The Reception of Euripides Fragmentary Tragedies in Fifth and Fourth Centuries BC

Detalhes bibliográficos
Autor(a) principal: Alves Ribeiro Jr., Wilson
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: Codex : Revista de Estudos Clássicos
Texto Completo: https://revistas.ufrj.br/index.php/CODEX/article/view/21153
Resumo: This paper presents an overview of the reception of Euripides incomplete tragedies in Vth and IVth centuries BC, and its contribution to our knowledge of the plots. Selected topics about performances, reperformances and influences of Andromeda, Cresphontes, Aeolus, Erectheus, Hypsipyle, Telephus and Theseuson tragic and comic poets, vase-painting and ancient commentators are briefly discussed.
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spelling The Reception of Euripides Fragmentary Tragedies in Fifth and Fourth Centuries BCA recepção das tragédias fragmentárias de Eurípides nos séculos V e IV a.C.Classical Studies; PhilologyEuripides; tragedy; paratragedy; fragments; reception; Greek dramaLetras Clássicas; FilologiaEurípides; tragédia; paratragédia; fragmentos; recepção; drama gregoThis paper presents an overview of the reception of Euripides incomplete tragedies in Vth and IVth centuries BC, and its contribution to our knowledge of the plots. Selected topics about performances, reperformances and influences of Andromeda, Cresphontes, Aeolus, Erectheus, Hypsipyle, Telephus and Theseuson tragic and comic poets, vase-painting and ancient commentators are briefly discussed.Este artigo apresenta um panorama da recepção das tragédias fragmentárias de Eurípides durante os séculos V e IV a.C. e de sua contribuição para nossos conhecimentos sobre os enredos. Aspectos selecionados das performances, reapresentações e influências das tragédias Andrômeda, Cresfonte, Éolo, Erecteu, Hipsípile,Télefoe Teseuem poetas trágicos, poetas cômicos, decoradores de vasos e comentadores antigos são brevemente discutidos. Proaera-UFRJAlves Ribeiro Jr., Wilson2018-12-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo de convidadoapplication/pdfhttps://revistas.ufrj.br/index.php/CODEX/article/view/2115310.25187/codex.v6i2.21153CODEX -- Revista de Estudos Clássicos; v. 6, n. 2 (2018); 123-151CODEX - Revista de Estudos Clássicos; v. 6, n. 2 (2018); 123-1512176-177910.25187/codex.v6i2reponame:Codex : Revista de Estudos Clássicosinstname:Universidade Federal do Rio de Janeiro (UFRJ)instacron:UFRJporhttps://revistas.ufrj.br/index.php/CODEX/article/view/21153/12556/*ref*/ALLAN, William. Euripides in Megale Hellas: some aspects of the early reception of tragedy. Greece & Rome, Cambridge, v. 48, n. 1, p. 67-86, 2001. ALLAN, William. Euripides Helen. Cambridge: Cambridge University Press, 2008. BAKOLA, Emmanuela. Cratinus and the art of comedy. Oxford: Oxford University Press, 2010. BARRETT, William S. Euripides, Hippolytus. Oxford: Oxford University Press, 1964 BUSCHOR, Ernst. Griechische vasenmalerei. München: R. Piper, 1921. CHASTON, Colleen. Tragic props and cognitive function: aspects of the function of images in thinking. Leiden / Boston: Brill, 2010. COLLARD, Christopher; CROPP, Martin. Euripides fragments. Cambridge, MA / London: Harvard University Press, 2008, 2 v. COLLARD, Christopher. Fragments and fragmentary plays. In: MCCLURE, Laura (ed.). A companion to Euripides. Chichester: John Wiley, p. 347-64, 2017. CREPALDI, Clara Lacerda. Os fragmentos da Andrômeda de Eurípides. Estudos Linguísticos e Literários, Salvador, nº 55, p. 356-73, 2016. CRIBIORE, Raffaela. The grammarian’s choice: the popularity of Euripides’ Phoenissae in hellenistic and roman education. In: TOO, Yun Lee (ed.). Education in greek