O ?maestro da aboli??o? e sua ?pera O Escravo: dilemas do pensamento social na transi??o para a Rep?blica
Autor(a) principal: | |
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Data de Publicação: | 2014 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da UFRRJ |
Texto Completo: | https://tede.ufrrj.br/jspui/handle/jspui/1813 |
Resumo: | The purpose of this thesis is to recognize the aims and the historical, political and sociological implications that guided the life and work of Brazilian composer Ant?nio Carlos Gomes (1836-96), which at the apex of the abolitionist movement led to replacement of a black person by a native Brazilian as the main character of his opera Lo Schiavo [The Slave], finished in 1888; he thus repeated the same character utilized in O Guarani, composed eighteen years before. The text focused on the cultural and social relationship between the State and the composer?s artistic production linked to Brazil?s imperial politics; bearing this in mind, an effort was made to ponder the objectives and political implications that led Gomes to substitute a native Brazilian for a black character in The Slave. The research on the life and work of the Brazilian conductor is here conceived as a means for reflecting on the political-cultural ideas that emerged in late nineteenth-century Brazilian urban and educated society, such as Indianism, the greatest form of Brazilian romanticism, and on concepts such as ?patrimonialization? in the moment of the formation of a national social and historical thought. |
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Mattos, Izabel Missagia de439.977.161-53Mattos, Izabel Missagia deMoreira, V?nia LosadaAbreu, Regina187.774.398-48http://lattes.cnpq.br/4843307163374425Ismael, C?sar de Carvalho2017-06-21T21:18:11Z2014-04-24ISMAEL, C?sar de Carvalho. O ?maestro da aboli??o? e sua ?pera O Escravo: dilemas do pensamento social na transi??o para a Rep?blica. 2014. 158 f. Disserta??o (Mestrado em Ci?ncias Sociais). Instituto de Ci?ncias Humanas e Sociais, Universidade Federal Rural do Rio de Janeiro, Serop?dica, RJ. 2014.https://tede.ufrrj.br/jspui/handle/jspui/1813The purpose of this thesis is to recognize the aims and the historical, political and sociological implications that guided the life and work of Brazilian composer Ant?nio Carlos Gomes (1836-96), which at the apex of the abolitionist movement led to replacement of a black person by a native Brazilian as the main character of his opera Lo Schiavo [The Slave], finished in 1888; he thus repeated the same character utilized in O Guarani, composed eighteen years before. The text focused on the cultural and social relationship between the State and the composer?s artistic production linked to Brazil?s imperial politics; bearing this in mind, an effort was made to ponder the objectives and political implications that led Gomes to substitute a native Brazilian for a black character in The Slave. The research on the life and work of the Brazilian conductor is here conceived as a means for reflecting on the political-cultural ideas that emerged in late nineteenth-century Brazilian urban and educated society, such as Indianism, the greatest form of Brazilian romanticism, and on concepts such as ?patrimonialization? in the moment of the formation of a national social and historical thought.O objeto central desta pesquisa foi reconhecer os objetivos e as implica??es hist?ricas, pol?ticas e sociol?gicas que nortearam a vida e a obra do compositor campineiro Ant?nio Carlos Gomes (1836-96), e que, mesmo no ?pice do movimento abolicionista, culminaram com a substitui??o do negro pelo ?ndio como personagem central de sua ?pera Lo Schiavo [O Escravo], finalizada