Dona senhora: a mulher em três peças de Martins Pena

Detalhes bibliográficos
Autor(a) principal: Silva, Erika Vivian Freitas da
Data de Publicação: 2018
Tipo de documento: Trabalho de conclusão de curso
Idioma: por
Título da fonte: Repositório Institucional da UFRN
Texto Completo: https://repositorio.ufrn.br/handle/123456789/38443
Resumo: The present work aims to show the feminine models, described in 3 plays written by Martins Pena chosen for the study, O Juiz de Paz na Roça, O Noviço and Quem Casa Quer Casa, accordingly with the traditions of the Brazillian societies, especially Rio de Janeiro's, during his lifetime, in the XIX century. His plays show how women were educated, the roles imposed on them by the society in the family, workplace, their behaviour, hobbies and feelings. It starts with summarizing of the author's biography, the historical moment that he lived and which plays were written. In order to obtain more validity in the analysis, it was made a comparison with D'Incao plays. Additionally, it is described the acting project realized in Acting I, taught by the professor Carrico where was put in place a laboratory practice this theoretical study. Lastly, I describe why it was chosen to study the women described by Martins Pena and how this wish has grown up. To understand all of this, it is going to be seen my study trajectory in this undergraduate course, the professional, personal, and spiritual experiences that has built what I am and what I am going to be.
id UFRN_bc55fd371276087d18153906af1e4906
oai_identifier_str oai:https://repositorio.ufrn.br:123456789/38443
network_acronym_str UFRN
network_name_str Repositório Institucional da UFRN
repository_id_str
spelling Silva, Erika Vivian Freitas daCarrico, AndréLopes, Melissa dos SantosSilva, Sebastião de SalesCarrico, André2018-03-07T11:32:02Z2021-09-27T11:58:54Z2018-03-07T11:32:02Z2021-09-27T11:58:54Z2018-02-012011026312SILVA, Erika Vívian Freitas da. Dona senhora: a mulher em três peças de Martins Pena. 2018. 57 f. Trabalho de Conclusão de Curso (Licenciatura em Teatro), Departamento de Artes. Universidade Federal do Rio Grande do Norte, Natal, 2018.https://repositorio.ufrn.br/handle/123456789/38443The present work aims to show the feminine models, described in 3 plays written by Martins Pena chosen for the study, O Juiz de Paz na Roça, O Noviço and Quem Casa Quer Casa, accordingly with the traditions of the Brazillian societies, especially Rio de Janeiro's, during his lifetime, in the XIX century. His plays show how women were educated, the roles imposed on them by the society in the family, workplace, their behaviour, hobbies and feelings. It starts with summarizing of the author's biography, the historical moment that he lived and which plays were written. In order to obtain more validity in the analysis, it was made a comparison with D'Incao plays. Additionally, it is described the acting project realized in Acting I, taught by the professor Carrico where was put in place a laboratory practice this theoretical study. Lastly, I describe why it was chosen to study the women described by Martins Pena and how this wish has grown up. To understand all of this, it is going to be seen my study trajectory in this undergraduate course, the professional, personal, and spiritual experiences that has built what I am and what I am going to be.Este trabalho tem como objetivo apresentar os modelos femininos descritos por Martins Pena, em suas três peças escolhidas para o estudo, O Juiz de Paz na Roça, O Noviço e Quem Casa Quer Casa, de acordo com os costumes que estavam presentes na sociedade brasileira, em especial na sociedade carioca, no período de sua vida, o século XIX. Procuramos abordar o modo como as mulheres eram educadas, os papéis impostos a elas na sociedade, na família, nos relacionamentos, no trabalho, seus comportamentos, hobbies e sentimentos. É inserido um pequeno histórico sobre a vida do autor, o momento histórico em que ele viveu, no qual as peças foram escritas e se passam. Para que as peças pudessem ser analisadas com mais propriedade, em relação aos costumes do período, foi buscada a comparação a partir dos trabalhos de D’Incao. Descrevo ainda todo o processo do projeto de encenação realizado na disciplina de Encenação I, ministrada pelo professor André Carrico, na qual foi colocado em prática laboratorial este estudo teórico. Por fim, exponho o motivo de escolher estudar as mulheres sobre as quais Martins Pena escreveu, e como surgiu este desejo. Para entendermos essa escolha, apresento o meu trajeto no curso de licenciatura em teatro, as descobertas profissionais, pessoais e espirituais que me formaram e continuam me formando.Universidade Federal do Rio Grande do NorteUFRNBrasilTeatroMulheresTeatro Brasileiro.Costume.Pena, Martins, 1815-1848Cultura Popular.Dona senhora: a mulher em três peças de Martins Penainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/bachelorThesisinfo:eu-repo/semantics/openAccessporreponame:Repositório Institucional da UFRNinstname:Universidade Federal do Rio Grande do Norte (UFRN)instacron:UFRNTEXTFinal_TCC_Erika.pdf.txtExtracted texttext/plain95938https://repositorio.ufrn.br/bitstream/123456789/38443/1/Final_TCC_Erika.pdf.txt33c18219d22291f61660d2c9daad2df6MD51ORIGINALDonaSenhoraMulher_Silva_2018.pdfapplication/pdf333966https://repositorio.ufrn.br/bitstream/123456789/38443/2/DonaSenhoraMulher_Silva_2018.pdff1026ca96514164491d281accbf29d93MD52LICENSElicense.txttext/plain756https://repositorio.ufrn.br/bitstream/123456789/38443/3/license.txta80a9cda2756d355b388cc443c3d8a43MD53123456789/384432023-03-08 14:19:23.699oai:https://repositorio.ufrn.br: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ório de PublicaçõesPUBhttp://repositorio.ufrn.br/oai/opendoar:2023-03-08T17:19:23Repositório Institucional da UFRN - Universidade Federal do Rio Grande do Norte (UFRN)false
dc.title.pr_BR.fl_str_mv Dona senhora: a mulher em três peças de Martins Pena
title Dona senhora: a mulher em três peças de Martins Pena
spellingShingle Dona senhora: a mulher em três peças de Martins Pena
Silva, Erika Vivian Freitas da
Mulheres
Teatro Brasileiro.
