“Most of all, to polenta I will be aware”: notes on the work of the cockayne writer Joanim Pepperoni, PhD

Detalhes bibliográficos
Autor(a) principal: Arendt, João Cláudio
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista odisséia
Texto Completo: https://periodicos.ufrn.br/odisseia/article/view/23489
Resumo: This paper aims to systematize and discuss the writing technique and the main themes present in the literary production of Joanim Pepperoni, PhD, pseudonym of a writer who resides in Serra Gaúcha. The approach initially focuses on the writer's medieval myth recreation about The Land of Cockaygne and its updating to the cultural context of the italian immigration region in Rio Grande do Sul; then, the paper approaches parody as the preferred writing technique by the author to criticize local and national behaviors and institutions; and, finally, it deals with the detrimental look at the cockayne bard on the literary system in which it is situated.
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spelling “Most of all, to polenta I will be aware”: notes on the work of the cockayne writer Joanim Pepperoni, PhD“De tudo, à polenta ficarei atento”: notas sobre a obra do escritor cocanhês Joanim Pepperoni, PhDJoanim Pepperoni. The Land of Cockaygne. Serra Gaúcha. Parody.Joanim Pepperoni. Terra da Cocanha. Serra Gaúcha. Paródia.This paper aims to systematize and discuss the writing technique and the main themes present in the literary production of Joanim Pepperoni, PhD, pseudonym of a writer who resides in Serra Gaúcha. The approach initially focuses on the writer's medieval myth recreation about The Land of Cockaygne and its updating to the cultural context of the italian immigration region in Rio Grande do Sul; then, the paper approaches parody as the preferred writing technique by the author to criticize local and national behaviors and institutions; and, finally, it deals with the detrimental look at the cockayne bard on the literary system in which it is situated.O presente artigo objetiva sistematizar e discutir a técnica de escrita e os principais temas presentes na produção literária de Joanim Pepperoni, PhD, pseudônimo de um escritor que reside na Serra Gaúcha. A abordagem foca, inicialmente, na recriação, pelo escritor, do mito medieval da Terra da Cocanha e sua atualização ao contexto cultural da região de imigração italiana no Rio Grande do Sul; em seguida, trata-se da paródia como técnica de escrita preferida pelo autor para criticar comportamentos e instituições locais e nacionais; e, por fim, aborda o olhar detrator do bardo cocanhês sobre o sistema literário em que está situado.UFRN2020-12-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufrn.br/odisseia/article/view/2348910.21680/1983-2435.2020v5nEspecialID23489Odisseia; Vol. 5 No. Especial (2020): Subsídios teóricos e críticos para a historiografia da literatura brasileira do século XXI; 106-126Revue Odisseia; Vol. 5 No. Especial (2020): Subsídios teóricos e críticos para a historiografia da literatura brasileira do século XXI; 106-126Revista Odisseia; v. 5 n. Especial (2020): Subsídios teóricos e críticos para a historiografia da literatura brasileira do século XXI; 106-1261983-243510.21680/1983-2435.2020v5nEspecialreponame:Revista odisséiainstname:Universidade Federal do Rio Grande do Norte (UFRN)instacron:UFRNporhttps://periodicos.ufrn.br/odisseia/article/view/23489/13573Copyright (c) 2020 Revista Odisseiainfo:eu-repo/semantics/openAccessArendt, João Cláudio2020-12-28T20:36:48Zoai:periodicos.ufrn.br:article/23489Revistahttps://periodicos.ufrn.br/odisseia/indexPUBhttps://periodicos.ufrn.br/odisseia/oai||revistaodisseia2016@gmail.com1983-24351983-2435opendoar:2020-12-28T20:36:48Revista odisséia - Universidade Federal do Rio Grande do Norte (UFRN)false
dc.title.none.fl_str_mv “Most of all, to polenta I will be aware”: notes on the work of the cockayne writer Joanim Pepperoni, PhD
“De tudo, à polenta ficarei atento”: notas sobre a obra do escritor cocanhês Joanim Pepperoni, PhD
title “Most of all, to polenta I will be aware”: notes on the work of the cockayne writer Joanim Pepperoni, PhD
spellingShingle “Most of all, to polenta I will be aware”: notes on the work of the cockayne writer Joanim Pepperoni, PhD
Arendt, João Cláudio
Joanim Pepperoni. The Land of Cockaygne. Serra Gaúcha. Parody.
Joanim Pepperoni. Terra da Cocanha. Serra Gaúcha. Paródia.
title_short “Most of all, to polenta I will be aware”: notes on the work of the cockayne writer Joanim Pepperoni, PhD
title_full “Most of all, to polenta I will be aware”: notes on the work of the cockayne writer Joanim Pepperoni, PhD
title_fullStr “Most of all, to polenta I will be aware”: notes on the work of the cockayne writer Joanim Pepperoni, PhD
title_full_unstemmed “Most of all, to polenta I will be aware”: notes on the work of the cockayne writer Joanim Pepperoni, PhD
title_sort “Most of all, to polenta I will be aware”: notes on the work of the cockayne writer Joanim Pepperoni, PhD
author Arendt, João Cláudio
author_facet Arendt, João Cláudio
author_role author
dc.contributor.author.fl_str_mv Arendt, João Cláudio
dc.subject.por.fl_str_mv Joanim Pepperoni. The Land of Cockaygne. Serra Gaúcha. Parody.
Joanim Pepperoni. Terra da Cocanha. Serra Gaúcha. Paródia.
topic Joanim Pepperoni. The Land of Cockaygne. Serra Gaúcha. Parody.
Joanim Pepperoni. Terra da Cocanha. Serra Gaúcha. Paródia.
description This paper aims to systematize and discuss the writing technique and the main themes present in the literary production of Joanim Pepperoni, PhD, pseudonym of a writer who resides in Serra Gaúcha. The approach initially focuses on the writer's medieval myth recreation about The Land of Cockaygne and its updating to the cultural context of the italian immigration region in Rio Grande do Sul; then, the paper approaches parody as the preferred writing technique by the author to criticize local and national behaviors and institutions; and, finally, it deals with the detrimental look at the cockayne bard on the literary system in which it is situated.
publishDate 2020
dc.date.none.fl_str_mv 2020-12-20
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.uri.fl_str_mv https://periodicos.ufrn.br/odisseia/article/view/23489
10.21680/1983-2435.2020v5nEspecialID23489
url https://periodicos.ufrn.br/odisseia/article/view/23489
identifier_str_mv 10.21680/1983-2435.2020v5nEspecialID23489
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufrn.br/odisseia/article/view/23489/13573
dc.rights.driver.fl_str_mv Copyright (c) 2020 Revista Odisseia
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Revista Odisseia
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFRN
publisher.none.fl_str_mv UFRN
dc.source.none.fl_str_mv Odisseia; Vol. 5 No. Especial (2020): Subsídios teóricos e críticos para a historiografia da literatura brasileira do século XXI; 106-126
Revue Odisseia; Vol. 5 No. Especial (2020): Subsídios teóricos e críticos para a historiografia da literatura brasileira do século XXI; 106-126
Revista Odisseia; v. 5 n. Especial (2020): Subsídios teóricos e críticos para a historiografia da literatura brasileira do século XXI; 106-126
1983-2435
10.21680/1983-2435.2020v5nEspecial
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reponame_str Revista odisséia
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