and latin antiquity. Leiden / Boston / Köln: Brill, p. 241-60, 2001. CROPP, Martin J. Telephus. In: COLLARD, Christopher; ______; LEE, Kevin H. Euripides selected fragmentary plays, v. 1, rev. ed. Oxford: Oxbow Books, 1999. CSAPO, Eric. Actors and icons of the ancient theater. Chichester: John Wiley, 2010. DUNN, Francis M. Euripides and his intellectual context. In: MCCLURE, Laura (ed.). A companion to Euripides. Chichester: John Wiley, p. 447-67, 2017. EASTERLING, Pat E. From repertoire to canon. In: ______ (ed.). The Cambridge companion to greek tragedy. Cambridge: Cambridge University Press, p. 211-27, 1997. FARMER, Matthew C. Tragedy on the comic stage. Oxford: Oxford University Press, 2016. FINGLASS, P.J. Reperformances and the transmission of texts. In: LAMARI, Anna A. (ed.). Reperformances of Drama in the Fifth and Fourth Centuries BC. Berlin / Boston: De Gruyter, p. 259-76, 2015. FOLEY, Helene P. Generic boundaries in late fifth-century Athens. In: REVERMANN, Martin; WILSON, Peter (ed). Performance, iconography, reception: studies in honour of Oliver Taplin. Oxford: Oxford University Press, p. 15-36, 2008. FUNKE, Melissa Karen Anne. Euripides and gender: the difference the fragments make. Phd Thesis. Seattle: University of Washington, 2013. GARLAND, Robert. Surviving greek tragedy. London: Duckworth, 2004. GARZYA, Antonio. Sulle questione delle interpolazioni degli attori nei testi tragici. Vichiana, Napoli, v. 9, p. 3-20, 1980. GOETTE, Hans Rupprecht. The archaeology of the ‘Rural’ Dionysia in Attica. In: CSAPO, Eric; ______; GREEN, J. Richard; WILSON, Peter (ed.). Greek theatre in the fourth century B.C. Berlin / Boston: De Gruyter, p. 77-106, 2014. GRAYEFF, Felix. The problem of the genesis of Aristotle’s text. Phronesis, Leiden, v. 1, n. 2, p. 105-22, 1955. GREEN, (J.) Richard. Art and theatre in the ancient world. In: MCDONALD, Marianne; WALTON, J. Michael (ed.). The Cambridge companion to greek and roman theatre. Cambridge: Cambridge University Press, p. 163-83, 2007. HÄGG, Tomas. Canon formation in greek literary culture. In: THOMASSEN, Einar (ed.). Canon and canonicity: the formation and use of scripture. Copenhagen: Museum Tusculanum Press, p. 109-28, 2010. HALL, Edith. Lawcourt dramas: the power of performance in greek forensic oratory. Bulletin of the Institute of Classical Studies, Chichester, v. 40, p. 39-58, 1995. HALLERAN, Michael R. Euripides Hippolytus. Warminster: Aris & Phillips, 1995. HAMILTON, Richard. Objective evidence for actors’ interpolations in greek tragedy. Greek, Roman and Bizantine Studies, Durham, v. 15, n. 4, p. 387-402, 1974. HANINK, Johanna. Courtroom Drama: Aeschines and Demosthenes. In: ______, Lycurgan Athens and the Making of Classical Tragedy.). Cambridge: Cambridge University Press, p. 129-58, 2014a. HANINK, Johanna. Literary evidence for new tragic production: the view from the fourth century. In: CSAPO, Eric; GREEN, J. Richard; WILSON, Peter. The greek theatre in the fourth century BC. Berlin / Boston: De Gruyter, 189-206, 2014b. HUNTER, Richard L. Eubulus: the fragments. Cambridge: Cambridge University Press, 1983. JOUAN, François; VAN LOOY, Herman. Euripide, tragédies VIII: fragments. Paris: Les Belles Lettres, 2002 (v. 1, 2, 3) e 2003 (v. 4). KASSEL, Rudolf; AUSTIN, Colin (ed.). Poetae comici graeci. Berlin / Boston: De Gruyter, 1983- . KONSTAN, David. Propping up greek tragedy: the right use of opsis. In: HARRISON, George W.M.; LIAPIS, Vayos (ed.). Performance in greek and roman theatre. Leiden / Boston: Brill, p. 63-76, 2013. KOVACS, David. Text and transmission. In: GREGORY, Justina (ed.). A companion to greek tragedy. Malden / Oxford: Blackwell, p. 