O sertanejo e o sevilhano nos poemas de João Cabral de Melo Neto: o lusco-fusco barroco

Detalhes bibliográficos
Autor(a) principal: Vinagre, Verônica Falcão de Oliveira
Data de Publicação: 2014
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFRN
Texto Completo: https://repositorio.ufrn.br/jspui/handle/123456789/16346
Resumo: The aim of this research is, starting from a Baroque reading, unfold the understanding of the poems by João Cabral de Melo Neto in the axis Pernambuco-Spain. From this perspective, the reading of poet s Obra Completa allows the appearance of two persons, one from Seville and other from the Brazilian countryside, whom curiously pulsate and reveal themselves from their homelands, Brazilian northeastern dry lands and Seville, to a labyrinthy meeting establishing a close and exciting relationship of cities apart but which mark a contiguous dialogue between both cultures. The theorical effort of this investigation permeates, approaches and contrasts the directions of, among others, Severo Sarduy (1999), Gilles Deleuze (2012) and Eugenio D Ors (unknown). Not traveling an anthropological bias, this study observes the Spanish space and the Brazilian northeastern dry lands space, joining the regional to the universal and analyzes the baroque game in the (re) construction of the both men s cultures. These elements fuse, approach and move away, causing a game of allusions to Pernambuco and Spain that show itself through a similar cultural bias and different at the same time. From this apprehension it is possible to understand the synthesis of the Brazilian arid northeast-Seville men as a update of seventeenth century Baroque coming from indexes that are shown over the particular written by João Cabral de Melo Neto, in the Iberian Baroque scenario and in the American one s
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spelling Vinagre, Verônica Falcão de Oliveirahttp://lattes.cnpq.br/6218970408582097http://lattes.cnpq.br/9835038564106860Lima, Samuel Anderson de Oliveirahttp://lattes.cnpq.br/4097533367851915Pinheiro, Vanessa Neves Riambauhttp://lattes.cnpq.br/8345360905892527Silva, Francisco Ivan da2014-12-17T15:07:11Z2014-12-032014-12-17T15:07:11Z2014-08-11VINAGRE, Verônica Falcão de Oliveira. O sertanejo e o sevilhano nos poemas de João Cabral de Melo Neto: o lusco-fusco barroco. 2014. 176 f. Dissertação (Mestrado em Linguística Aplicada; Literatura Comparada) - Universidade Federal do Rio Grande do Norte, Natal, 2014.https://repositorio.ufrn.br/jspui/handle/123456789/16346The aim of this research is, starting from a Baroque reading, unfold the understanding of the poems by João Cabral de Melo Neto in the axis Pernambuco-Spain. From this perspective, the reading of poet s Obra Completa allows the appearance of two persons, one from Seville and other from the Brazilian countryside, whom curiously pulsate and reveal themselves from their homelands, Brazilian northeastern dry lands and Seville, to a labyrinthy meeting establishing a close and exciting relationship of cities apart but which mark a contiguous dialogue between both cultures. The theorical effort of this investigation permeates, approaches and contrasts the directions of, among others, Severo Sarduy (1999), Gilles Deleuze (2012) and Eugenio D Ors (unknown). Not traveling an anthropological bias, this study observes the Spanish space and the Brazilian northeastern dry lands space, joining the regional to the universal and analyzes the baroque game in the (re) construction of the both men s cultures. These elements fuse, approach and move away, causing a game of allusions to Pernambuco and Spain that show itself through a similar cultural bias and different at the same time. From this apprehension it is possible to understand the synthesis of the