O ?maestro da aboli??o? e sua ?pera O Escravo: dilemas do pensamento social na transi??o para a Rep?blica

Detalhes bibliográficos
Autor(a) principal: Ismael, C?sar de Carvalho
Data de Publicação: 2014
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da UFRRJ
Texto Completo: https://tede.ufrrj.br/jspui/handle/jspui/1813
Resumo: The purpose of this thesis is to recognize the aims and the historical, political and sociological implications that guided the life and work of Brazilian composer Ant?nio Carlos Gomes (1836-96), which at the apex of the abolitionist movement led to replacement of a black person by a native Brazilian as the main character of his opera Lo Schiavo [The Slave], finished in 1888; he thus repeated the same character utilized in O Guarani, composed eighteen years before. The text focused on the cultural and social relationship between the State and the composer?s artistic production linked to Brazil?s imperial politics; bearing this in mind, an effort was made to ponder the objectives and political implications that led Gomes to substitute a native Brazilian for a black character in The Slave. The research on the life and work of the Brazilian conductor is here conceived as a means for reflecting on the political-cultural ideas that emerged in late nineteenth-century Brazilian urban and educated society, such as Indianism, the greatest form of Brazilian romanticism, and on concepts such as ?patrimonialization? in the moment of the formation of a national social and historical thought.
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spelling Mattos, Izabel Missagia de439.977.161-53Mattos, Izabel Missagia deMoreira, V?nia LosadaAbreu, Regina187.774.398-48http://lattes.cnpq.br/4843307163374425Ismael, C?sar de Carvalho2017-06-21T21:18:11Z2014-04-24ISMAEL, C?sar de Carvalho. O ?maestro da aboli??o? e sua ?pera O Escravo: dilemas do pensamento social na transi??o para a Rep?blica. 2014. 158 f. Disserta??o (Mestrado em Ci?ncias Sociais). Instituto de Ci?ncias Humanas e Sociais, Universidade Federal Rural do Rio de Janeiro, Serop?dica, RJ. 2014.https://tede.ufrrj.br/jspui/handle/jspui/1813The purpose of this thesis is to recognize the aims and the historical, political and sociological implications that guided the life and work of Brazilian composer Ant?nio Carlos Gomes (1836-96), which at the apex of the abolitionist movement led to replacement of a black person by a native Brazilian as the main character of his opera Lo Schiavo [The Slave], finished in 1888; he thus repeated the same character utilized in O Guarani, composed eighteen years before. The text focused on the cultural and social relationship between the State and the composer?s artistic production linked to Brazil?s imperial politics; bearing this in mind, an effort was made to ponder the objectives and political implications that led Gomes to substitute a native Brazilian for a black character in The Slave. The research on the life and work of the Brazilian conductor is here conceived as a means for reflecting on the political-cultural ideas that emerged in late nineteenth-century Brazilian urban and educated society, such as Indianism, the greatest form of Brazilian romanticism, and on concepts such as ?patrimonialization? in the moment of the formation of a national social and historical thought.O objeto central desta pesquisa foi reconhecer os objetivos e as implica??es hist?ricas, pol?ticas e sociol?gicas que nortearam a vida e a obra do compositor campineiro Ant?nio Carlos Gomes (1836-96), e que, mesmo no ?pice do movimento abolicionista, culminaram com a substitui??o do negro pelo ?ndio como personagem central de sua ?pera Lo Schiavo [O Escravo], finalizada em 1888, retomando assim a mesma personagem de sua ?pera O Guarani, composta dezoito anos antes. Enfocou-se neste trabalho a rela??o cultural e social entre o Estado e a produ??o art?stica do compositor vinculada ? pol?tica imperial, e, a partir disso, buscou-se refletir tamb?m acerca das rela??es sociais do maestro Carlos Gomes. A pesquisa acerca da vida e da obra do maestro campineiro ? aqui concebida como um meio para refletir sobre as ideias pol?tico-culturais que emanavam da sociedade brasileira urbana e instru?da da ?poca, como o indigenismo ? express?o m?xima do Romantismo brasileiro.Submitted by Jorge Silva (jorgelmsilva@ufrrj.br) on 2017-06-21T21:18:11Z No. of bitstreams: 1 2014 - C?sar de Carvalho Ismael.pdf: 4365455 bytes, checksum: 247293494dd734bbbb0f2c44014faa5d (MD5)Made available in DSpace on 2017-06-21T21:18:11Z (GMT). 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dc.title.por.fl_str_mv O ?maestro da aboli??o? e sua ?pera O Escravo: dilemas do pensamento social na transi??o para a Rep?blica