Costume.
Pena, Martins, 1815-1848
Cultura Popular.
title_short Dona senhora: a mulher em três peças de Martins Pena
title_full Dona senhora: a mulher em três peças de Martins Pena
title_fullStr Dona senhora: a mulher em três peças de Martins Pena
title_full_unstemmed Dona senhora: a mulher em três peças de Martins Pena
title_sort Dona senhora: a mulher em três peças de Martins Pena
author Silva, Erika Vivian Freitas da
author_facet Silva, Erika Vivian Freitas da
author_role author
dc.contributor.referees1.none.fl_str_mv Carrico, André
dc.contributor.referees2.none.fl_str_mv Lopes, Melissa dos Santos
dc.contributor.referees3.none.fl_str_mv Silva, Sebastião de Sales
dc.contributor.author.fl_str_mv Silva, Erika Vivian Freitas da
dc.contributor.advisor1.fl_str_mv Carrico, André
contributor_str_mv Carrico, André
dc.subject.pr_BR.fl_str_mv Mulheres
Teatro Brasileiro.
Costume.
Pena, Martins, 1815-1848
Cultura Popular.
topic Mulheres
Teatro Brasileiro.
Costume.
Pena, Martins, 1815-1848
Cultura Popular.
description The present work aims to show the feminine models, described in 3 plays written by Martins Pena chosen for the study, O Juiz de Paz na Roça, O Noviço and Quem Casa Quer Casa, accordingly with the traditions of the Brazillian societies, especially Rio de Janeiro's, during his lifetime, in the XIX century. His plays show how women were educated, the roles imposed on them by the society in the family, workplace, their behaviour, hobbies and feelings. It starts with summarizing of the author's biography, the historical moment that he lived and which plays were written. In order to obtain more validity in the analysis, it was made a comparison with D'Incao plays. Additionally, it is described the acting project realized in Acting I, taught by the professor Carrico where was put in place a laboratory practice this theoretical study. Lastly, I describe why it was chosen to study the women described by Martins Pena and how this wish has grown up. To understand all of this, it is going to be seen my study trajectory in this undergraduate course, the professional, personal, and spiritual experiences that has built what I am and what I am going to be.
publishDate 2018
dc.date.accessioned.fl_str_mv 2018-03-07T11:32:02Z
2021-09-27T11:58:54Z
dc.date.available.fl_str_mv 2018-03-07T11:32:02Z
2021-09-27T11:58:54Z
dc.date.issued.fl_str_mv 2018-02-01
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/bachelorThesis
format bachelorThesis
status_str publishedVersion
dc.identifier.pr_BR.fl_str_mv 2011026312
dc.identifier.citation.fl_str_mv SILVA, Erika Vívian Freitas da. Dona senhora: a mulher em três peças de Martins Pena. 2018. 57 f. Trabalho de Conclusão de Curso (Licenciatura em Teatro), Departamento de Artes. Universidade Federal do Rio Grande do Norte, Natal, 2018.
dc.identifier.uri.fl_str_mv https://repositorio.ufrn.br/handle/123456789/38443
identifier_str_mv 2011026312
SILVA, Erika Vívian Freitas da. Dona senhora: a mulher em três peças de Martins Pena. 2018. 57 f. Trabalho de Conclusão de Curso (Licenciatura em Teatro), Departamento de Artes. Universidade Federal do Rio Grande do Norte, Natal, 2018.
url https://repositorio.ufrn.br/handle/123456789/38443
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Norte
dc.publisher.initials.fl_str_mv UFRN
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Teatro
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Norte
dc.source.none.fl_str_mv reponame:Repositório Institucional da UFRN
instname:Universidade Federal do Rio Grande do Norte (UFRN)
instacron:UFRN
instname_str Universidade Federal do Rio Grande do Norte (UFRN)
instacron_str UFRN
institution UFRN
reponame_str Repositório Institucional da UFRN
collection Repositório Institucional da UFRN
bitstream.url.fl_str_mv https://repositorio.ufrn.br/bitstream/123456789/38443/1/Final_TCC_Erika.pdf.txt
https://repositorio.ufrn.br/bitstream/123456789/38443/2/DonaSenhoraMulher_Silva_2018.pdf
https://repositorio.ufrn.br/bitstream/123456789/38443/3/license.txt
bitstream.checksum.fl_str_mv 33c18219d22291f61660d2c9daad2df6
f1026ca96514164491d281accbf29d93
a80a9cda2756d355b388cc443c3d8a43
bitstream.checksumAlgorithm.fl_str_mv MD5
MD5
MD5
repository.name.fl_str_mv Repositório Institucional da UFRN - Universidade Federal do Rio Grande do Norte (UFRN)
repository.mail.fl_str_mv
_version_ 1802117847119298560