A peripheral intellectual in Paris: trauma and creation in Une Mélancolie Arabe, by Abdellah Taïa

Detalhes bibliográficos
Autor(a) principal: Vilarino, Júnior
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista odisséia
Texto Completo: https://periodicos.ufrn.br/odisseia/article/view/31892
Resumo: The relationships between trauma, melancholy and artistic creation, in the autofiction Une Mélancolie Arabe (2008), by Abdellah Taïa, are the background for the cinematographic and literary initiation of the protagonist, Abdellah, a Moroccan living in Paris. The purpose of this article is to show that this narrator-character, from a peripheral country, when experiencing the mourning of his origin and the cultural idealization of the host country, problematizes a relevant issue for comparative literature, debating, during return trips to countries Arabs, the idealization of the French capital as a reference for intellectual training. The hypothesis put forward is that, when experiencing initiatory rituals, in which artistic work and social and erotic interactions intertwine, the narrator finds himself confronted with the imaginary frustration embodied by the body and language of the other, ending up reinventing his place as a francophone writer. The theoretical-methodological contribution consists of the concepts of melancholy, by Sigmund Freud; não-lugar da literatura, by Eneida Souza; différance, by Jacques Derrida; ethical violence, by Judith Butler; and minor language, by Deleuze and Guattari.
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spelling A peripheral intellectual in Paris: trauma and creation in Une Mélancolie Arabe, by Abdellah TaïaUn intelectual periférico en París: : trauma y creación en Une Mélancolie Arabe, de Abdellah TaïaUn intellectuel périphérique à Paris : : traumatisme et création dans Une Mélancolie Arabe, d'Abdellah TaïaUm intelectual periférico em Paris: trauma e criação em Une Mélancolie Arabe, de Abdellah TaïaMoroccan LiteratureAbdellah TaïaTraumaMelancholyNão-lugarLiteratura marroquíAbdellah TaïaTraumaMelancolíaNão-lugarLiteratura MarroquinaAbdellah TaïaTraumaMelancoliaNão-lugarLittérature marrocaineAbdellah TaïaTraumatismeMélancolieNão-lugarThe relationships between trauma, melancholy and artistic creation, in the autofiction Une Mélancolie Arabe (2008), by Abdellah Taïa, are the background for the cinematographic and literary initiation of the protagonist, Abdellah, a Moroccan living in Paris. The purpose of this article is to show that this narrator-character, from a peripheral country, when experiencing the mourning of his origin and the cultural idealization of the host country, problematizes a relevant issue for comparative literature, debating, during return trips to countries Arabs, the idealization of the French capital as a reference for intellectual training. The hypothesis put forward is that, when experiencing initiatory rituals, in which artistic work and social and erotic interactions intertwine, the narrator finds himself confronted with the imaginary frustration embodied by the body and language of the other, ending up reinventing his place as a francophone writer. The theoretical-methodological contribution consists of the concepts of melancholy, by Sigmund Freud; não-lugar da literatura, by Eneida Souza; différance, by Jacques Derrida; ethical violence, by Judith Butler; and minor language, by Deleuze and Guattari.Las relaciones entre trauma, melancolía y creación artística, en la autoficción Une Mélancolie Arabe (2008), de Abdellah Taïa, son el trasfondo de la iniciación cinematográfica y literaria del protagonista, Abdellah, un marroquí afincado en París. Procedente de un país periférico, el narrador-personaje problematiza un tema relevante para la literatura comparada, debatiendo, en viajes de regreso a países árabes, la idealización de la capital francesa como referente de formación intelectual. En una red de rituales iniciáticos, en los que se entrelazan trabajo artístico e interacciones sociales y eróticas, se enfrenta a la frustración imaginaria encarnada por el cuerpo y el lenguaje del otro, terminando por reinventar su lugar como escritor francófono. En