Condições acústicas no trabalho musical: um embate entre músicos e outsiders

Detalhes bibliográficos
Autor(a) principal: Meneses, João Luís dos Santos
Data de Publicação: 2021
Tipo de documento: Artigo de conferência
Idioma: por
Título da fonte: Repositório Institucional da UFS
Texto Completo: http://ri.ufs.br/jspui/handle/riufs/16492
http://dx.doi.org/10.29380/2021.15.12.40
Resumo: This article brings some results of a master's research, whose main objective was to investigate the work relationships with music in the city of Aracaju. For this text, however, a specific cut is made about the acoustic conditions at work and their implications for musical performance. Supported by the concept of “Outsider” by Becker (2009) and “way of relating to music” by Campos (2007), I seek to show how the incomprehension of certain people – non-musicians – interferes in the choice of sound and the mode of interpretation, which generates conflicts and, many times, physical injuries for singers and instrumentalists. For that, I use the ethnographic form and the idea of “minimum otherness” by Peirano (1999).
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spelling Meneses, João Luís dos Santos2022-10-07T23:33:24Z2022-10-07T23:33:24Z2021-091982-3657http://ri.ufs.br/jspui/handle/riufs/16492Autorização para publicação no Repositório Institucional da Universidade Federal de Sergipe (RIUFS) concedida pelo(s) editor(es).http://dx.doi.org/10.29380/2021.15.12.40This article brings some results of a master's research, whose main objective was to investigate the work relationships with music in the city of Aracaju. For this text, however, a specific cut is made about the acoustic conditions at work and their implications for musical performance. Supported by the concept of “Outsider” by Becker (2009) and “way of relating to music” by Campos (2007), I seek to show how the incomprehension of certain people – non-musicians – interferes in the choice of sound and the mode of interpretation, which generates conflicts and, many times, physical injuries for singers and instrumentalists. For that, I use the ethnographic form and the idea of “minimum otherness” by Peirano (1999).Este artigo traz alguns resultados de uma pesquisa de mestrado, cujo objetivo central foi investigar as relações de trabalho com música na cidade de Aracaju. Para este texto, contudo, é feito um recorte específico sobre as condições acústicas no trabalho e suas implicações na performance musical. Amparado no conceito de “Outsider” de Becker (2009) e “modos de relação com a música” de Campos (2007), busco mostrar como a incompreensão de determinadas pessoas – não musicistas – interfere na escolha da sonorização e no modo de interpretação, o que gera conflitos e, muitas vezes, lesões físicas para cantores e instrumentistas. Para tanto, utilizo-me da forma etnográfica e da ideia de “alteridade mínima” de Peirano (1999).São CristóvãoporGrupo de Pesquisa CNPq/UFS Educação e Contemporaneidade (EDUCON)Anais do XV Colóquio Internacional Educação e ContemporaneidadeCondições acústicasTrabalho musicalOutsidersAcoustic conditionsWork with musicOutsiderCondições acústicas no trabalho musical: um embate entre músicos e outsidersAcoustic conditions in musical work: a clash between musicians and outsidersinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/conferenceObjectreponame:Repositório Institucional da UFSinstname:Universidade Federal de Sergipe (UFS)instacron:UFSinfo:eu-repo/semantics/openAccessTEXTCondicoesAcusticasTrabalhoMusical.pdf.txtCondicoesAcusticasTrabalhoMusical.pdf.txtExtracted texttext/plain40804https://ri.ufs.br/jspui/bitstream/riufs/16492/3/CondicoesAcusticasTrabalhoMusical.pdf.txt781f2ab2e1aafed5068ba9f68e228417MD53THUMBNAILCondicoesAcusticasTrabalhoMusical.pdf.jpgCondicoesAcusticasTrabalhoMusical.pdf.jpgGenerated