Knights, political and theatrical composition

Detalhes bibliográficos
Autor(a) principal: De Carli, Elisana
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: Codex : Revista de Estudos Clássicos
Texto Completo: https://revistas.ufrj.br/index.php/CODEX/article/view/13933
Resumo: Aristophanes presents, in Knights, the political dispute between two opponents to rule the People's House and reveals cunning meanders to come and stay in power. In this article, it is analyzed the relationship between the historical reference and aesthetic elaboration from i) the characters and Athens' everyday political; ii) poetic creation and/or portrait of daily life?; iii) the comic action: reality reflected in the mirror of comedy; and pondering Aristophanes' construction in the correlation of structure and content to potentiate the theatrical play. Thus, it is possible to see the foundational relationship between comedy and subjects that move the city such as politics and theater, demonstrating that the spectator is a fundamental part in the political and theatrical acts. Even though it happened many centuries ago, that comedy evidences the theme pertinence and characters conformation, revealing the political environment deterioration, easily identified by the contemporary reader/spectator.
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spelling Knights, political and theatrical compositionOs Cavaleiros: a composição política e teatralClassical Studies; Dramaturgy; Ancient Theater; Ancient ComedyAristophanes; theater; politics; comedyLetras Clássicas; Teatro; DramaturgiaAristófanes, teatro, política, comédiaAristophanes presents, in Knights, the political dispute between two opponents to rule the People's House and reveals cunning meanders to come and stay in power. In this article, it is analyzed the relationship between the historical reference and aesthetic elaboration from i) the characters and Athens' everyday political; ii) poetic creation and/or portrait of daily life?; iii) the comic action: reality reflected in the mirror of comedy; and pondering Aristophanes' construction in the correlation of structure and content to potentiate the theatrical play. Thus, it is possible to see the foundational relationship between comedy and subjects that move the city such as politics and theater, demonstrating that the spectator is a fundamental part in the political and theatrical acts. Even though it happened many centuries ago, that comedy evidences the theme pertinence and characters conformation, revealing the political environment deterioration, easily identified by the contemporary reader/spectator.Aristófanes, em Os Cavaleiros, apresenta a disputa política entre dois adversários para governar a casa do Povo, revelando meandros ardilosos para se chegar e se manter no poder. Neste artigo é analisada a relação entre o referencial histórico e a elaboração estética, a partir de: i) as personagens e o cotidiano político de Atenas; ii) criação poética e/ou retrato do cotidiano?; iii) a ação cômica: a realidade refletida no espelho da comédia; ponderando a construção aristofânica na correlação de estrutura e conteúdo a potencializar o jogo teatral. Nesse percurso, vê-se a fundante relação da comédia com os assuntos que movem a cidade -- aqui, a política e o teatro --, demonstrando que o espectador é parte fundamental dos dois fazeres: o político e o teatral. Ainda que passados séculos, essa comédia evidencia a pertinência da temática e da conformação das personagens, revelando a deterioração do ambiente político, identificado com facilidade pelo leitor/espectador contemporâneo.Proaera-UFRJDe Carli, Elisana2018-06-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufrj.br/index.php/CODEX/article/view/1393310.25187/codex.v6i1.13933CODEX -- Revista de Estudos Clássicos; v. 6, n. 1 (2018); 75-93CODEX - Revista de Estudos Clássicos; v. 6, n. 1 (2018); 75-932176-177910.25187/codex.v6i1reponame:Codex : Revista de Estudos Clássicosinstname:Universidade Federal do Rio de Janeiro (UFRJ)instacron:UFRJporhttps://revistas.ufrj.br/index.php/CODEX/article/view/13933/11027/*ref*/ARISTÓFANES. Os Cavaleiros. Tradução, notas e introdução de Maria de Fátima Sousa e Silva. Lisboa: edições 70, 2004. ARISTÓFANES. Acarnenses. Tradução, notas e introdução de Maria de Fátima Sousa e Silva. In:______. Comédias. v. I. Lisboa: Imprensa Nacional -- Casa da Moeda; Coimbra: Faculdade de Letras da Universidade de Coimbra, 2006. ARISTÓFANES. Nuvens. Tradução, notas e introdução de Custódio Magueijo. In: ______. Comédias. v. I. Lisboa: