Between the made-up face and the raw, purulent flesh: dialogic relationships of otherness in the short story “A Bela e a Fera ou a ferida grande demais”, by Clarice Lispector

Detalhes bibliográficos
Autor(a) principal: Duarte Araújo, Benício Mackson
Data de Publicação: 2023
Outros Autores: Melo Júnior, Orison Marden Bandeira
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista odisséia
Texto Completo: https://periodicos.ufrn.br/odisseia/article/view/31420
Resumo: The relationship between the world of life and the world of art is one of constant interaction and exchange, in which the discursive thread of fictional narratives evinces the representation of social structures and spaces demarcated by discursively constituted subjects. Thinking about this interaction, this paper aims to analyze the protagonist of Clarice Lispector’s short story “A bela e a fera ou a ferida grande demais” based on Bakhtin’s (2011; 2014; 2015; 2018) and Volóchinov’s (2019) writings in order to discuss the marks of otherness that emerge in and between the characters in the fictional narrative. We conclude that the author fictionally creates a clash between the social structures represented by the protagonist’s made-up face and the beggar’s purulent wound, evinced by the marks of otherness in the constitution of the characters and, in a more accentuated way, in the creation of the female character, conditioned to conservative and traditional patriarchal dictates.
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spelling Between the made-up face and the raw, purulent flesh: dialogic relationships of otherness in the short story “A Bela e a Fera ou a ferida grande demais”, by Clarice LispectorEntre o rosto maquilado e a carne viva e purulenta: relações dialógicas de alteridade no conto “A bela e a fera ou a ferida grande demais”, de Clarice LispectorDialogismoAlteridadeA bela e a fera ou a ferida grande demais”Clarice LispectorDialogismOtherness“A bela e a fera ou a ferida grande demais”Clarice LispectorThe relationship between the world of life and the world of art is one of constant interaction and exchange, in which the discursive thread of fictional narratives evinces the representation of social structures and spaces demarcated by discursively constituted subjects. Thinking about this interaction, this paper aims to analyze the protagonist of Clarice Lispector’s short story “A bela e a fera ou a ferida grande demais” based on Bakhtin’s (2011; 2014; 2015; 2018) and Volóchinov’s (2019) writings in order to discuss the marks of otherness that emerge in and between the characters in the fictional narrative. We conclude that the author fictionally creates a clash between the social structures represented by the protagonist’s made-up face and the beggar’s purulent wound, evinced by the marks of otherness in the constitution of the characters and, in a more accentuated way, in the creation of the female character, conditioned to conservative and traditional patriarchal dictates.A relação entre o mundo da vida e o mundo da arte é de constante interação e troca, em que o fio discursivo das narrativas ficcionais evidencia a representação de estruturas sociais e dos espaços nelas demarcados pelos sujeitos discursivamente constituídos. Pensando nessa interação, este trabalho tem o objetivo de analisar a protagonista do conto “A bela e a fera ou a ferida grande demais”, de Clarice Lispector, com base nos escritos de Bakhtin (2011; 2014; 2015; 2018) e Volóchinov (2019), a fim de discutir as marcas da alteridade que emergem em e entre as personagens na narrativa ficcional. Concluímos que a autora cria, ficcionalmente, um embate entre as estruturas sociais representadas pelo rosto maquilado da protagonista e pela ferida purulenta da personagem mendigo, evidenciadas pelas marcas da alteridade na composição das personagens e, de modo mais acentuado, na criação da figura feminina condicionada aos ditames do sistema patriarcal, conservador e tradicional.UFRN2023-08-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufrn.br/odisseia/article/view/3142010.21680/1983-2435.2023v8n2ID31420Odisseia; Vol. 8 No. 2 (2023): Revista Odisseia; 37-58Revue Odisseia; Vol. 8 No. 2 (2023): Revista Odisseia; 37-58Revista Odisseia; v. 8 n. 2 (2023): Revista Odisseia; 37-581983-243510.21680/1983-2435.2023v8n2reponame:Revista odisséiainstname:Universidade Federal do Rio Grande do Norte (UFRN)instacron:UFRNporhttps://periodicos.ufrn.br/odisseia/article/view/31420/17382Copyright (c) 2023 Revista Odisseiahttp://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessDuarte Araújo, Benício MacksonMelo Júnior, Orison Marden Bandeira2023-08-27T17:52:40Zoai:periodicos.ufrn.br:article/31420Revistahttps://periodicos.ufrn.br/odisseia/indexPUBhttps://periodicos.ufrn.br/odisseia/oai||revistaodisseia2016@gmail.com1983-24351983-2435opendoar:2023-08-27T17:52:40Revista odisséia - Universidade Federal do Rio Grande do Norte (UFRN)false