Thumbnailimage/jpeg1509https://ri.ufs.br/jspui/bitstream/riufs/16492/4/CondicoesAcusticasTrabalhoMusical.pdf.jpg5ac97c8b96d412649d21e5a919e77a60MD54ORIGINALCondicoesAcusticasTrabalhoMusical.pdfCondicoesAcusticasTrabalhoMusical.pdfapplication/pdf1783280https://ri.ufs.br/jspui/bitstream/riufs/16492/2/CondicoesAcusticasTrabalhoMusical.pdf1f7ea608fe5f2428b1367b593440868dMD52LICENSElicense.txtlicense.txttext/plain; charset=utf-81475https://ri.ufs.br/jspui/bitstream/riufs/16492/1/license.txt098cbbf65c2c15e1fb2e49c5d306a44cMD51riufs/164922022-10-07 20:33:25.144oai:ufs.br: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Repositório InstitucionalPUBhttps://ri.ufs.br/oai/requestrepositorio@academico.ufs.bropendoar:2022-10-07T23:33:25Repositório Institucional da UFS - Universidade Federal de Sergipe (UFS)false
dc.title.pt_BR.fl_str_mv Condições acústicas no trabalho musical: um embate entre músicos e outsiders
dc.title.alternative.eng.fl_str_mv Acoustic conditions in musical work: a clash between musicians and outsiders
title Condições acústicas no trabalho musical: um embate entre músicos e outsiders
spellingShingle Condições acústicas no trabalho musical: um embate entre músicos e outsiders
Meneses, João Luís dos Santos
Condições acústicas
Trabalho musical
Outsiders
Acoustic conditions
Work with music
Outsider
title_short Condições acústicas no trabalho musical: um embate entre músicos e outsiders
title_full Condições acústicas no trabalho musical: um embate entre músicos e outsiders
title_fullStr Condições acústicas no trabalho musical: um embate entre músicos e outsiders
title_full_unstemmed Condições acústicas no trabalho musical: um embate entre músicos e outsiders
title_sort Condições acústicas no trabalho musical: um embate entre músicos e outsiders
author Meneses, João Luís dos Santos
author_facet Meneses, João Luís dos Santos
author_role author
dc.contributor.author.fl_str_mv Meneses, João Luís dos Santos
dc.subject.por.fl_str_mv Condições acústicas
Trabalho musical
Outsiders
topic Condições acústicas
Trabalho musical
Outsiders
Acoustic conditions
Work with music
Outsider
dc.subject.eng.fl_str_mv Acoustic conditions
Work with music
Outsider
description This article brings some results of a master's research, whose main objective was to investigate the work relationships with music in the city of Aracaju. For this text, however, a specific cut is made about the acoustic conditions at work and their implications for musical performance. Supported by the concept of “Outsider” by Becker (2009) and “way of relating to music” by Campos (2007), I seek to show how the incomprehension of certain people – non-musicians – interferes in the choice of sound and the mode of interpretation, which generates conflicts and, many times, physical injuries for singers and instrumentalists. For that, I use the ethnographic form and the idea of “minimum otherness” by Peirano (1999).
publishDate 2021
dc.date.issued.fl_str_mv 2021-09
dc.date.accessioned.fl_str_mv 2022-10-07T23:33:24Z
dc.date.available.fl_str_mv 2022-10-07T23:33:24Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
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dc.identifier.uri.fl_str_mv http://ri.ufs.br/jspui/handle/riufs/16492
dc.identifier.issn.none.fl_str_mv 1982-3657
dc.identifier.license.pt_BR.fl_str_mv Autorização para publicação no Repositório Institucional da Universidade Federal de Sergipe (RIUFS) concedida pelo(s) editor(es).
dc.identifier.doi.none.fl_str_mv http://dx.doi.org/10.29380/2021.15.12.40
identifier_str_mv 1982-3657
Autorização para publicação no Repositório Institucional da Universidade Federal de Sergipe (RIUFS) concedida pelo(s) editor(es).
url http://ri.ufs.br/jspui/handle/riufs/16492
http://dx.doi.org/10.29380/2021.15.12.40
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dc.relation.ispartof.pt_BR.fl_str_mv Anais do XV Colóquio Internacional Educação e Contemporaneidade
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dc.publisher.none.fl_str_mv Grupo de Pesquisa CNPq/UFS Educação e Contemporaneidade (EDUCON)
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