Verão no aquário and Fazes-me falta: considerations about the writing in the works of Lygia Fagundes Telles and Inês Pedrosa
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista odisséia |
Texto Completo: | https://periodicos.ufrn.br/odisseia/article/view/24445 |
Resumo: | This article aims to propose a dialogue between the novels Verão no Aquário, by Lygia Fagundes Telles, and Fazes-me Falta, by Inês Pedrosa, from the perspective of literary language. It is hypothesized that this category presents itself as wandering and powerless to clarify what it says, an observation that is not seen as problematic, only as a composition of the writers’ peculiar style. In this way, according to the critics, these novels are significant in the consecration of both, a consideration that is mainly justified by the irreverence of the language worked on them. The analysis was based on contributions aimed at the study of contemporary literature, especially Maurice Blanchot (1997; 1987) and Roland Barthes (1984; 2011). To understand the meanings made by the critics, the works of Diana Navas, Telma Ventura (2018) and Sonia Régis (1998) were consulted, among others. Thus, it was found that language, in these novels, is intertwined with the idea of death, a theme present in the both plots and that it communes with the writing of the authors. |
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Verão no aquário and Fazes-me falta: considerations about the writing in the works of Lygia Fagundes Telles and Inês PedrosaVerão no aquário e Fazes-me falta: considerações sobre a escrita em Lygia Fagundes Telles e Inês PedrosaLanguage. Absence. Death. Verão no aquário. Fazes-me falta.Linguagem. Ausências. Morte. Verão no aquário. Fazes-me falta.This article aims to propose a dialogue between the novels Verão no Aquário, by Lygia Fagundes Telles, and Fazes-me Falta, by Inês Pedrosa, from the perspective of literary language. It is hypothesized that this category presents itself as wandering and powerless to clarify what it says, an observation that is not seen as problematic, only as a composition of the writers’ peculiar style. In this way, according to the critics, these novels are significant in the consecration of both, a consideration that is mainly justified by the irreverence of the language worked on them. The analysis was based on contributions aimed at the study of contemporary literature, especially Maurice Blanchot (1997; 1987) and Roland Barthes (1984; 2011). To understand the meanings made by the critics, the works of Diana Navas, Telma Ventura (2018) and Sonia Régis (1998) were consulted, among others. Thus, it was found that language, in these novels, is intertwined with the idea of death, a theme present in the both plots and that it communes with the writing of the authors.Este artigo objetiva dialogar os romances Verão no aquário, de Lygia Fagundes Telles, e Fazes-me falta, de Inês Pedrosa, na perspectiva da linguagem literária. Parte-se da hipótese de que esta categoria apresenta-se como errante e impotente para esclarecer o que diz, constatação que não é vista como problemática, apenas como composição do estilo peculiar das escritoras. Segundo a crítica, estes romances são significativos na consagração de ambas, consideração que se justifica, principalmente, pela irreverência da linguagem neles trabalhada. A análise foi fundamentada em contribuições voltadas ao estudo da literatura contemporânea, em especial, Maurice Blanchot (1997; 1987) e Roland Barthes (1984; 2011). Para compreender as acepções feitas pela crítica, foram consultados, dentre outros, os trabalhos de Diana Navas e Telma Ventura (2018); Sônia Régis (1998). Constatou-se que a linguagem, nestas obras, é entrelaçada à ideia de morte, tema presente nos dois enredos e que comunga com a escritura das autoras.UFRN2021-12-23info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufrn.br/odisseia/article/view/2444510.21680/1983-2435.2021v6n2ID24445Odisseia; Vol. 6 No. 2 (2021): Revista Odisseia; 91-106Revue Odisseia; Vol. 6 No. 2 (2021): Revista Odisseia; 91-106Revista Odisseia; v. 6 n. 2 (2021): Revista Odisseia; 91-1061983-243510.21680/1983-2435.2021v6n2reponame:Revista odisséiainstname:Universidade Federal do Rio Grande do Norte (UFRN)instacron:UFRNporhttps://periodicos.ufrn.br/odisseia/article/view/24445/15147Copyright (c) 2021 Revista Odisseiainfo:eu-repo/semantics/openAccessGomes Alves, Licilange2021-12-27T21:28:59Zoai:periodicos.ufrn.br:article/24445Revistahttps://periodicos.ufrn.br/odisseia/indexPUBhttps://periodicos.ufrn.br/odisseia/oai||revistaodisseia2016@gmail.com1983-24351983-2435opendoar:2021-12-27T21:28:59Revista odisséia - Universidade Federal do Rio Grande do Norte (UFRN)false |
