Virgens, vadias, assassinas, loucas, lúcidas, mães...um estudo sobre o ethos da mulher em filmes de horror hollywodianos
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFS |
Texto Completo: | https://ri.ufs.br/jspui/handle/riufs/18711 |
Resumo: | Being aware about role and prominence of female characters in the horror cinematographic genre, this dissertation proposes to analyze how the discursive images – the ethos – of seven of these characters in five Hollywood films of the 20th and 21st centuries are constructed. As specific objectives, we propose: i) to investigate how the relation between fiction and social reality occurs in the representation of women in the cinematographic universe of the genre; ii) to reflect on how the various resources present in the cinematographic language crystallize discourses and stereotypes in their works; iii) to identify verbal and non-verbal strategies used in horror films in the construction of the discursive image of the female character. For this, among others, the research appropriates concepts from the studies of neo-rhetorics and discursive argumentation, such as audience (PERELMAN; OLBRECHTS-TYTECA, 2005), ethos, stereotypes and clichés (ARISTÓTELES, 2005; AMOSSY, 2016, 2022; MAINGUENEAU, 2020). In addition, the ethos trap concept (CAVALCANTE, 2023) helps to identify some images in our objects of analysis. Furthermore, it presents the horror cinematographic genre, through Clover (1992) and Carroll (1990); reflects on the history of women's place in society, from Rubin (1975) and Butler (1990) and seeks to understand how non-verbal resources make up the cinematographic language, through Santana (2022). The research methodology is based, above all, on screen ethnography (RIAL, 2004), with the analysis of the verbal and non-verbal text, such as costumes and lighting, and external agents (production, direction, etc.). As results, diversified and plural (sometimes contradictory) female ethos are revealed. Strong and resilient ethos of women who overcome their obstacles and prevail as winners/heroines throughout the projection; murderous and monstrous ethos that are often constructed as helpless for the audience during the narrative; ethos of madmen and sinners, among others. At the same time, there has been a change in the construction of the discursive image of female characters in horror productions over the years, reducing the appearance of negative and stereotyped ethos, due to the new airs and equally plural faces that horror productions are assuming in addition to studies that directly influence the evolution of the genre. |
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Cavalcante, Derick Rafael SantosMariano, Márcia Regina Curado Pereira2023-11-24T17:54:02Z2023-11-24T17:54:02Z2023-05-30CAVALCANTE, Derick Rafael Santos. Virgens, vadias, assassinas, loucas, lúcidas, mães...um estudo sobre o ethos da mulher em filmes de horror hollywodianos. 2023. 175 f. Dissertação (Mestrado em Letras) – Universidade Federal de Sergipe, São Cristóvão, 2023.https://ri.ufs.br/jspui/handle/riufs/18711Being aware about role and prominence of female characters in the horror cinematographic genre, this dissertation proposes to analyze how the discursive images – the ethos – of seven of these characters in five Hollywood films of the 20th and 21st centuries are constructed. As specific objectives, we propose: i) to investigate how the relation between fiction and social reality occurs in the representation of women in the cinematographic universe of the genre; ii) to reflect on how the various resources present in the cinematographic language crystallize discourses and stereotypes in their works; iii) to identify verbal and non-verbal strategies used in horror films in the construction of the discursive image of the female character. For this, among others, the research appropriates concepts from the studies of neo-rhetorics and discursive argumentation, such as audience (PERELMAN; OLBRECHTS-TYTECA, 2005), ethos, stereotypes and clichés (ARISTÓTELES, 2005; AMOSSY, 2016, 2022; MAINGUENEAU, 2020). In addition, the ethos trap concept (CAVALCANTE, 2023) helps to identify some images in our objects of analysis. Furthermore, it presents the horror cinematographic genre, through Clover (1992) and Carroll (1990); reflects on the history of women's place in society, from Rubin (1975) and Butler (1990) and seeks to understand how non-verbal resources make up the cinematographic language, through Santana (2022). The research methodology is based, above all, on screen ethnography (RIAL, 2004), with the analysis of the verbal and non-verbal text, such as costumes and lighting, and external agents (production, direction, etc.). As results, diversified