Insurgências em cinemas inventados : Era o Hotel Cambridge e Los silencios
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFS |
Texto Completo: | http://ri.ufs.br/jspui/handle/riufs/16335 |
Resumo: | This research investigates the processes of reterritorialization and insurgencies of subjectivities through audiovisual invention, having as study objects the Brazilian feature films Era o Hotel Cambridge (Eliane Caffé, 2016) and Los silencios (Beatriz Seigner, 2017). From these films and from the theoretical excavation linked to territorial movements – a dear theme for the author -, the germination of territories, the insurgence of subjectivities, the actual processes of invention raised by these films are delirious: reterritorialization of individuals in the construction of subjectivities , insurrection of spheres in active micropolitical reactions of insurgency, creation of heterotopic places for the experience of dissident bodies, performatization of open wounds through marginal bodies, resumption of ancestral memory to make the present occupant/occupied body, decolonization of the desire created by the system colonial-capitalistic. |
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Andrade, Rafael BeckGomes, Ana Ângela FariasMelo, Marcos Ribeiro de2022-09-28T18:48:43Z2022-09-28T18:48:43Z2021-11-29ANDRADE, Rafael Beck. Insurgências em cinemas inventados : Era o Hotel Cambridge e Los silencios. 2021. 102 f. Dissertação (Mestrado Interdisciplinar em Cinema e Narrativas Sociais) – Universidade Federal de Sergipe, São Cristóvão, 2021.http://ri.ufs.br/jspui/handle/riufs/16335This research investigates the processes of reterritorialization and insurgencies of subjectivities through audiovisual invention, having as study objects the Brazilian feature films Era o Hotel Cambridge (Eliane Caffé, 2016) and Los silencios (Beatriz Seigner, 2017). From these films and from the theoretical excavation linked to territorial movements – a dear theme for the author -, the germination of territories, the insurgence of subjectivities, the actual processes of invention raised by these films are delirious: reterritorialization of individuals in the construction of subjectivities , insurrection of spheres in active micropolitical reactions of insurgency, creation of heterotopic places for the experience of dissident bodies, performatization of open wounds through marginal bodies, resumption of ancestral memory to make the present occupant/occupied body, decolonization of the desire created by the system colonial-capitalistic.Esta pesquisa investiga os processos de reterritorialização e insurgências de subjetividades através da invenção audiovisual, tendo como objetos de estudo os longas-metragens brasileiros Era o Hotel Cambridge (Eliane Caffé, 2016) e Los silencios (Beatriz Seigner, 2017). A partir desses filmes e da escavação teórica ligada a movimentações territoriais – tema caro para o autor -, delira-se a germinação de territórios, a insurgência de subjetividades, os processos de invenção reais suscitados por esses filmes: reterritorialização de indivíduos na construção de subjetividades, insurreição de esferas em reações micropolíticas ativas de insurgência, criação de lugares heterotópicos para a vivência de corpos dissidentes, performatização de feridas abertas através de corpos marginais, retomada da memória ancestral para se fazer corpo ocupante/ocupado presente, descolonização do desejo criado pelo sistema colonialcapitalístico.São CristóvãoporCinemaTerritório nacionalPersonagens cinematográficosTerritórioInvençãoInsurgênciaReterritorializaçãoEra o Hotel Cambridge (Filme)Los silencios (Filme)TerritoyInventionInsusrgencyReterritorializationLINGUISTICA, LETRAS E ARTES::ARTES::CINEMAInsurgências em cinemas inventados : Era o Hotel Cambridge e Los silenciosinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisPós-Graduação Interdisciplinar em CinemaUniversidade Federal de Sergipereponame:Repositório Institucional da UFSinstname:Universidade Federal de Sergipe (UFS)instacron:UFSinfo:eu-repo/semantics/openAccessLICENSElicense.txtlicense.txttext/plain; charset=utf-81475https://ri.ufs.br/jspui/bitstream/riufs/16335/1/license.txt098cbbf65c2c15e1fb2e49c5d306a44cMD51ORIGINALRAFAEL_BECK_ANDRADE.pdfRAFAEL_BECK_ANDRADE.pdfapplication/pdf1535689https://ri.ufs.br/jspui/bitstream/riufs/16335/2/RAFAEL_BECK_ANDRADE.pdf8a3655520ab94fe44351392d6c3aad07MD52TEXTRAFAEL_BECK_ANDRADE.pdf.txtRAFAEL_BECK_ANDRADE.pdf.txtExtracted texttext/plain254177https://ri.ufs.br/jspui/bitstream/riufs/16335/3/RAFAEL_BECK_ANDRADE.pdf.txt7208c9b769e8b147c6599cc26accf5c7MD53THUMBNAILRAFAEL_BECK_ANDRADE.pdf.jpgRAFAEL_BECK_ANDRADE.pdf.jpgGenerated Thumbnailimage/jpeg1109https://ri.ufs.br/jspui/bitstream/riufs/16335/4/RAFAEL_BECK_ANDRADE.pdf.jpg057d2d3ada1c295ec7214cca70b3eb2eMD54riufs/163352022-09-28 15:50:26.363oai:ufs.br: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Repositório InstitucionalPUBhttps://ri.ufs.br/oai/requestrepositorio@academico.ufs.bropendoar:2022-09-28T18:50:26Repositório Institucional da UFS - Universidade Federal de Sergipe (UFS)false |