title O ?maestro da aboli??o? e sua ?pera O Escravo: dilemas do pensamento social na transi??o para a Rep?blica
spellingShingle O ?maestro da aboli??o? e sua ?pera O Escravo: dilemas do pensamento social na transi??o para a Rep?blica
Ismael, C?sar de Carvalho
Cultural Policy during the Empire
Brazilian Social Thought
Art and Social Memory
Pol?tica Cultural no Imp?rio
Pensamento Social Brasileiro
Arte e mem?ria Social
Ci?ncias Sociais
title_short O ?maestro da aboli??o? e sua ?pera O Escravo: dilemas do pensamento social na transi??o para a Rep?blica
title_full O ?maestro da aboli??o? e sua ?pera O Escravo: dilemas do pensamento social na transi??o para a Rep?blica
title_fullStr O ?maestro da aboli??o? e sua ?pera O Escravo: dilemas do pensamento social na transi??o para a Rep?blica
title_full_unstemmed O ?maestro da aboli??o? e sua ?pera O Escravo: dilemas do pensamento social na transi??o para a Rep?blica
title_sort O ?maestro da aboli??o? e sua ?pera O Escravo: dilemas do pensamento social na transi??o para a Rep?blica
author Ismael, C?sar de Carvalho
author_facet Ismael, C?sar de Carvalho
author_role author
dc.contributor.advisor1.fl_str_mv Mattos, Izabel Missagia de
dc.contributor.advisor1ID.fl_str_mv 439.977.161-53
dc.contributor.referee1.fl_str_mv Mattos, Izabel Missagia de
dc.contributor.referee2.fl_str_mv Moreira, V?nia Losada
dc.contributor.referee3.fl_str_mv Abreu, Regina
dc.contributor.authorID.fl_str_mv 187.774.398-48
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/4843307163374425
dc.contributor.author.fl_str_mv Ismael, C?sar de Carvalho
contributor_str_mv Mattos, Izabel Missagia de
Mattos, Izabel Missagia de
Moreira, V?nia Losada
Abreu, Regina
dc.subject.eng.fl_str_mv Cultural Policy during the Empire
Brazilian Social Thought
Art and Social Memory
topic Cultural Policy during the Empire
Brazilian Social Thought
Art and Social Memory
Pol?tica Cultural no Imp?rio
Pensamento Social Brasileiro
Arte e mem?ria Social
Ci?ncias Sociais
dc.subject.por.fl_str_mv Pol?tica Cultural no Imp?rio
Pensamento Social Brasileiro
Arte e mem?ria Social
dc.subject.cnpq.fl_str_mv Ci?ncias Sociais
description The purpose of this thesis is to recognize the aims and the historical, political and sociological implications that guided the life and work of Brazilian composer Ant?nio Carlos Gomes (1836-96), which at the apex of the abolitionist movement led to replacement of a black person by a native Brazilian as the main character of his opera Lo Schiavo [The Slave], finished in 1888; he thus repeated the same character utilized in O Guarani, composed eighteen years before. The text focused on the cultural and social relationship between the State and the composer?s artistic production linked to Brazil?s imperial politics; bearing this in mind, an effort was made to ponder the objectives and political implications that led Gomes to substitute a native Brazilian for a black character in The Slave. The research on the life and work of the Brazilian conductor is here conceived as a means for reflecting on the political-cultural ideas that emerged in late nineteenth-century Brazilian urban and educated society, such as Indianism, the greatest form of Brazilian romanticism, and on concepts such as ?patrimonialization? in the moment of the formation of a national social and historical thought.
publishDate 2014
dc.date.issued.fl_str_mv 2014-04-24
dc.date.accessioned.fl_str_mv 2017-06-21T21:18:11Z
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dc.identifier.citation.fl_str_mv ISMAEL, C?sar de Carvalho. O ?maestro da aboli??o? e sua ?pera O Escravo: dilemas do pensamento social na transi??o para a Rep?blica. 2014. 158 f. Disserta??o (Mestrado em Ci?ncias Sociais). Instituto de Ci?ncias Humanas e Sociais, Universidade Federal Rural do Rio de Janeiro, Serop?dica, RJ. 2014.
dc.identifier.uri.fl_str_mv https://tede.ufrrj.br/jspui/handle/jspui/1813
identifier_str_mv ISMAEL, C?sar de Carvalho. O ?maestro da aboli??o? e sua ?pera O Escravo: dilemas do pensamento social na transi??o para a Rep?blica. 2014. 158 f. Disserta??o (Mestrado em Ci?ncias Sociais). Instituto de Ci?ncias Humanas e Sociais, Universidade Federal Rural do Rio de Janeiro, Serop?dica, RJ. 2014.
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