este artículo analizo estas relaciones recurriendo a los conceptos de melancolía, de Sigmund Freud; não-lugar da literatura, de Eneida Souza; différance, de Jacques Derrida; la violencia ética, de Judith Butler; y lengua menor, de Deleuze y Guattari.Les relations entre traumatisme, mélancolie et création artistique, dans l'autofiction Une Mélancolie Arabe (2008), d'Abdellah Taïa, sont la toile de fond de l'initiation cinématographique et littéraire du protagoniste, Abdellah, un Marocain vivant à Paris. Venu d'un pays périphérique, le narrateur-personnage problématise une question relevant de la littérature comparée, débattant, lors de voyages de retour dans les pays arabes, de l'idéalisation de la capitale française comme référence de formation intellectuelle. Dans un tissu de rituels initiatiques, où s'entremêlent travail artistique et interactions sociales et érotiques, il est confronté à la frustration imaginaire incarnée par le corps et le langage de l'autre, finissant par réinventer sa place d'écrivain francophone. Dans cet article, j'analyse ces relations, en me basant sur concepts de mélancolie, de Sigmund Freud ; não-lugar da literatura, d'Eneida Souza ; différance, de Jacques Derrida ; la violence éthique, de Judith Butler ; et langue mineure, par Deleuze et Guattari.As relações entre trauma, melancolia e criação artística, na autoficção Une Mélancolie Arabe (2008), de Abdellah Taïa, são o pano de fundo da iniciação cinematográfica e literária do protagonista, Abdellah, marroquino domiciliado em Paris. O objetivo deste artigo é evidenciar que esse narrador-personagem, oriundo de um país periférico, ao vivenciar o luto de sua origem e da idealização cultural do país hospedeiro, problematiza uma questão relevante para a literatura comparada, debatendo, durante viagens de retorno a países árabes, a idealização da capital francesa como referência de formação intelectual. A hipótese aventada é que, ao vivenciar rituais iniciáticos, nos quais se imbricam trabalho artístico e interações sociais e eróticas, o narrador vê-se confrontado com a frustração imaginária encarnada pelo corpo e pela língua do outro, terminando por reinventar seu lugar como escritor francófono. O aporte teórico-metodológico constitui-se dos conceitos de melancolia, de Sigmund Freud; não-lugar da literatura, de Eneida Souza; différance, de Jacques Derrida; violência ética, de Judith Butler; e língua menor, de Deleuze e Guattari.UFRN2023-11-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufrn.br/odisseia/article/view/3189210.21680/1983-2435.2023v8nEspecialID31892Odisseia; Vol. 8 No. Especial (2023): Literatura e Violência: trauma, melancolia e resistência; 435-453Revue Odisseia; Vol. 8 No. Especial (2023): Literatura e Violência: trauma, melancolia e resistência; 435-453Revista Odisseia; v. 8 n. Especial (2023): Literatura e Violência: trauma, melancolia e resistência; 435-4531983-243510.21680/1983-2435.2023v8nEspecialreponame:Revista odisséiainstname:Universidade Federal do Rio Grande do Norte (UFRN)instacron:UFRNporhttps://periodicos.ufrn.br/odisseia/article/view/31892/17892Copyright (c) 2023 Revista Odisseiahttp://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessVilarino, Júnior2023-11-30T23:36:55Zoai:periodicos.ufrn.br:article/31892Revistahttps://periodicos.ufrn.br/odisseia/indexPUBhttps://periodicos.ufrn.br/odisseia/oai||revistaodisseia2016@gmail.com1983-24351983-2435opendoar:2023-11-30T23:36:55Revista odisséia - Universidade Federal do Rio Grande do Norte (UFRN)false
dc.title.none.fl_str_mv A peripheral intellectual in Paris: trauma and creation in Une Mélancolie Arabe, by Abdellah Taïa
Un intelectual periférico en París: : trauma y creación en Une Mélancolie Arabe, de Abdellah Taïa
Un intellectuel périphérique à Paris : : traumatisme et création dans Une Mélancolie Arabe, d'Abdellah Taïa
Um intelectual periférico em Paris: trauma e criação em Une Mélancolie Arabe, de Abdellah Taïa
title A peripheral intellectual in Paris: trauma and creation in Une Mélancolie Arabe, by Abdellah Taïa
spellingShingle A peripheral intellectual in Paris: trauma and creation in Une Mélancolie Arabe, by Abdellah Taïa
Vilarino, Júnior
