Interface cena e tecnologia : composições cênicas mediadas
Autor(a) principal: | |
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Data de Publicação: | 2013 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFRN |
Texto Completo: | https://repositorio.ufrn.br/jspui/handle/123456789/12459 |
Resumo: | Based on the presupposition that the arts in the West always counted on resources, supports, and devices pertaining to its time context, an reflection is intended regarding the scenic compositions mediated by digital technologies do. Such technologies are inserted in the daily routine, also composing artistic experiments, thus playing a dialogical role with the art/technology intersection. Therefore, the proposal is to investigate what relationships are established in the contemporary theatrical scene from the contagion by digital technologies, aiming at establishing this parallel through a dialogue with the authors discussing the subject, and also based on the group practices having technological resources as a determinant factor in their plays. Furthermore, a reflection should be made on the scene that incorporates or is carried out in intermediatic events, analyzing how digital technologies (re)configure compositional processes of the plays by GAG Phila7, in the city of São Paulo/SP. For such, the dissertation is organized in three sections comprising four moments, to wit: brief overview of the field, contextualization, poetic analysis and synthesis. Qualitative methods are used as the methodological proposal: semi-structure interview, note and document taking (program, website, playing book, disclosure material for advertising text, photographs, and videos). Within the universe of qualitative research, it works with the epistemological perspective of the Gadamer philosophical hermeneutics. The possibilities allowed by the double virtual (Internet/web) generated a type of theater with another material basis and new forms of organization and structure, being possible to perceive that such technological advances and the arts are mutually contaminated, generating a dislocation in the logics of theatrical composition, movement beginning with the artistic vanguards, gradually intensified, thus offering new possibilities of constructions and hybridization of the of the most different possible types. Experiment ―Profanações_superfície de eventos de construção coletiva‖, idealized by Phila7 is inserted in this perspective. Object of the discussion of such research, the experiment works with possible poetics arising from the intersection with the digital technologies, aiming at identifying and problematizing the challenges from the technological evolution and expansion in a scenic context |
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Martins, Larissa Hobihttp://lattes.cnpq.br/1428299307436592http://lattes.cnpq.br/5026604704788382Ciotti, Naira Neidehttp://lattes.cnpq.br/6380609562860913Monteiro, Gabriela Lírio Gurgelhttp://lattes.cnpq.br/5144170619756716Pereira, José Amâncio Tonezzi Rodrigueshttp://lattes.cnpq.br/8634159577430875Araújo, José Sávio Oliveira de2014-12-17T14:00:19Z2014-02-072014-12-17T14:00:19Z2013-08-22MARTINS, Larissa Hobi. Interface cena e tecnologia : composições cênicas mediadas. 2013. 132 f. Dissertação (Mestrado em LINGUAGENS DA CENA E PEDAGOGIAS DA CENA) - Universidade Federal do Rio Grande do Norte, Natal, 2013.https://repositorio.ufrn.br/jspui/handle/123456789/12459Based on the presupposition that the arts in the West always counted on resources, supports, and devices pertaining to its time context, an reflection is intended regarding the scenic compositions mediated by digital technologies do. Such technologies are inserted in the daily routine, also composing artistic experiments, thus playing a dialogical role with the art/technology intersection. Therefore, the proposal is to investigate what relationships are established in the contemporary theatrical scene from the contagion by digital technologies, aiming at establishing this parallel through a dialogue with the authors discussing the subject, and also based on the group practices having technological resources as a determinant factor in their plays. Furthermore, a reflection should be made on the scene that incorporates or is carried out in intermediatic events, analyzing how digital technologies (re)configure compositional processes of the plays by GAG Phila7, in the city of São Paulo/SP. For such, the dissertation is organized in three sections comprising four moments, to wit: brief overview of the field, contextualization, poetic analysis and synthesis. Qualitative methods are used as the methodological proposal: semi-structure interview, note and document taking (program, website, playing book, disclosure material for advertising text, photographs, and videos). Within the universe of qualitative research, it works with the epistemological perspective of the Gadamer philosophical hermeneutics. The possibilities allowed by the double virtual (Internet/web) generated a type of theater with another material basis and new forms of organization and structure, being possible to perceive that such technological advances and the arts are mutually contaminated, generating a dislocation in the logics of theatrical composition, movement beginning with the artistic vanguards, gradually intensified, thus offering