica. Imaginal.
Tarkovski. Earth. Water. Alchemic opus. Imaginal.
title_short The redemptive limus Andrej Tarkovski
title_full The redemptive limus Andrej Tarkovski
title_fullStr The redemptive limus Andrej Tarkovski
title_full_unstemmed The redemptive limus Andrej Tarkovski
title_sort The redemptive limus Andrej Tarkovski
author Mottana, Paolo
author_facet Mottana, Paolo
author_role author
dc.contributor.author.fl_str_mv Mottana, Paolo
dc.subject.por.fl_str_mv Tarkovski. Terre. Eau. Opus alchimique. Imaginal.
Tarkovski. Terra. Água. Obra alquímica. Imaginal.
Tarkovski. Earth. Water. Alchemic opus. Imaginal.
topic Tarkovski. Terre. Eau. Opus alchimique. Imaginal.
Tarkovski. Terra. Água. Obra alquímica. Imaginal.
Tarkovski. Earth. Water. Alchemic opus. Imaginal.
description The cinema of Tarkovski abounds in symbolic presences.The paper gives back, through an extended and devout contact to the various works of the Russian director, the constellation of its elements and its more meaningful figures. The dialogue earthwater, the work of the fire, the recurrence of the tree, the forest, the infancy, the slow flow of the time, the poetical phenomenology of the home. In the cinema of Tarkovski one gets lost, its work, a true alchemic opus magnus, is a travel in the survival of a mystical yearning deeply incarnated in the terrestrial matter. Its circular journery, from the burnt tree of Ivan to the tree that comes back to life miraculously at the end of the Sacrifice, is a fundamental dowel for being able to experience the power of the creative imagination when still it is the expression of an inspired sensibility to Anima Mundi.
publishDate 2015
dc.date.none.fl_str_mv 2015-06-05
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/51081
10.19132/1807-8583201532.38-63
url https://seer.ufrgs.br/index.php/intexto/article/view/51081
identifier_str_mv 10.19132/1807-8583201532.38-63
dc.language.iso.fl_str_mv fra
language fra
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/51081/33986
dc.rights.driver.fl_str_mv Copyright (c) 2015 Paolo Mottana
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2015 Paolo Mottana
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Intexto; n. 32, jan./abr. 2015; 38-63
Intexto; n. 32, jan./abr. 2015; 38-63
Intexto; n. 32, jan./abr. 2015; 38-63
Intexto; n. 32, jan./abr. 2015; 38-63
Intexto; n. 32, jan./abr. 2015; 38-63
1807-8583
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