dc.title.none.fl_str_mv Between the made-up face and the raw, purulent flesh: dialogic relationships of otherness in the short story “A Bela e a Fera ou a ferida grande demais”, by Clarice Lispector
Entre o rosto maquilado e a carne viva e purulenta: relações dialógicas de alteridade no conto “A bela e a fera ou a ferida grande demais”, de Clarice Lispector
title Between the made-up face and the raw, purulent flesh: dialogic relationships of otherness in the short story “A Bela e a Fera ou a ferida grande demais”, by Clarice Lispector
spellingShingle Between the made-up face and the raw, purulent flesh: dialogic relationships of otherness in the short story “A Bela e a Fera ou a ferida grande demais”, by Clarice Lispector
Duarte Araújo, Benício Mackson
Dialogismo
Alteridade
A bela e a fera ou a ferida grande demais”
Clarice Lispector
Dialogism
Otherness
“A bela e a fera ou a ferida grande demais”
Clarice Lispector
title_short Between the made-up face and the raw, purulent flesh: dialogic relationships of otherness in the short story “A Bela e a Fera ou a ferida grande demais”, by Clarice Lispector
title_full Between the made-up face and the raw, purulent flesh: dialogic relationships of otherness in the short story “A Bela e a Fera ou a ferida grande demais”, by Clarice Lispector
title_fullStr Between the made-up face and the raw, purulent flesh: dialogic relationships of otherness in the short story “A Bela e a Fera ou a ferida grande demais”, by Clarice Lispector
title_full_unstemmed Between the made-up face and the raw, purulent flesh: dialogic relationships of otherness in the short story “A Bela e a Fera ou a ferida grande demais”, by Clarice Lispector
title_sort Between the made-up face and the raw, purulent flesh: dialogic relationships of otherness in the short story “A Bela e a Fera ou a ferida grande demais”, by Clarice Lispector
author Duarte Araújo, Benício Mackson
author_facet Duarte Araújo, Benício Mackson
Melo Júnior, Orison Marden Bandeira
author_role author
author2 Melo Júnior, Orison Marden Bandeira
author2_role author
dc.contributor.author.fl_str_mv Duarte Araújo, Benício Mackson
Melo Júnior, Orison Marden Bandeira
dc.subject.por.fl_str_mv Dialogismo
Alteridade
A bela e a fera ou a ferida grande demais”
Clarice Lispector
Dialogism
Otherness
“A bela e a fera ou a ferida grande demais”
Clarice Lispector
topic Dialogismo
Alteridade
A bela e a fera ou a ferida grande demais”
Clarice Lispector
Dialogism
Otherness
“A bela e a fera ou a ferida grande demais”
Clarice Lispector
description The relationship between the world of life and the world of art is one of constant interaction and exchange, in which the discursive thread of fictional narratives evinces the representation of social structures and spaces demarcated by discursively constituted subjects. Thinking about this interaction, this paper aims to analyze the protagonist of Clarice Lispector’s short story “A bela e a fera ou a ferida grande demais” based on Bakhtin’s (2011; 2014; 2015; 2018) and Volóchinov’s (2019) writings in order to discuss the marks of otherness that emerge in and between the characters in the fictional narrative. We conclude that the author fictionally creates a clash between the social structures represented by the protagonist’s made-up face and the beggar’s purulent wound, evinced by the marks of otherness in the constitution of the characters and, in a more accentuated way, in the creation of the female character, conditioned to conservative and traditional patriarchal dictates.
publishDate 2023
dc.date.none.fl_str_mv 2023-08-27
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufrn.br/odisseia/article/view/31420
10.21680/1983-2435.2023v8n2ID31420
url https://periodicos.ufrn.br/odisseia/article/view/31420
identifier_str_mv 10.21680/1983-2435.2023v8n2ID31420
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufrn.br/odisseia/article/view/31420/17382
dc.rights.driver.fl_str_mv Copyright (c) 2023 Revista Odisseia
http://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Revista Odisseia
http://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFRN
publisher.none.fl_str_mv UFRN
dc.source.none.fl_str_mv Odisseia; Vol. 8 No. 2 (2023): Revista Odisseia; 37-58
Revue Odisseia; Vol. 8 No. 2 (2023): Revista Odisseia; 37-58
Revista Odisseia; v. 8 n. 2 (2023): Revista Odisseia; 37-58
1983-2435
10.21680/1983-2435.2023v8n2
reponame:Revista odisséia
instname:Universidade Federal do Rio Grande do Norte (UFRN)
instacron:UFRN
instname_str Universidade Federal do Rio Grande do Norte (UFRN)
instacron_str UFRN
institution UFRN
reponame_str Revista odisséia
collection Revista odisséia
repository.name.fl_str_mv Revista odisséia - Universidade Federal do Rio Grande do Norte (UFRN)
repository.mail.fl_str_mv ||revistaodisseia2016@gmail.com
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