379-93, 2005. LAMARI, Anna A. Early reperformances of drama in the fifth century. CHS Research Bulletin, v. 2, n. 2, 2014. Disponível em <chs-fellows.org/2014/06/20/early-reperformances-of-drama-in-the-fifth-century/>. Acesso em 13 jul. 2016. LAMARI, Anna A. Reperforming greek tragedy. Berlin / Boston: De Gruyter, 2017. LIAPIS, Vayos. Rhesus. In: MCCLURE, Laura (ed.). A companion to Euripides. Chichester: John Wiley, p. 334-46, 2017. LIDDELL, Henry G.; SCOTT, Robert (comp.) A Greek-English Lexicon, Ninth Edition with Revised Supplement. Revised and augmented Henry S. Jones, with the assistance of Roderick McKenzie. Supplement edited by P.G.W. Glare, and with the assistance of A.A. Thompson. Oxford: Clarendon Press, 1996. LINDSAY, Hugh. Strabo on Apellicon’s library. Rheinisches Museum für Philologie, Köln, v. 140, n. 3-4, p. 290-98, 1997. LLAMOSAS, Virginia Muñoz. Insultos e invectiva entre Demóstenes y Esquines. Minerva, Valladolid, v. 21, p. 33-49, 2008. LSJ. Ver Liddell e Scott. MARTÍN, Pablo Luzón. Trágicos menores griegos del siglo V a.c., de Agatón a Meleto II (39-48 Snell-Kannicht). Tesis Doctoral. Madrid: Universidad Complutense, 2015. MASTRONARDE, Donald J. Actors on high: the skene roof, the crane, and the gods in attic drama. 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In: SANTOS, Fernando B.; OLIVEIRA, Jane K. (org.). Estudos Clássicos e seus desdobramentos: artigos em homenagem à Professora Maria Celeste Consolin Dezotti. São Paulo: Cultura Acadêmica, p. 165-82, 2015. ROSEN, Ralph M. Timocles fr 6 KA and the parody of greek literary theory. In: MARSHALL, C.W.; KOVACS, George (ed.). No laughing matter: studies in athenian comedy. London: Bristol Classical Press, p. 177-86, 2012. SACCONI, Karen Amaral. Fragmentos de Aristófanes: estudo e tradução. Tese de Doutorado. São Paulo: Universidade de São Paulo, 2018. SCHARFFENBERGER, Elizabeth. “Axionicus, The Euripides fan”. In: MARSHALL, C.W.; KOVACS, George (ed.). No laughing matter: studies in athenian comedy. London: Bristol Classical Press, p. 159-76, 2012. SCODEL, Ruth. Lycurgus and the state text of tragedy. In: COOPER, Craig (ed.). Politics of orality. Leiden / Boston: Brill, p. 129-54, 2007. SIFAKIS, Gregory M. The misunderstanding of opsis in Aristotle’s Poetics. 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The hypotheses of Euripides and Sophocles by ‘Dicaearchus’. Greek, Roman, and Byzantine Studies, Durham, v. 55, p. 608-36, 2015. WEBB, Ruth. Basil of Caesarea and greek tragedy. In: HARDWICK, Lorna; STRAY, Christopher (ed.). A companion to classical receptions. Malden / Oxford / Carlton: Blackwell, p. 63-71, 2008. WORMAN, Nancy. Euripides, Aristophanes, and the reception of ‘sophistic’ styles. In: MCCLURE, Laura (ed.). A companion to Euripides. Chichester: John Wiley, p. 517-32, 2017. WRIGHT, Matthew. The comedian as critic: greek old comedy and poetics. London: Bristol Classical Press, 2012. WRIGHT, Matthew. The lost plays of greek tragedy, v. 1: neglected authors. London: Bloomsbury, 2016.Direitos autorais 2018 Wilson Alves Ribeiro Jr.http://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccess2018-12-22T10:09:12Zoai:www.revistas.ufrj.br:article/21153Revistahttps://revistas.ufrj.br/index.php/CODEX/indexPUBhttps://revistas.ufrj.br/index.php/CODEX/oaicodex@letras.ufrj.br||codex@letras.ufrj.br||biadipaoli@gmail.com2176-17792176-1779opendoar:2018-12-22T10:09:12Codex : Revista de Estudos Clássicos - Universidade Federal do Rio de Janeiro (UFRJ)false
dc.title.none.fl_str_mv The Reception of Euripides Fragmentary Tragedies in Fifth and Fourth Centuries BC
A recepção das tragédias fragmentárias de Eurípides nos séculos V e IV a.C.