and plural (sometimes contradictory) female ethos are revealed. Strong and resilient ethos of women who overcome their obstacles and prevail as winners/heroines throughout the projection; murderous and monstrous ethos that are often constructed as helpless for the audience during the narrative; ethos of madmen and sinners, among others. At the same time, there has been a change in the construction of the discursive image of female characters in horror productions over the years, reducing the appearance of negative and stereotyped ethos, due to the new airs and equally plural faces that horror productions are assuming in addition to studies that directly influence the evolution of the genre.Tendo ciência do protagonismo e do destaque de personagens femininas no gênero cinematográfico do horror, a presente dissertação propõe analisar como são construídas as imagens discursivas – o ethos – de sete dessas personagens em cinco filmes hollywoodianos dos séculos XX e XXI. Como objetivos específicos, propomos: i) investigar como se dá a relação entre ficção e realidade social na representação das mulheres no universo cinematográfico do gênero; ii) refletir de que forma os diversos recursos presentes na linguagem cinematográfica cristalizam discursos e estereótipos em suas obras; iii) identificar estratégias verbais e não-verbais utilizadas em filmes de horror na construção da imagem discursiva da personagem feminina. Para isso, dentre outros, a pesquisa apropria-se de conceitos dos estudos das neoretóricas e da argumentação discursiva, como auditório (PERELMAN; OLBRECHTS-TYTECA, 2005), ethos, estereótipos e clichês (ARISTÓTELES, 2005; AMOSSY, 2016, 2022; MAINGUENEAU, 2020); além disso, o conceito ethos armadilha (CAVALCANTE, 2023) auxilia na identificação de algumas imagens em nossos objetos de análise. Ademais, apresenta o gênero cinematográfico do horror, por meio de Clover (1992) e Carroll (1990); reflete sobre a história do lugar da mulher na sociedade, a partir de Rubin (1975) e Butler (1990); e busca compreender como os recursos não-verbais compõem a linguagem cinematográfica, por meio de Santana (2022). A metodologia da pesquisa se dá, sobretudo, pela etnografia de tela (RIAL, 2004), com a análise do texto verbal e não-verbal, a exemplo de figurino e iluminação, e de agentes externos (produção, direção etc). Como resultados revelam-se ethos femininos diversificados e plurais (às vezes contraditórios). Ethos fortes e resilientes de mulheres que superam seus obstáculos e prevalecem como vencedoras/heroínas ao longo da projeção; ethos assassinos e monstruosos que muitas vezes são construídos como indefesos para o público durante a narrativa; ethos de loucas e pecadoras, dentre outros. Ao mesmo tempo, nota-se uma mudança na construção da imagem discursiva de personagens femininas nas produções do horror ao longo dos anos, diminuindo o aparecimento de ethos negativos e estereotipados, devido aos novos ares e rostos igualmente plurais que estão assumindo as produções de horror, além dos estudos que influenciam diretamente na evolução do gênero.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESSão CristóvãoporFilme de terrorMulheres – usos e costumesArgumentaçãoEthosCinemaHorrorProtagonismo femininoArgumentationFemale ProtagonismLINGUISTICA, LETRAS E ARTES::LETRASVirgens, vadias, assassinas, loucas, lúcidas, mães...um estudo sobre o ethos da mulher em filmes de horror hollywodianosinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisPós-Graduação em LetrasUniversidade Federal de Sergipe (UFS)reponame:Repositório Institucional da UFSinstname:Universidade Federal de Sergipe (UFS)instacron:UFSinfo:eu-repo/semantics/openAccessLICENSElicense.txtlicense.txttext/plain; charset=utf-81475https://ri.ufs.br/jspui/bitstream/riufs/18711/1/license.txt098cbbf65c2c15e1fb2e49c5d306a44cMD51ORIGINALDERICK_RAFAEL_SANTOS_CAVALCANTE.pdfDERICK_RAFAEL_SANTOS_CAVALCANTE.pdfapplication/pdf3190954https://ri.ufs.br/jspui/bitstream/riufs/18711/2/DERICK_RAFAEL_SANTOS_CAVALCANTE.pdf588fc28a87538466c3e685c3b679baf4MD52riufs/187112023-11-24 14:54:08.532oai:ufs.br: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Repositório InstitucionalPUBhttps://ri.ufs.br/oai/requestrepositorio@academico.ufs.bropendoar:2023-11-24T17:54:08Repositório Institucional da UFS - Universidade Federal de Sergipe (UFS)false |
dc.title.pt_BR.fl_str_mv |
Virgens, vadias, assassinas, loucas, lúcidas, mães...um estudo sobre o ethos da mulher em filmes de horror hollywodianos |
title |
Virgens, vadias, assassinas, loucas, lúcidas, mães...um estudo sobre o ethos da mulher em filmes de horror hollywodianos |
spellingShingle |