Brazilian arid northeast-Seville men as a update of seventeenth century Baroque coming from indexes that are shown over the particular written by João Cabral de Melo Neto, in the Iberian Baroque scenario and in the American one sEsta pesquisa tem o objetivo de, a partir de uma leitura barroca, desdobrar a compreensão dos poemas de João Cabral de Melo Neto no eixo Pernambuco Espanha. Nessa perspectiva, a leitura da Obra Completa do poeta permite a aparição de dois sujeitos, o sevilhano e o sertanejo, que, curiosamente, pulsam e revelam-se desde seus locais de origem, Sertão e Sevilha, a um encontro labiríntico estabelecendo uma estreita e instigante relação de cidades alijadas, mas que assinalam um diálogo contíguo entre suas culturas. O esforço teórico desta investigação perpassa, aproxima ou contrapõe as orientações, entre outras, de Severo Sarduy (1999), Gilles Deleuze (2012) e Eugenio D Ors (s.d). Não percorrendo um viés antropológico, este estudo observa o espaço espanhol e o espaço pernambucano congregando o regional ao universal e analisa o jogo Barroco na (re) construção da cultura do homem sertanejo e sevilhano. Esses elementos que se fundem, se aproximam e se distanciam provocam um jogo de alusões a Pernambuco e à Espanha que se mostram pelo viés cultural parecidos e ao mesmo tempo diferentes. Dessa apreensão, é possível compreender a síntese do sertanejo-sevilhano como uma atualização do Barroco do seiscentos a partir de índices que são evidenciados na escrita peculiar de João Cabral de Melo Neto, do cenário do Barroco ibérico e do Barroco americanoapplication/pdfporUniversidade Federal do Rio Grande do NortePrograma de Pós-Graduação em Estudos da LinguagemUFRNBRLinguística Aplicada; Literatura ComparadaJoão Cabral de Melo Neto. Barroco. Cultura. Sertanejo. SevilhanoJoão Cabral de Melo Neto. Barroque. Culture. Northeastern Brazilian. SevillianCNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICAO sertanejo e o sevilhano nos poemas de João Cabral de Melo Neto: o lusco-fusco barrocoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFRNinstname:Universidade Federal do Rio Grande do Norte (UFRN)instacron:UFRNORIGINALVeronicaFOV_DISSERT.pdfapplication/pdf2591371https://repositorio.ufrn.br/bitstream/123456789/16346/1/VeronicaFOV_DISSERT.pdf003eb563340639991696e282597ee907MD51TEXTVeronicaFOV_DISSERT.pdf.txtVeronicaFOV_DISSERT.pdf.txtExtracted texttext/plain424921https://repositorio.ufrn.br/bitstream/123456789/16346/6/VeronicaFOV_DISSERT.pdf.txt2737216d241bfde93cff6aff585cfdf6MD56THUMBNAILVeronicaFOV_DISSERT.pdf.jpgVeronicaFOV_DISSERT.pdf.jpgIM Thumbnailimage/jpeg2290https://repositorio.ufrn.br/bitstream/123456789/16346/7/VeronicaFOV_DISSERT.pdf.jpg29e5ef15a6f9a558ff6280d26d001e82MD57123456789/163462017-11-02 12:18:39.316oai:https://repositorio.ufrn.br:123456789/16346Repositório de PublicaçõesPUBhttp://repositorio.ufrn.br/oai/opendoar:2017-11-02T15:18:39Repositório Institucional da UFRN - Universidade Federal do Rio Grande do Norte (UFRN)false
dc.title.por.fl_str_mv O sertanejo e o sevilhano nos poemas de João Cabral de Melo Neto: o lusco-fusco barroco
title O sertanejo e o sevilhano nos poemas de João Cabral de Melo Neto: o lusco-fusco barroco
spellingShingle O sertanejo e o sevilhano nos poemas de João Cabral de Melo Neto: o lusco-fusco barroco
Vinagre, Verônica Falcão de Oliveira
João Cabral de Melo Neto. Barroco. Cultura. Sertanejo. Sevilhano
João Cabral de Melo Neto. Barroque. Culture. Northeastern Brazilian. Sevillian
CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA
title_short O sertanejo e o sevilhano nos poemas de João Cabral de Melo Neto: o lusco-fusco barroco
title_full O sertanejo e o sevilhano nos poemas de João Cabral de Melo Neto: o lusco-fusco barroco
title_fullStr O sertanejo e o sevilhano nos poemas de João Cabral de Melo Neto: o lusco-fusco barroco