Imprensa Nacional -- Casa da Moeda; Coimbra: Faculdade de Letras da Universidade de Coimbra, 2006. HEATH, M. “Aristophanes and the discourse of politics”. In: DOBROV, G. (Ed.) The city as comedy: society and representation in Athenian Drama. Chapel Hill: The University of North Carolina Press, 1997, pp. 230-49. HENDERSON, J. “The demos and the comic competition”. In: WINKLER, J.; ZEITLIN, F. (Ed.). Nothing to do with Dionysos? Princeton: Princeton University Press, 1992, pp. 271-313. LEÃO, D. “Pólis, teatro e exercício da cidadania”. In: ______. A globalização no mundo antigo. Coimbra: Imprensa da Universidade de Coimbra, 2012, pp. 67-84. LOWE, N. J. Comedy. New York: Cambridge University Press, 2008. McGLEW, J. F. Citizens on stage: comedy and political culture in the Athenian democracy. The University of Michigan Press, 2002. SEGAL, E (ed). Oxford Readings in Aristophanes. Oxford University Press, 1996. SILK, Michael. “The people of Aristophanes”. In SEGAL, E. (Ed.). Oxford Readings in Aristophanes. Oxford: Oxford University Press, 1996, pp. 229-251. SILVA, Maria de Fatima Sousa e. Crítica do teatro na comédia antiga. Coimbra: Instituto Nacional de Investigação Científica, 1987. SILVA. M. de F. S. Ensaios sobre Aristófanes. Lisboa: Cotovia, 2007. SLATER, Niall. Spectator politics: metatheatre and performance in Aristophanes. Philadelphia: University of Pennsylvania Press, 2002 SUTTON, D. F. Ancient comedy: the war of generations. New York and Toronto: Twayne/Maxwell Macmillan, 1993. TAPLIN, O. “Fifth-century tragedy and comedy”. In: SEGAL, E. (Ed.). Oxford Readings in Aristophanes. Oxford University Press, 1996, pp. 9-28. ZIMMERMANN, Berhnard. The Paradoi of the Aristophanic Comedies. In: SEGAL, E. (Ed.). Oxford Readings in Aristophanes. Oxford: Oxford University Press, 1996, pp. 182-193.Direitos autorais 2018 Elisana De Carlihttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccess2018-06-30T22:03:32Zoai:www.revistas.ufrj.br:article/13933Revistahttps://revistas.ufrj.br/index.php/CODEX/indexPUBhttps://revistas.ufrj.br/index.php/CODEX/oaicodex@letras.ufrj.br||codex@letras.ufrj.br||biadipaoli@gmail.com2176-17792176-1779opendoar:2018-06-30T22:03:32Codex : Revista de Estudos Clássicos - Universidade Federal do Rio de Janeiro (UFRJ)false
dc.title.none.fl_str_mv Knights, political and theatrical composition
Os Cavaleiros: a composição política e teatral
title Knights, political and theatrical composition
spellingShingle Knights, political and theatrical composition
De Carli, Elisana
Classical Studies; Dramaturgy; Ancient Theater; Ancient Comedy
Aristophanes; theater; politics; comedy
Letras Clássicas; Teatro; Dramaturgia
Aristófanes, teatro, política, comédia
title_short Knights, political and theatrical composition
title_full Knights, political and theatrical composition
title_fullStr Knights, political and theatrical composition
title_full_unstemmed Knights, political and theatrical composition
title_sort Knights, political and theatrical composition
author De Carli, Elisana
author_facet De Carli, Elisana
author_role author
dc.contributor.none.fl_str_mv

dc.contributor.author.fl_str_mv De Carli, Elisana
dc.subject.por.fl_str_mv Classical Studies; Dramaturgy; Ancient Theater; Ancient Comedy
Aristophanes; theater; politics; comedy
Letras Clássicas; Teatro; Dramaturgia
Aristófanes, teatro, política, comédia
topic Classical Studies; Dramaturgy; Ancient Theater; Ancient Comedy
Aristophanes; theater; politics; comedy
Letras Clássicas; Teatro; Dramaturgia
Aristófanes, teatro, política, comédia
description Aristophanes presents, in Knights, the political dispute between two opponents to rule the People's House and reveals cunning meanders to come and stay in power. In this article, it is analyzed the relationship between the historical reference and aesthetic elaboration from i) the characters and Athens' everyday political; ii) poetic creation and/or portrait of daily life?; iii) the comic action: reality reflected in the mirror of comedy; and pondering Aristophanes' construction in the correlation of structure and content to potentiate the theatrical play. Thus, it is possible to see the foundational relationship between comedy and subjects that move the city such as politics and theater, demonstrating that the spectator is a fundamental part in the political and theatrical acts. Even though it happened many centuries ago, that comedy evidences the theme pertinence and characters conformation, revealing the political environment deterioration, easily identified by the contemporary reader/spectator.