dc.title.pt_BR.fl_str_mv |
Insurgências em cinemas inventados : Era o Hotel Cambridge e Los silencios |
title |
Insurgências em cinemas inventados : Era o Hotel Cambridge e Los silencios |
spellingShingle |
Insurgências em cinemas inventados : Era o Hotel Cambridge e Los silencios Andrade, Rafael Beck Cinema Território nacional Personagens cinematográficos Território Invenção Insurgência Reterritorialização Era o Hotel Cambridge (Filme) Los silencios (Filme) Territoy Invention Insusrgency Reterritorialization LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA |
title_short |
Insurgências em cinemas inventados : Era o Hotel Cambridge e Los silencios |
title_full |
Insurgências em cinemas inventados : Era o Hotel Cambridge e Los silencios |
title_fullStr |
Insurgências em cinemas inventados : Era o Hotel Cambridge e Los silencios |
title_full_unstemmed |
Insurgências em cinemas inventados : Era o Hotel Cambridge e Los silencios |
title_sort |
Insurgências em cinemas inventados : Era o Hotel Cambridge e Los silencios |
author |
Andrade, Rafael Beck |
author_facet |
Andrade, Rafael Beck |
author_role |
author |
dc.contributor.author.fl_str_mv |
Andrade, Rafael Beck |
dc.contributor.advisor1.fl_str_mv |
Gomes, Ana Ângela Farias |
dc.contributor.advisor-co1.fl_str_mv |
Melo, Marcos Ribeiro de |
contributor_str_mv |
Gomes, Ana Ângela Farias Melo, Marcos Ribeiro de |
dc.subject.por.fl_str_mv |
Cinema Território nacional Personagens cinematográficos Território Invenção Insurgência Reterritorialização Era o Hotel Cambridge (Filme) Los silencios (Filme) |
topic |
Cinema Território nacional Personagens cinematográficos Território Invenção Insurgência Reterritorialização Era o Hotel Cambridge (Filme) Los silencios (Filme) Territoy Invention Insusrgency Reterritorialization LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA |
dc.subject.eng.fl_str_mv |
Territoy Invention Insusrgency Reterritorialization |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA |
description |
This research investigates the processes of reterritorialization and insurgencies of subjectivities through audiovisual invention, having as study objects the Brazilian feature films Era o Hotel Cambridge (Eliane Caffé, 2016) and Los silencios (Beatriz Seigner, 2017). From these films and from the theoretical excavation linked to territorial movements – a dear theme for the author -, the germination of territories, the insurgence of subjectivities, the actual processes of invention raised by these films are delirious: reterritorialization of individuals in the construction of subjectivities , insurrection of spheres in active micropolitical reactions of insurgency, creation of heterotopic places for the experience of dissident bodies, performatization of open wounds through marginal bodies, resumption of ancestral memory to make the present occupant/occupied body, decolonization of the desire created by the system colonial-capitalistic. |
publishDate |
2021 |
dc.date.issued.fl_str_mv |
2021-11-29 |
dc.date.accessioned.fl_str_mv |
2022-09-28T18:48:43Z |
dc.date.available.fl_str_mv |
2022-09-28T18:48:43Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
ANDRADE, Rafael Beck. Insurgências em cinemas inventados : Era o Hotel Cambridge e Los silencios. 2021. 102 f. Dissertação (Mestrado Interdisciplinar em Cinema e Narrativas Sociais) – Universidade Federal de Sergipe, São Cristóvão, 2021. |
dc.identifier.uri.fl_str_mv |
http://ri.ufs.br/jspui/handle/riufs/16335 |
identifier_str_mv |
ANDRADE, Rafael Beck. Insurgências em cinemas inventados : Era o Hotel Cambridge e Los silencios. 2021. 102 f. Dissertação (Mestrado Interdisciplinar em Cinema e Narrativas Sociais) – Universidade Federal de Sergipe, São Cristóvão, 2021. |
url |
http://ri.ufs.br/jspui/handle/riufs/16335 |
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por |
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por |
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info:eu-repo/semantics/openAccess |
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openAccess |
dc.publisher.program.fl_str_mv |
Pós-Graduação Interdisciplinar em Cinema |
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Universidade Federal de Sergipe |
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