title_full_unstemmed O sertanejo e o sevilhano nos poemas de João Cabral de Melo Neto: o lusco-fusco barroco
title_sort O sertanejo e o sevilhano nos poemas de João Cabral de Melo Neto: o lusco-fusco barroco
author Vinagre, Verônica Falcão de Oliveira
author_facet Vinagre, Verônica Falcão de Oliveira
author_role author
dc.contributor.authorID.por.fl_str_mv
dc.contributor.authorLattes.por.fl_str_mv http://lattes.cnpq.br/6218970408582097
dc.contributor.advisorID.por.fl_str_mv
dc.contributor.advisorLattes.por.fl_str_mv http://lattes.cnpq.br/9835038564106860
dc.contributor.referees1.pt_BR.fl_str_mv Lima, Samuel Anderson de Oliveira
dc.contributor.referees1ID.por.fl_str_mv
dc.contributor.referees1Lattes.por.fl_str_mv http://lattes.cnpq.br/4097533367851915
dc.contributor.referees2.pt_BR.fl_str_mv Pinheiro, Vanessa Neves Riambau
dc.contributor.referees2ID.por.fl_str_mv
dc.contributor.referees2Lattes.por.fl_str_mv http://lattes.cnpq.br/8345360905892527
dc.contributor.author.fl_str_mv Vinagre, Verônica Falcão de Oliveira
dc.contributor.advisor1.fl_str_mv Silva, Francisco Ivan da
contributor_str_mv Silva, Francisco Ivan da
dc.subject.por.fl_str_mv João Cabral de Melo Neto. Barroco. Cultura. Sertanejo. Sevilhano
topic João Cabral de Melo Neto. Barroco. Cultura. Sertanejo. Sevilhano
João Cabral de Melo Neto. Barroque. Culture. Northeastern Brazilian. Sevillian
CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA
dc.subject.eng.fl_str_mv João Cabral de Melo Neto. Barroque. Culture. Northeastern Brazilian. Sevillian
dc.subject.cnpq.fl_str_mv CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA
description The aim of this research is, starting from a Baroque reading, unfold the understanding of the poems by João Cabral de Melo Neto in the axis Pernambuco-Spain. From this perspective, the reading of poet s Obra Completa allows the appearance of two persons, one from Seville and other from the Brazilian countryside, whom curiously pulsate and reveal themselves from their homelands, Brazilian northeastern dry lands and Seville, to a labyrinthy meeting establishing a close and exciting relationship of cities apart but which mark a contiguous dialogue between both cultures. The theorical effort of this investigation permeates, approaches and contrasts the directions of, among others, Severo Sarduy (1999), Gilles Deleuze (2012) and Eugenio D Ors (unknown). Not traveling an anthropological bias, this study observes the Spanish space and the Brazilian northeastern dry lands space, joining the regional to the universal and analyzes the baroque game in the (re) construction of the both men s cultures. These elements fuse, approach and move away, causing a game of allusions to Pernambuco and Spain that show itself through a similar cultural bias and different at the same time. From this apprehension it is possible to understand the synthesis of the Brazilian arid northeast-Seville men as a update of seventeenth century Baroque coming from indexes that are shown over the particular written by João Cabral de Melo Neto, in the Iberian Baroque scenario and in the American one s
publishDate 2014
dc.date.accessioned.fl_str_mv 2014-12-17T15:07:11Z
dc.date.available.fl_str_mv 2014-12-03
2014-12-17T15:07:11Z
dc.date.issued.fl_str_mv 2014-08-11
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dc.identifier.uri.fl_str_mv https://repositorio.ufrn.br/jspui/handle/123456789/16346
identifier_str_mv VINAGRE, Verônica Falcão de Oliveira. O sertanejo e o sevilhano nos poemas de João Cabral de Melo Neto: o lusco-fusco barroco. 2014. 176 f. Dissertação (Mestrado em Linguística Aplicada; Literatura Comparada) - Universidade Federal do Rio Grande do Norte, Natal, 2014.
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