The Supernatural Setting and Language in the Late Victorian Era: The Picture of Dorian Gray and The Hound of the Baskervilles

Detalhes bibliográficos
Autor(a) principal: Villarinho, Maria de Azevedo e
Data de Publicação: 2022
Tipo de documento: Trabalho de conclusão de curso
Idioma: eng
Título da fonte: Repositório Institucional da UFRN
Texto Completo: https://repositorio.ufrn.br/handle/123456789/49305
Resumo: This research aims at comparing two notorious literary works of supernatural literature written by two different authors during the late Victorian era, the period between 1837 and 1901. It investigates how different and similar the authors Oscar Wilde (1854–1900) and Sir Arthur Conan Doyle (1859–1930), who wrote respectively The Picture of Dorian Gray (1890) and The Hound of the Baskervilles (1901), decided to approach the portrayal of supernaturality in their novels. The research was conducted in the field of comparative literature and utilised qualitative data, obtained by the close-reading of the two books and selection of quotes which represented the supernatural theme, more specifically within the setting of the story. The results of the study are the illustration of the similarities and divergences in both portrayals. The predominant similarities in the two novels are the use of darkness in language by both authors to create mysterious settings; the representation of a pact with the devil as the main supernatural occurrence in each story and the corruption of humanity as the origin of this evil. The main divergence noticed in the portrayal of supernaturality among the two works was that Wilde’s novel is not part of the supernatural explained technique, whereas Doyle’s novel is a clear example of this literary device. All things considered, the information collected was enough to consider the main aim of this research to be reached.
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spelling Villarinho, Maria de Azevedo ehttp://lattes.cnpq.br/8488280753146570Ferreira Júnior, Tito MatiasAssis, Luis Alfredo Fernandes deAraújo, Rosanne Bezerra de2022-09-06T13:59:07Z2022-09-06T13:59:07Z2022-07-12VILLARINHO, Maria de Azevedo e. The supernatural setting and language in the Late Victorian Era: The Picture of Dorian Gray and The Hound of the Baskervilles. 2022. 38f. Trabalho de Conclusão de Curso (Licenciatura em Letras - Inglês), Universidade Federal do Rio Grande do Norte, Departamento de Línguas e Literaturas Estrangeiras Modernas, Natal, 2022.https://repositorio.ufrn.br/handle/123456789/49305This research aims at comparing two notorious literary works of supernatural literature written by two different authors during the late Victorian era, the period between 1837 and 1901. It investigates how different and similar the authors Oscar Wilde (1854–1900) and Sir Arthur Conan Doyle (1859–1930), who wrote respectively The Picture of Dorian Gray (1890) and The Hound of the Baskervilles (1901), decided to approach the portrayal of supernaturality in their novels. The research was conducted in the field of comparative literature and utilised qualitative data, obtained by the close-reading of the two books and selection of quotes which represented the supernatural theme, more specifically within the setting of the story. The results of the study are the illustration of the similarities and divergences in both portrayals. The predominant similarities in the two novels are the use of darkness in language by both authors to create mysterious settings; the representation of a pact with the devil as the main supernatural occurrence in each story and the corruption of humanity as the origin of this evil. The main divergence noticed in the portrayal of supernaturality among the two works was that Wilde’s novel is not part of the supernatural explained technique, whereas Doyle’s novel is a clear example of this literary device. All things considered, the information collected was enough to consider the main aim of this research to be reached.This research aims at comparing two notorious literary works of supernatural literature written by two different authors during the late Victorian era, the period between 1837 and 1901. It investigates how different and similar the authors Oscar Wilde (1854–1900) and Sir Arthur Conan Doyle (1859–1930), who wrote respectively The Picture of Dorian Gray (1890) and The Hound of the Baskervilles (1901), decided to approach the portrayal of supernaturality in their novels. The research was conducted in the field of comparative literature and utilised qualitative data, obtained by the close-reading of the two books and selection of quotes which represented the supernatural theme, more specifically within the setting of the story. The results of the study are the illustration of the similarities and divergences in both portrayals. The predominant similarities in the two novels are the use of darkness in language by both authors to create mysterious settings; the representation of a pact with the devil as the main supernatural occurrence in each story and the corruption of humanity as the origin of this evil. The main divergence noticed in the portrayal of supernaturality among the two works was that Wilde’s novel is not part of the supernatural explained technique, whereas Doyle’s novel is a clear example of this literary device. All things considered, the information collected was enough to consider the main aim of this research to be reached.Universidade Federal do Rio Grande do NorteLetras - InglêsUFRNBrasilLínguas e Literaturas Estrangeiras ModernasAttribution 3.0 Brazilhttp://creativecommons.org/licenses/by/3.0/br/info:eu-repo/semantics/openAccessLiteratura vitoriana; Sobrenaturalidade; Terror na ficção; Oscar Wilde; Sir Arthur Conan DoyleVictorian literature; Supernaturality, Horror fiction; Oscar Wilde; Sir Arthur Conan Doyle.The Supernatural Setting and Language in the Late Victorian Era: The Picture of Dorian Gray and The Hound of the BaskervillesThe Supernatural Setting and Language in the Late Victorian Era: The Picture of Dorian Gray and The Hound of the Baskervillesinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/bachelorThesisengreponame:Repositório Institucional da UFRNinstname:Universidade Federal do Rio Grande do Norte (UFRN)instacron:UFRNORIGINALSupernaturalSettingLanguage_Villarinho_2022SupernaturalSettingLanguage_Villarinho_2022application/pdf338220https://repositorio.ufrn.br/bitstream/123456789/49305/1/SupernaturalSettingLanguage_Villarinho_20222eb994b6046058ac03cbd4db675b424dMD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8914https://repositorio.ufrn.br/bitstream/123456789/49305/2/license_rdf4d2950bda3d176f570a9f8b328dfbbefMD52LICENSElicense.txtlicense.txttext/plain; charset=utf-81484https://repositorio.ufrn.br/bitstream/123456789/49305/3/license.txte9597aa2854d128fd968be5edc8a28d9MD53123456789/493052023-03-07 14:48:09.054oai:https://repositorio.ufrn.br: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Repositório de PublicaçõesPUBhttp://repositorio.ufrn.br/oai/opendoar:2023-03-07T17:48:09Repositório Institucional da UFRN - Universidade Federal do Rio Grande do Norte (UFRN)false
dc.title.pt_BR.fl_str_mv The Supernatural Setting and Language in the Late Victorian Era: The Picture of Dorian Gray and The Hound of the Baskervilles
dc.title.alternative.pt_BR.fl_str_mv The Supernatural Setting and Language in the Late Victorian Era: The Picture of Dorian Gray and The Hound of the Baskervilles
title The Supernatural Setting and Language in the Late Victorian Era: The Picture of Dorian Gray and The Hound of the Baskervilles
spellingShingle The Supernatural Setting and Language in the Late Victorian Era: The Picture of Dorian Gray and The Hound of the Baskervilles
Villarinho, Maria de Azevedo e
Literatura vitoriana; Sobrenaturalidade; Terror na ficção; Oscar Wilde; Sir Arthur Conan Doyle
Victorian literature; Supernaturality, Horror fiction; Oscar Wilde; Sir Arthur Conan Doyle.