em 1888, retomando assim a mesma personagem de sua ?pera O Guarani, composta dezoito anos antes. Enfocou-se neste trabalho a rela??o cultural e social entre o Estado e a produ??o art?stica do compositor vinculada ? pol?tica imperial, e, a partir disso, buscou-se refletir tamb?m acerca das rela??es sociais do maestro Carlos Gomes. A pesquisa acerca da vida e da obra do maestro campineiro ? aqui concebida como um meio para refletir sobre as ideias pol?tico-culturais que emanavam da sociedade brasileira urbana e instru?da da ?poca, como o indigenismo ? express?o m?xima do Romantismo brasileiro.Submitted by Jorge Silva (jorgelmsilva@ufrrj.br) on 2017-06-21T21:18:11Z No. of bitstreams: 1 2014 - C?sar de Carvalho Ismael.pdf: 4365455 bytes, checksum: 247293494dd734bbbb0f2c44014faa5d (MD5)Made available in DSpace on 2017-06-21T21:18:11Z (GMT). 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e sua ?pera O Escravo: dilemas do pensamento social na transi??o para a Rep?blicainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UFRRJinstname:Universidade Federal Rural do Rio de Janeiro (UFRRJ)instacron:UFRRJTEXT2014 - C?sar de Carvalho Ismael.pdf.txt2014 - C?sar de Carvalho Ismael.pdf.txttext/plain361948http://localhost:8080/tede/bitstream/jspui/1813/17/2014+-+C%C3%A9sar+de+Carvalho+Ismael.pdf.txt0ec274d363a176815831213ed8fe3591MD517ORIGINAL2014 - C?sar de Carvalho Ismael.pdf2014 - C?sar de Carvalho Ismael.pdfapplication/pdf4359006http://localhost:8080/tede/bitstream/jspui/1813/4/2014+-+C%C3%A9sar+de+Carvalho+Ismael.pdf98a0def7b5a44d140695fb311da1366bMD54THUMBNAIL2014 - C?sar de Carvalho Ismael.pdf.jpg2014 - C?sar de Carvalho Ismael.pdf.jpgimage/jpeg1987http://localhost:8080/tede/bitstream/jspui/1813/18/2014+-+C%C3%A9sar+de+Carvalho+Ismael.pdf.jpg8b01ba602fab52275b763823d2bbc09cMD518LICENSElicense.txtlicense.txttext/plain; charset=utf-82089http://localhost:8080/tede/bitstream/jspui/1813/1/license.txt7b5ba3d2445355f386edab96125d42b7MD51jspui/18132022-02-07 12:43:51.672oai:localhost: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Biblioteca Digital de Teses e Dissertaçõeshttps://tede.ufrrj.br/PUBhttps://tede.ufrrj.br/oai/requestbibliot@ufrrj.br||bibliot@ufrrj.bropendoar:2022-02-07T14:43:51Biblioteca Digital de Teses e Dissertações da UFRRJ - Universidade Federal Rural do Rio de Janeiro (UFRRJ)false |
dc.title.por.fl_str_mv |
O ?maestro da aboli??o? e sua ?pera O Escravo: dilemas do pensamento social na transi??o para a Rep?blica |
title |
O ?maestro da aboli??o? e sua ?pera O Escravo: dilemas do pensamento social na transi??o para a Rep?blica |
spellingShingle |
O ?maestro da aboli??o? e sua ?pera O Escravo: dilemas do pensamento social na transi??o para a Rep?blica Ismael, C?sar de Carvalho Cultural Policy during the Empire Brazilian Social Thought Art and Social Memory Pol?tica Cultural no Imp?rio Pensamento Social Brasileiro Arte e mem?ria Social Ci?ncias Sociais |
title_short |
O ?maestro da aboli??o? e sua ?pera O Escravo: dilemas do pensamento social na transi??o para a Rep?blica |
title_full |
O ?maestro da aboli??o? e sua ?pera O Escravo: dilemas do pensamento social na transi??o para a Rep?blica |
title_fullStr |
O ?maestro da aboli??o? e sua ?pera O Escravo: dilemas do pensamento social na transi??o para a Rep?blica |
title_full_unstemmed |
O ?maestro da aboli??o? e sua ?pera O Escravo: dilemas do pensamento social na transi??o para a Rep?blica |
title_sort |
O ?maestro da aboli??o? e sua ?pera O Escravo: dilemas do pensamento social na transi??o para a Rep?blica |
author |
Ismael, C?sar de Carvalho |
author_facet |
Ismael, C?sar de Carvalho |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Mattos, Izabel Missagia de |
dc.contributor.advisor1ID.fl_str_mv |