new possibilities of constructions and hybridization of the of the most different possible types. Experiment ―Profanações_superfície de eventos de construção coletiva‖, idealized by Phila7 is inserted in this perspective. Object of the discussion of such research, the experiment works with possible poetics arising from the intersection with the digital technologies, aiming at identifying and problematizing the challenges from the technological evolution and expansion in a scenic contextPartindo do pressuposto de que as artes no ocidente sempre dispuseram de recursos, suportes e dispositivos pertencentes ao seu contexto de época, pretende-se uma reflexão acerca de composições cênicas mediadas por tecnologias digitais. Tecnologias essas, que estão inseridas no cotidiano, passando também a compor experimentos artísticos, assumindo dessa forma um papel dialógico por meio da intersecção arte/tecnologia. Propõe-se assim investigar quais as relações que se estabelecem na cena teatral contemporânea a partir do contágio pelas tecnologias digitais, procurando traçar esse paralelo através do diálogo com autores que tratam do assunto, como também, valendo-se de práticas de grupos que tem no uso de recursos tecnológicos fator determinante em suas encenações. Além disso, se realiza uma reflexão sobre a cena que incorpora ou se perfaz em eventos intermidiáticos, analisando de que forma as tecnologias digitais (re)configuram os processos composicionais das encenações do GAG Phila7, da cidade de São Paulo/SP. Para tanto, a dissertação encontra-se organizada em três capítulos que contemplam quatro momentos, a saber: breve panorama do campo, contextualização, análise e síntese poética. Utiliza-se como proposta metodológica os métodos qualitativos: entrevista semi-estruturada, tomada de notas e documentos (programa, site, caderno de encenação, material de divulgação para texto publicitário, fotografias e vídeo de registro). Dentro do universo da pesquisa qualitativa, trabalha-se com a perspectiva epistemológica da hermenêutica filosófica gadameriana. As possibilidades abertas pelo duplo virtual (internet/web) gerou um tipo de teatro com outra base material e novas formas de organização e estruturação, sendo possível perceber que tais avanços tecnológicos e as artes se contaminam mutuamente, gerando um deslocamento na lógica da composição teatral, movimento iniciado com as vanguardas artísticas, que vem se intensificando gradativamente, abrindo possibilidades de construções e hibridizações das mais diversas possíveis. É nessa perspectiva que se encontra inserido o experimento Profanações_superfície de eventos de construção coletiva, idealizado pelo Phila7. Alvo das discussões da referida pesquisa, o experimento trabalha com poéticas possíveis surgidas da intersecção com as tecnologias digitais, buscando apontar e problematizar os desafios advindos da evolução e expansão tecnológica em um contexto cênicoCoordenação de Aperfeiçoamento de Pessoal de Nível Superiorapplication/pdfporUniversidade Federal do Rio Grande do NortePrograma de Pós-Graduação em Artes CênicasUFRNBRLINGUAGENS DA CENA E PEDAGOGIAS DA CENACena contemporâneaGAG Phila7Tecnologias digitaisContemporary sceneGAG Phila7Digital technologiesCNPQ::LINGUISTICA, LETRAS E ARTES::ARTESInterface cena e tecnologia : composições cênicas mediadasinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFRNinstname:Universidade Federal do Rio Grande do Norte (UFRN)instacron:UFRNTEXTLarissaH_DISSERT.pdf.txtLarissaH_DISSERT.pdf.txtExtracted texttext/plain286803https://repositorio.ufrn.br/bitstream/123456789/12459/6/LarissaH_DISSERT.pdf.txt06ca78a2dc46ae2c41feb4817bf4e194MD56InterfaceCenaTecnologia_Martins_2013.pdf.txtInterfaceCenaTecnologia_Martins_2013.pdf.txtExtracted texttext/plain286803https://repositorio.ufrn.br/bitstream/123456789/12459/8/InterfaceCenaTecnologia_Martins_2013.pdf.txt06ca78a2dc46ae2c41feb4817bf4e194MD58THUMBNAILLarissaH_DISSERT.pdf.jpgLarissaH_DISSERT.pdf.jpgIM Thumbnailimage/jpeg4715https://repositorio.ufrn.br/bitstream/123456789/12459/7/LarissaH_DISSERT.pdf.jpg1b59e6606d8b52c1a2f322cb7344a106MD57InterfaceCenaTecnologia_Martins_2013.pdf.jpgInterfaceCenaTecnologia_Martins_2013.pdf.jpgIM Thumbnailimage/jpeg4715https://repositorio.ufrn.br/bitstream/123456789/12459/9/InterfaceCenaTecnologia_Martins_2013.pdf.jpg1b59e6606d8b52c1a2f322cb7344a106MD59ORIGINALInterfaceCenaTecnologia_Martins_2013.pdfapplication/pdf3141544https://repositorio.ufrn.br/bitstream/123456789/12459/1/InterfaceCenaTecnologia_Martins_2013.pdf1d7965aa27a587e476d38f8cd8b28d29MD51123456789/124592019-01-30 03:39:40.739oai:https://repositorio.ufrn.br:123456789/12459Repositório de PublicaçõesPUBhttp://repositorio.ufrn.br/oai/opendoar:2019-01-30T06:39:40Repositório Institucional da UFRN - Universidade Federal do Rio Grande do Norte (UFRN)false |
dc.title.por.fl_str_mv |
Interface cena e tecnologia : composições cênicas mediadas |
title |
Interface cena e tecnologia : composições cênicas mediadas |
spellingShingle |
Interface cena e tecnologia : composições cênicas mediadas Martins, Larissa Hobi Cena contemporânea GAG Phila7 Tecnologias digitais Contemporary scene GAG Phila7 Digital technologies CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
title_short |
Interface cena e tecnologia : composições cênicas mediadas |
title_full |
Interface cena e tecnologia : composições cênicas mediadas |