title_short The Supernatural Setting and Language in the Late Victorian Era: The Picture of Dorian Gray and The Hound of the Baskervilles
title_full The Supernatural Setting and Language in the Late Victorian Era: The Picture of Dorian Gray and The Hound of the Baskervilles
title_fullStr The Supernatural Setting and Language in the Late Victorian Era: The Picture of Dorian Gray and The Hound of the Baskervilles
title_full_unstemmed The Supernatural Setting and Language in the Late Victorian Era: The Picture of Dorian Gray and The Hound of the Baskervilles
title_sort The Supernatural Setting and Language in the Late Victorian Era: The Picture of Dorian Gray and The Hound of the Baskervilles
author Villarinho, Maria de Azevedo e
author_facet Villarinho, Maria de Azevedo e
author_role author
dc.contributor.authorLattes.pt_BR.fl_str_mv http://lattes.cnpq.br/8488280753146570
dc.contributor.referees1.none.fl_str_mv Assis, Luis Alfredo Fernandes de
dc.contributor.author.fl_str_mv Villarinho, Maria de Azevedo e
dc.contributor.advisor-co1.fl_str_mv Ferreira Júnior, Tito Matias
dc.contributor.advisor1.fl_str_mv Araújo, Rosanne Bezerra de
contributor_str_mv Ferreira Júnior, Tito Matias
Araújo, Rosanne Bezerra de
dc.subject.por.fl_str_mv Literatura vitoriana; Sobrenaturalidade; Terror na ficção; Oscar Wilde; Sir Arthur Conan Doyle
Victorian literature; Supernaturality, Horror fiction; Oscar Wilde; Sir Arthur Conan Doyle.
topic Literatura vitoriana; Sobrenaturalidade; Terror na ficção; Oscar Wilde; Sir Arthur Conan Doyle
Victorian literature; Supernaturality, Horror fiction; Oscar Wilde; Sir Arthur Conan Doyle.
description This research aims at comparing two notorious literary works of supernatural literature written by two different authors during the late Victorian era, the period between 1837 and 1901. It investigates how different and similar the authors Oscar Wilde (1854–1900) and Sir Arthur Conan Doyle (1859–1930), who wrote respectively The Picture of Dorian Gray (1890) and The Hound of the Baskervilles (1901), decided to approach the portrayal of supernaturality in their novels. The research was conducted in the field of comparative literature and utilised qualitative data, obtained by the close-reading of the two books and selection of quotes which represented the supernatural theme, more specifically within the setting of the story. The results of the study are the illustration of the similarities and divergences in both portrayals. The predominant similarities in the two novels are the use of darkness in language by both authors to create mysterious settings; the representation of a pact with the devil as the main supernatural occurrence in each story and the corruption of humanity as the origin of this evil. The main divergence noticed in the portrayal of supernaturality among the two works was that Wilde’s novel is not part of the supernatural explained technique, whereas Doyle’s novel is a clear example of this literary device. All things considered, the information collected was enough to consider the main aim of this research to be reached.
publishDate 2022
dc.date.accessioned.fl_str_mv 2022-09-06T13:59:07Z
dc.date.available.fl_str_mv 2022-09-06T13:59:07Z
dc.date.issued.fl_str_mv 2022-07-12
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dc.identifier.citation.fl_str_mv VILLARINHO, Maria de Azevedo e. The supernatural setting and language in the Late Victorian Era: The Picture of Dorian Gray and The Hound of the Baskervilles. 2022. 38f. Trabalho de Conclusão de Curso (Licenciatura em Letras - Inglês), Universidade Federal do Rio Grande do Norte, Departamento de Línguas e Literaturas Estrangeiras Modernas, Natal, 2022.
dc.identifier.uri.fl_str_mv https://repositorio.ufrn.br/handle/123456789/49305
identifier_str_mv VILLARINHO, Maria de Azevedo e. The supernatural setting and language in the Late Victorian Era: The Picture of Dorian Gray and The Hound of the Baskervilles. 2022. 38f. Trabalho de Conclusão de Curso (Licenciatura em Letras - Inglês), Universidade Federal do Rio Grande do Norte, Departamento de Línguas e Literaturas Estrangeiras Modernas, Natal, 2022.
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dc.publisher.program.fl_str_mv Letras - Inglês
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