439.977.161-53 |
dc.contributor.referee1.fl_str_mv |
Mattos, Izabel Missagia de |
dc.contributor.referee2.fl_str_mv |
Moreira, V?nia Losada |
dc.contributor.referee3.fl_str_mv |
Abreu, Regina |
dc.contributor.authorID.fl_str_mv |
187.774.398-48 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/4843307163374425 |
dc.contributor.author.fl_str_mv |
Ismael, C?sar de Carvalho |
contributor_str_mv |
Mattos, Izabel Missagia de Mattos, Izabel Missagia de Moreira, V?nia Losada Abreu, Regina |
dc.subject.eng.fl_str_mv |
Cultural Policy during the Empire Brazilian Social Thought Art and Social Memory |
topic |
Cultural Policy during the Empire Brazilian Social Thought Art and Social Memory Pol?tica Cultural no Imp?rio Pensamento Social Brasileiro Arte e mem?ria Social Ci?ncias Sociais |
dc.subject.por.fl_str_mv |
Pol?tica Cultural no Imp?rio Pensamento Social Brasileiro Arte e mem?ria Social |
dc.subject.cnpq.fl_str_mv |
Ci?ncias Sociais |
description |
The purpose of this thesis is to recognize the aims and the historical, political and sociological implications that guided the life and work of Brazilian composer Ant?nio Carlos Gomes (1836-96), which at the apex of the abolitionist movement led to replacement of a black person by a native Brazilian as the main character of his opera Lo Schiavo [The Slave], finished in 1888; he thus repeated the same character utilized in O Guarani, composed eighteen years before. The text focused on the cultural and social relationship between the State and the composer?s artistic production linked to Brazil?s imperial politics; bearing this in mind, an effort was made to ponder the objectives and political implications that led Gomes to substitute a native Brazilian for a black character in The Slave. The research on the life and work of the Brazilian conductor is here conceived as a means for reflecting on the political-cultural ideas that emerged in late nineteenth-century Brazilian urban and educated society, such as Indianism, the greatest form of Brazilian romanticism, and on concepts such as ?patrimonialization? in the moment of the formation of a national social and historical thought. |
publishDate |
2014 |
dc.date.issued.fl_str_mv |
2014-04-24 |
dc.date.accessioned.fl_str_mv |
2017-06-21T21:18:11Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
ISMAEL, C?sar de Carvalho. O ?maestro da aboli??o? e sua ?pera O Escravo: dilemas do pensamento social na transi??o para a Rep?blica. 2014. 158 f. Disserta??o (Mestrado em Ci?ncias Sociais). Instituto de Ci?ncias Humanas e Sociais, Universidade Federal Rural do Rio de Janeiro, Serop?dica, RJ. 2014. |
dc.identifier.uri.fl_str_mv |
https://tede.ufrrj.br/jspui/handle/jspui/1813 |
identifier_str_mv |
ISMAEL, C?sar de Carvalho. O ?maestro da aboli??o? e sua ?pera O Escravo: dilemas do pensamento social na transi??o para a Rep?blica. 2014. 158 f. Disserta??o (Mestrado em Ci?ncias Sociais). Instituto de Ci?ncias Humanas e Sociais, Universidade Federal Rural do Rio de Janeiro, Serop?dica, RJ. 2014. |
url |
https://tede.ufrrj.br/jspui/handle/jspui/1813 |
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por |
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Universidade Federal Rural do Rio de Janeiro |
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Programa de P?s-Gradua??o em Ci?ncias Sociais |
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UFRRJ |
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Brasil |
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Instituto de Ci?ncias Humanas e Sociais |
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Universidade Federal Rural do Rio de Janeiro |
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