dc.title.none.fl_str_mv |
Verão no aquário and Fazes-me falta: considerations about the writing in the works of Lygia Fagundes Telles and Inês Pedrosa Verão no aquário e Fazes-me falta: considerações sobre a escrita em Lygia Fagundes Telles e Inês Pedrosa |
title |
Verão no aquário and Fazes-me falta: considerations about the writing in the works of Lygia Fagundes Telles and Inês Pedrosa |
spellingShingle |
Verão no aquário and Fazes-me falta: considerations about the writing in the works of Lygia Fagundes Telles and Inês Pedrosa Gomes Alves, Licilange Language. Absence. Death. Verão no aquário. Fazes-me falta. Linguagem. Ausências. Morte. Verão no aquário. Fazes-me falta. |
title_short |
Verão no aquário and Fazes-me falta: considerations about the writing in the works of Lygia Fagundes Telles and Inês Pedrosa |
title_full |
Verão no aquário and Fazes-me falta: considerations about the writing in the works of Lygia Fagundes Telles and Inês Pedrosa |
title_fullStr |
Verão no aquário and Fazes-me falta: considerations about the writing in the works of Lygia Fagundes Telles and Inês Pedrosa |
title_full_unstemmed |
Verão no aquário and Fazes-me falta: considerations about the writing in the works of Lygia Fagundes Telles and Inês Pedrosa |
title_sort |
Verão no aquário and Fazes-me falta: considerations about the writing in the works of Lygia Fagundes Telles and Inês Pedrosa |
author |
Gomes Alves, Licilange |
author_facet |
Gomes Alves, Licilange |
author_role |
author |
dc.contributor.author.fl_str_mv |
Gomes Alves, Licilange |
dc.subject.por.fl_str_mv |
Language. Absence. Death. Verão no aquário. Fazes-me falta. Linguagem. Ausências. Morte. Verão no aquário. Fazes-me falta. |
topic |
Language. Absence. Death. Verão no aquário. Fazes-me falta. Linguagem. Ausências. Morte. Verão no aquário. Fazes-me falta. |
description |
This article aims to propose a dialogue between the novels Verão no Aquário, by Lygia Fagundes Telles, and Fazes-me Falta, by Inês Pedrosa, from the perspective of literary language. It is hypothesized that this category presents itself as wandering and powerless to clarify what it says, an observation that is not seen as problematic, only as a composition of the writers’ peculiar style. In this way, according to the critics, these novels are significant in the consecration of both, a consideration that is mainly justified by the irreverence of the language worked on them. The analysis was based on contributions aimed at the study of contemporary literature, especially Maurice Blanchot (1997; 1987) and Roland Barthes (1984; 2011). To understand the meanings made by the critics, the works of Diana Navas, Telma Ventura (2018) and Sonia Régis (1998) were consulted, among others. Thus, it was found that language, in these novels, is intertwined with the idea of death, a theme present in the both plots and that it communes with the writing of the authors. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-12-23 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufrn.br/odisseia/article/view/24445 10.21680/1983-2435.2021v6n2ID24445 |
url |
https://periodicos.ufrn.br/odisseia/article/view/24445 |
identifier_str_mv |
10.21680/1983-2435.2021v6n2ID24445 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufrn.br/odisseia/article/view/24445/15147 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Revista Odisseia info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Revista Odisseia |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
UFRN |
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UFRN |
dc.source.none.fl_str_mv |
Odisseia; Vol. 6 No. 2 (2021): Revista Odisseia; 91-106 Revue Odisseia; Vol. 6 No. 2 (2021): Revista Odisseia; 91-106 Revista Odisseia; v. 6 n. 2 (2021): Revista Odisseia; 91-106 1983-2435 10.21680/1983-2435.2021v6n2 reponame:Revista odisséia instname:Universidade Federal do Rio Grande do Norte (UFRN) instacron:UFRN |
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Universidade Federal do Rio Grande do Norte (UFRN) |
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UFRN |
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UFRN |
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Revista odisséia |
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Revista odisséia |
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Revista odisséia - Universidade Federal do Rio Grande do Norte (UFRN) |
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||revistaodisseia2016@gmail.com |
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