title_fullStr |
Interface cena e tecnologia : composições cênicas mediadas |
title_full_unstemmed |
Interface cena e tecnologia : composições cênicas mediadas |
title_sort |
Interface cena e tecnologia : composições cênicas mediadas |
author |
Martins, Larissa Hobi |
author_facet |
Martins, Larissa Hobi |
author_role |
author |
dc.contributor.authorID.por.fl_str_mv |
|
dc.contributor.authorLattes.por.fl_str_mv |
http://lattes.cnpq.br/1428299307436592 |
dc.contributor.advisorID.por.fl_str_mv |
|
dc.contributor.advisorLattes.por.fl_str_mv |
http://lattes.cnpq.br/5026604704788382 |
dc.contributor.referees1.pt_BR.fl_str_mv |
Ciotti, Naira Neide |
dc.contributor.referees1ID.por.fl_str_mv |
|
dc.contributor.referees1Lattes.por.fl_str_mv |
http://lattes.cnpq.br/6380609562860913 |
dc.contributor.referees2.pt_BR.fl_str_mv |
Monteiro, Gabriela Lírio Gurgel |
dc.contributor.referees2ID.por.fl_str_mv |
|
dc.contributor.referees2Lattes.por.fl_str_mv |
http://lattes.cnpq.br/5144170619756716 |
dc.contributor.referees3.pt_BR.fl_str_mv |
Pereira, José Amâncio Tonezzi Rodrigues |
dc.contributor.referees3ID.por.fl_str_mv |
|
dc.contributor.referees3Lattes.por.fl_str_mv |
http://lattes.cnpq.br/8634159577430875 |
dc.contributor.author.fl_str_mv |
Martins, Larissa Hobi |
dc.contributor.advisor1.fl_str_mv |
Araújo, José Sávio Oliveira de |
contributor_str_mv |
Araújo, José Sávio Oliveira de |
dc.subject.por.fl_str_mv |
Cena contemporânea GAG Phila7 Tecnologias digitais |
topic |
Cena contemporânea GAG Phila7 Tecnologias digitais Contemporary scene GAG Phila7 Digital technologies CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
dc.subject.eng.fl_str_mv |
Contemporary scene GAG Phila7 Digital technologies |
dc.subject.cnpq.fl_str_mv |
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
description |
Based on the presupposition that the arts in the West always counted on resources, supports, and devices pertaining to its time context, an reflection is intended regarding the scenic compositions mediated by digital technologies do. Such technologies are inserted in the daily routine, also composing artistic experiments, thus playing a dialogical role with the art/technology intersection. Therefore, the proposal is to investigate what relationships are established in the contemporary theatrical scene from the contagion by digital technologies, aiming at establishing this parallel through a dialogue with the authors discussing the subject, and also based on the group practices having technological resources as a determinant factor in their plays. Furthermore, a reflection should be made on the scene that incorporates or is carried out in intermediatic events, analyzing how digital technologies (re)configure compositional processes of the plays by GAG Phila7, in the city of São Paulo/SP. For such, the dissertation is organized in three sections comprising four moments, to wit: brief overview of the field, contextualization, poetic analysis and synthesis. Qualitative methods are used as the methodological proposal: semi-structure interview, note and document taking (program, website, playing book, disclosure material for advertising text, photographs, and videos). Within the universe of qualitative research, it works with the epistemological perspective of the Gadamer philosophical hermeneutics. The possibilities allowed by the double virtual (Internet/web) generated a type of theater with another material basis and new forms of organization and structure, being possible to perceive that such technological advances and the arts are mutually contaminated, generating a dislocation in the logics of theatrical composition, movement beginning with the artistic vanguards, gradually intensified, thus offering new possibilities of constructions and hybridization of the of the most different possible types. Experiment ―Profanações_superfície de eventos de construção coletiva‖, idealized by Phila7 is inserted in this perspective. Object of the discussion of such research, the experiment works with possible poetics arising from the intersection with the digital technologies, aiming at identifying and problematizing the challenges from the technological evolution and expansion in a scenic context |
publishDate |
2013 |
dc.date.issued.fl_str_mv |
2013-08-22 |
dc.date.accessioned.fl_str_mv |
2014-12-17T14:00:19Z |
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2014-02-07 2014-12-17T14:00:19Z |
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info:eu-repo/semantics/masterThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
MARTINS, Larissa Hobi. Interface cena e tecnologia : composições cênicas mediadas. 2013. 132 f. Dissertação (Mestrado em LINGUAGENS DA CENA E PEDAGOGIAS DA CENA) - Universidade Federal do Rio Grande do Norte, Natal, 2013. |
dc.identifier.uri.fl_str_mv |
https://repositorio.ufrn.br/jspui/handle/123456789/12459 |
identifier_str_mv |
MARTINS, Larissa Hobi. Interface cena e tecnologia : composições cênicas mediadas. 2013. 132 f. Dissertação (Mestrado em LINGUAGENS DA CENA E PEDAGOGIAS DA CENA) - Universidade Federal do Rio Grande do Norte, Natal, 2013. |
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LINGUAGENS DA CENA E PEDAGOGIAS DA CENA |
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Universidade Federal do Rio Grande do Norte |
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