title The Reception of Euripides Fragmentary Tragedies in Fifth and Fourth Centuries BC
spellingShingle The Reception of Euripides Fragmentary Tragedies in Fifth and Fourth Centuries BC
Alves Ribeiro Jr., Wilson
Classical Studies; Philology
Euripides; tragedy; paratragedy; fragments; reception; Greek drama
Letras Clássicas; Filologia
Eurípides; tragédia; paratragédia; fragmentos; recepção; drama grego
title_short The Reception of Euripides Fragmentary Tragedies in Fifth and Fourth Centuries BC
title_full The Reception of Euripides Fragmentary Tragedies in Fifth and Fourth Centuries BC
title_fullStr The Reception of Euripides Fragmentary Tragedies in Fifth and Fourth Centuries BC
title_full_unstemmed The Reception of Euripides Fragmentary Tragedies in Fifth and Fourth Centuries BC
title_sort The Reception of Euripides Fragmentary Tragedies in Fifth and Fourth Centuries BC
author Alves Ribeiro Jr., Wilson
author_facet Alves Ribeiro Jr., Wilson
author_role author
dc.contributor.none.fl_str_mv

dc.contributor.author.fl_str_mv Alves Ribeiro Jr., Wilson
dc.subject.por.fl_str_mv Classical Studies; Philology
Euripides; tragedy; paratragedy; fragments; reception; Greek drama
Letras Clássicas; Filologia
Eurípides; tragédia; paratragédia; fragmentos; recepção; drama grego
topic Classical Studies; Philology
Euripides; tragedy; paratragedy; fragments; reception; Greek drama
Letras Clássicas; Filologia
Eurípides; tragédia; paratragédia; fragmentos; recepção; drama grego
description This paper presents an overview of the reception of Euripides incomplete tragedies in Vth and IVth centuries BC, and its contribution to our knowledge of the plots. Selected topics about performances, reperformances and influences of Andromeda, Cresphontes, Aeolus, Erectheus, Hypsipyle, Telephus and Theseuson tragic and comic poets, vase-painting and ancient commentators are briefly discussed.
publishDate 2018
dc.date.none.fl_str_mv 2018-12-21
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Artigo de convidado
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.ufrj.br/index.php/CODEX/article/view/21153
10.25187/codex.v6i2.21153
url https://revistas.ufrj.br/index.php/CODEX/article/view/21153
identifier_str_mv 10.25187/codex.v6i2.21153
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.ufrj.br/index.php/CODEX/article/view/21153/12556
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Estudos Linguísticos e Literários, Salvador, nº 55, p. 356-73, 2016. CRIBIORE, Raffaela. The grammarian’s choice: the popularity of Euripides’ Phoenissae in hellenistic and roman education. In: TOO, Yun Lee (ed.). Education in greek and latin antiquity. Leiden / Boston / Köln: Brill, p. 241-60, 2001. CROPP, Martin J. Telephus. In: COLLARD, Christopher; ______; LEE, Kevin H. Euripides selected fragmentary plays, v. 1, rev. ed. Oxford: Oxbow Books, 1999. CSAPO, Eric. Actors and icons of the ancient theater. Chichester: John Wiley, 2010. DUNN, Francis M. Euripides and his intellectual context. In: MCCLURE, Laura (ed.). A companion to Euripides. Chichester: John Wiley, p. 447-67, 2017. EASTERLING, Pat E. From repertoire to canon. In: ______ (ed.). The Cambridge companion to greek tragedy. Cambridge: Cambridge University Press, p. 211-27, 1997. FARMER, Matthew C. Tragedy on the comic stage. Oxford: Oxford University Press, 2016. FINGLASS, P.J. Reperformances and the transmission of texts. In: LAMARI, Anna A. (ed.). Reperformances of Drama in the Fifth and Fourth Centuries BC. Berlin / Boston: De Gruyter, p. 259-76, 2015. FOLEY, Helene P. Generic boundaries in late fifth-century Athens. In: REVERMANN, Martin; WILSON, Peter (ed). Performance, iconography, reception: studies in honour of Oliver Taplin. Oxford: Oxford University Press, p. 15-36, 2008. FUNKE, Melissa Karen Anne. Euripides and gender: the difference the fragments make. Phd Thesis. Seattle: University of Washington, 2013. GARLAND, Robert. Surviving