Moroccan Literature
Abdellah Taïa
Trauma
Melancholy
Não-lugar
Literatura marroquí
Abdellah Taïa
Trauma
Melancolía
Não-lugar
Literatura Marroquina
Abdellah Taïa
Trauma
Melancolia
Não-lugar
Littérature marrocaine
Abdellah Taïa
Traumatisme
Mélancolie
Não-lugar
title_short A peripheral intellectual in Paris: trauma and creation in Une Mélancolie Arabe, by Abdellah Taïa
title_full A peripheral intellectual in Paris: trauma and creation in Une Mélancolie Arabe, by Abdellah Taïa
title_fullStr A peripheral intellectual in Paris: trauma and creation in Une Mélancolie Arabe, by Abdellah Taïa
title_full_unstemmed A peripheral intellectual in Paris: trauma and creation in Une Mélancolie Arabe, by Abdellah Taïa
title_sort A peripheral intellectual in Paris: trauma and creation in Une Mélancolie Arabe, by Abdellah Taïa
author Vilarino, Júnior
author_facet Vilarino, Júnior
author_role author
dc.contributor.author.fl_str_mv Vilarino, Júnior
dc.subject.por.fl_str_mv Moroccan Literature
Abdellah Taïa
Trauma
Melancholy
Não-lugar
Literatura marroquí
Abdellah Taïa
Trauma
Melancolía
Não-lugar
Literatura Marroquina
Abdellah Taïa
Trauma
Melancolia
Não-lugar
Littérature marrocaine
Abdellah Taïa
Traumatisme
Mélancolie
Não-lugar
topic Moroccan Literature
Abdellah Taïa
Trauma
Melancholy
Não-lugar
Literatura marroquí
Abdellah Taïa
Trauma
Melancolía
Não-lugar
Literatura Marroquina
Abdellah Taïa
Trauma
Melancolia
Não-lugar
Littérature marrocaine
Abdellah Taïa
Traumatisme
Mélancolie
Não-lugar
description The relationships between trauma, melancholy and artistic creation, in the autofiction Une Mélancolie Arabe (2008), by Abdellah Taïa, are the background for the cinematographic and literary initiation of the protagonist, Abdellah, a Moroccan living in Paris. The purpose of this article is to show that this narrator-character, from a peripheral country, when experiencing the mourning of his origin and the cultural idealization of the host country, problematizes a relevant issue for comparative literature, debating, during return trips to countries Arabs, the idealization of the French capital as a reference for intellectual training. The hypothesis put forward is that, when experiencing initiatory rituals, in which artistic work and social and erotic interactions intertwine, the narrator finds himself confronted with the imaginary frustration embodied by the body and language of the other, ending up reinventing his place as a francophone writer. The theoretical-methodological contribution consists of the concepts of melancholy, by Sigmund Freud; não-lugar da literatura, by Eneida Souza; différance, by Jacques Derrida; ethical violence, by Judith Butler; and minor language, by Deleuze and Guattari.
publishDate 2023
dc.date.none.fl_str_mv 2023-11-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufrn.br/odisseia/article/view/31892
10.21680/1983-2435.2023v8nEspecialID31892
url https://periodicos.ufrn.br/odisseia/article/view/31892
identifier_str_mv 10.21680/1983-2435.2023v8nEspecialID31892
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufrn.br/odisseia/article/view/31892/17892
dc.rights.driver.fl_str_mv Copyright (c) 2023 Revista Odisseia
http://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Revista Odisseia
http://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFRN
publisher.none.fl_str_mv UFRN
dc.source.none.fl_str_mv Odisseia; Vol. 8 No. Especial (2023): Literatura e Violência: trauma, melancolia e resistência; 435-453
Revue Odisseia; Vol. 8 No. Especial (2023): Literatura e Violência: trauma, melancolia e resistência; 435-453
Revista Odisseia; v. 8 n. Especial (2023): Literatura e Violência: trauma, melancolia e resistência; 435-453
1983-2435
10.21680/1983-2435.2023v8nEspecial
reponame:Revista odisséia
instname:Universidade Federal do Rio Grande do Norte (UFRN)
instacron:UFRN
instname_str Universidade Federal do Rio Grande do Norte (UFRN)
instacron_str UFRN
institution UFRN
reponame_str Revista odisséia
collection Revista odisséia
repository.name.fl_str_mv Revista odisséia - Universidade Federal do Rio Grande do Norte (UFRN)
repository.mail.fl_str_mv ||revistaodisseia2016@gmail.com
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