publishDate 2018
dc.date.none.fl_str_mv 2018-06-30
dc.type.none.fl_str_mv

dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.uri.fl_str_mv https://revistas.ufrj.br/index.php/CODEX/article/view/13933
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url https://revistas.ufrj.br/index.php/CODEX/article/view/13933
identifier_str_mv 10.25187/codex.v6i1.13933
dc.language.iso.fl_str_mv por
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dc.relation.none.fl_str_mv https://revistas.ufrj.br/index.php/CODEX/article/view/13933/11027
/*ref*/ARISTÓFANES. Os Cavaleiros. Tradução, notas e introdução de Maria de Fátima Sousa e Silva. Lisboa: edições 70, 2004. ARISTÓFANES. Acarnenses. Tradução, notas e introdução de Maria de Fátima Sousa e Silva. In:______. Comédias. v. I. Lisboa: Imprensa Nacional -- Casa da Moeda; Coimbra: Faculdade de Letras da Universidade de Coimbra, 2006. ARISTÓFANES. Nuvens. Tradução, notas e introdução de Custódio Magueijo. In: ______. Comédias. v. I. Lisboa: Imprensa Nacional -- Casa da Moeda; Coimbra: Faculdade de Letras da Universidade de Coimbra, 2006. HEATH, M. “Aristophanes and the discourse of politics”. In: DOBROV, G. (Ed.) The city as comedy: society and representation in Athenian Drama. Chapel Hill: The University of North Carolina Press, 1997, pp. 230-49. HENDERSON, J. “The demos and the comic competition”. In: WINKLER, J.; ZEITLIN, F. (Ed.). Nothing to do with Dionysos? Princeton: Princeton University Press, 1992, pp. 271-313. LEÃO, D. “Pólis, teatro e exercício da cidadania”. In: ______. A globalização no mundo antigo. Coimbra: Imprensa da Universidade de Coimbra, 2012, pp. 67-84. LOWE, N. J. Comedy. New York: Cambridge University Press, 2008. McGLEW, J. F. Citizens on stage: comedy and political culture in the Athenian democracy. The University of Michigan Press, 2002. SEGAL, E (ed). Oxford Readings in Aristophanes. Oxford University Press, 1996. SILK, Michael. “The people of Aristophanes”. In SEGAL, E. (Ed.). Oxford Readings in Aristophanes. Oxford: Oxford University Press, 1996, pp. 229-251. SILVA, Maria de Fatima Sousa e. Crítica do teatro na comédia antiga. Coimbra: Instituto Nacional de Investigação Científica, 1987. SILVA. M. de F. S. Ensaios sobre Aristófanes. Lisboa: Cotovia, 2007. SLATER, Niall. Spectator politics: metatheatre and performance in Aristophanes. Philadelphia: University of Pennsylvania Press, 2002 SUTTON, D. F. Ancient comedy: the war of generations. New York and Toronto: Twayne/Maxwell Macmillan, 1993. TAPLIN, O. “Fifth-century tragedy and comedy”. In: SEGAL, E. (Ed.). Oxford Readings in Aristophanes. Oxford University Press, 1996, pp. 9-28. ZIMMERMANN, Berhnard. The Paradoi of the Aristophanic Comedies. In: SEGAL, E. (Ed.). Oxford Readings in Aristophanes. Oxford: Oxford University Press, 1996, pp. 182-193.
dc.rights.driver.fl_str_mv Direitos autorais 2018 Elisana De Carli
http://creativecommons.org/licenses/by-nc/4.0
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rights_invalid_str_mv Direitos autorais 2018 Elisana De Carli
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eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Proaera-UFRJ
publisher.none.fl_str_mv Proaera-UFRJ
dc.source.none.fl_str_mv CODEX -- Revista de Estudos Clássicos; v. 6, n. 1 (2018); 75-93
CODEX - Revista de Estudos Clássicos; v. 6, n. 1 (2018); 75-93
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