greek tragedy. London: Duckworth, 2004. GARZYA, Antonio. Sulle questione delle interpolazioni degli attori nei testi tragici. Vichiana, Napoli, v. 9, p. 3-20, 1980. GOETTE, Hans Rupprecht. The archaeology of the ‘Rural’ Dionysia in Attica. In: CSAPO, Eric; ______; GREEN, J. Richard; WILSON, Peter (ed.). Greek theatre in the fourth century B.C. Berlin / Boston: De Gruyter, p. 77-106, 2014. GRAYEFF, Felix. The problem of the genesis of Aristotle’s text. Phronesis, Leiden, v. 1, n. 2, p. 105-22, 1955. GREEN, (J.) Richard. Art and theatre in the ancient world. In: MCDONALD, Marianne; WALTON, J. Michael (ed.). The Cambridge companion to greek and roman theatre. Cambridge: Cambridge University Press, p. 163-83, 2007. HÄGG, Tomas. Canon formation in greek literary culture. In: THOMASSEN, Einar (ed.). Canon and canonicity: the formation and use of scripture. Copenhagen: Museum Tusculanum Press, p. 109-28, 2010. HALL, Edith. Lawcourt dramas: the power of performance in greek forensic oratory. Bulletin of the Institute of Classical Studies, Chichester, v. 40, p. 39-58, 1995. HALLERAN, Michael R. Euripides Hippolytus. Warminster: Aris & Phillips, 1995. HAMILTON, Richard. Objective evidence for actors’ interpolations in greek tragedy. Greek, Roman and Bizantine Studies, Durham, v. 15, n. 4, p. 387-402, 1974. HANINK, Johanna. Courtroom Drama: Aeschines and Demosthenes. In: ______, Lycurgan Athens and the Making of Classical Tragedy.). Cambridge: Cambridge University Press, p. 129-58, 2014a. HANINK, Johanna. Literary evidence for new tragic production: the view from the fourth century. In: CSAPO, Eric; GREEN, J. Richard; WILSON, Peter. The greek theatre in the fourth century BC. Berlin / Boston: De Gruyter, 189-206, 2014b. HUNTER, Richard L. Eubulus: the fragments. Cambridge: Cambridge University Press, 1983. JOUAN, François; VAN LOOY, Herman. Euripide, tragédies VIII: fragments. Paris: Les Belles Lettres, 2002 (v. 1, 2, 3) e 2003 (v. 4). KASSEL, Rudolf; AUSTIN, Colin (ed.). Poetae comici graeci. Berlin / Boston: De Gruyter, 1983- . KONSTAN, David. Propping up greek tragedy: the right use of opsis. In: HARRISON, George W.M.; LIAPIS, Vayos (ed.). Performance in greek and roman theatre. Leiden / Boston: Brill, p. 63-76, 2013. KOVACS, David. Text and transmission. In: GREGORY, Justina (ed.). A companion to greek tragedy. Malden / Oxford: Blackwell, p. 379-93, 2005. LAMARI, Anna A. Early reperformances of drama in the fifth century. CHS Research Bulletin, v. 2, n. 2, 2014. Disponível em <chs-fellows.org/2014/06/20/early-reperformances-of-drama-in-the-fifth-century/>. Acesso em 13 jul. 2016. LAMARI, Anna A. Reperforming greek tragedy. Berlin / Boston: De Gruyter, 2017. LIAPIS, Vayos. Rhesus. In: MCCLURE, Laura (ed.). A companion to Euripides. Chichester: John Wiley, p. 334-46, 2017. LIDDELL, Henry G.; SCOTT, Robert (comp.) A Greek-English Lexicon, Ninth Edition with Revised Supplement. Revised and augmented Henry S. Jones, with the assistance of Roderick McKenzie. Supplement edited by P.G.W. Glare, and with the assistance of A.A. Thompson. Oxford: Clarendon Press, 1996. LINDSAY, Hugh. Strabo on Apellicon’s library. Rheinisches Museum für Philologie, Köln, v. 140, n. 3-4, p. 290-98, 1997. LLAMOSAS, Virginia Muñoz. Insultos e invectiva entre Demóstenes y Esquines. Minerva, Valladolid, v. 21, p. 33-49, 2008. LSJ. Ver Liddell e Scott. MARTÍN, Pablo Luzón. 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dc.rights.driver.fl_str_mv Direitos autorais 2018 Wilson Alves Ribeiro Jr.
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rights_invalid_str_mv Direitos autorais 2018 Wilson Alves Ribeiro Jr.
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dc.source.none.fl_str_mv CODEX -- Revista de Estudos Clássicos; v. 6, n. 2 (2018); 123-151
CODEX - Revista de Estudos Clássicos; v. 6, n. 2 (2018); 123-151
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