Virgens, vadias, assassinas, loucas, lúcidas, mães...um estudo sobre o ethos da mulher em filmes de horror hollywodianos Cavalcante, Derick Rafael Santos Filme de terror Mulheres – usos e costumes Argumentação Ethos Cinema Horror Protagonismo feminino Argumentation Female Protagonism LINGUISTICA, LETRAS E ARTES::LETRAS |
title_short |
Virgens, vadias, assassinas, loucas, lúcidas, mães...um estudo sobre o ethos da mulher em filmes de horror hollywodianos |
title_full |
Virgens, vadias, assassinas, loucas, lúcidas, mães...um estudo sobre o ethos da mulher em filmes de horror hollywodianos |
title_fullStr |
Virgens, vadias, assassinas, loucas, lúcidas, mães...um estudo sobre o ethos da mulher em filmes de horror hollywodianos |
title_full_unstemmed |
Virgens, vadias, assassinas, loucas, lúcidas, mães...um estudo sobre o ethos da mulher em filmes de horror hollywodianos |
title_sort |
Virgens, vadias, assassinas, loucas, lúcidas, mães...um estudo sobre o ethos da mulher em filmes de horror hollywodianos |
author |
Cavalcante, Derick Rafael Santos |
author_facet |
Cavalcante, Derick Rafael Santos |
author_role |
author |
dc.contributor.author.fl_str_mv |
Cavalcante, Derick Rafael Santos |
dc.contributor.advisor1.fl_str_mv |
Mariano, Márcia Regina Curado Pereira |
contributor_str_mv |
Mariano, Márcia Regina Curado Pereira |
dc.subject.por.fl_str_mv |
Filme de terror Mulheres – usos e costumes Argumentação Ethos Cinema Horror Protagonismo feminino |
topic |
Filme de terror Mulheres – usos e costumes Argumentação Ethos Cinema Horror Protagonismo feminino Argumentation Female Protagonism LINGUISTICA, LETRAS E ARTES::LETRAS |
dc.subject.eng.fl_str_mv |
Argumentation Female Protagonism |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::LETRAS |
description |
Being aware about role and prominence of female characters in the horror cinematographic genre, this dissertation proposes to analyze how the discursive images – the ethos – of seven of these characters in five Hollywood films of the 20th and 21st centuries are constructed. As specific objectives, we propose: i) to investigate how the relation between fiction and social reality occurs in the representation of women in the cinematographic universe of the genre; ii) to reflect on how the various resources present in the cinematographic language crystallize discourses and stereotypes in their works; iii) to identify verbal and non-verbal strategies used in horror films in the construction of the discursive image of the female character. For this, among others, the research appropriates concepts from the studies of neo-rhetorics and discursive argumentation, such as audience (PERELMAN; OLBRECHTS-TYTECA, 2005), ethos, stereotypes and clichés (ARISTÓTELES, 2005; AMOSSY, 2016, 2022; MAINGUENEAU, 2020). In addition, the ethos trap concept (CAVALCANTE, 2023) helps to identify some images in our objects of analysis. Furthermore, it presents the horror cinematographic genre, through Clover (1992) and Carroll (1990); reflects on the history of women's place in society, from Rubin (1975) and Butler (1990) and seeks to understand how non-verbal resources make up the cinematographic language, through Santana (2022). The research methodology is based, above all, on screen ethnography (RIAL, 2004), with the analysis of the verbal and non-verbal text, such as costumes and lighting, and external agents (production, direction, etc.). As results, diversified and plural (sometimes contradictory) female ethos are revealed. Strong and resilient ethos of women who overcome their obstacles and prevail as winners/heroines throughout the projection; murderous and monstrous ethos that are often constructed as helpless for the audience during the narrative; ethos of madmen and sinners, among others. At the same time, there has been a change in the construction of the discursive image of female characters in horror productions over the years, reducing the appearance of negative and stereotyped ethos, due to the new airs and equally plural faces that horror productions are assuming in addition to studies that directly influence the evolution of the genre. |
publishDate |
2023 |
dc.date.accessioned.fl_str_mv |
2023-11-24T17:54:02Z |
dc.date.available.fl_str_mv |
2023-11-24T17:54:02Z |
dc.date.issued.fl_str_mv |
2023-05-30 |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
CAVALCANTE, Derick Rafael Santos. Virgens, vadias, assassinas, loucas, lúcidas, mães...um estudo sobre o ethos da mulher em filmes de horror hollywodianos. 2023. 175 f. Dissertação (Mestrado em Letras) – Universidade Federal de Sergipe, São Cristóvão, 2023. |
dc.identifier.uri.fl_str_mv |
https://ri.ufs.br/jspui/handle/riufs/18711 |
identifier_str_mv |
CAVALCANTE, Derick Rafael Santos. Virgens, vadias, assassinas, loucas, lúcidas, mães...um estudo sobre o ethos da mulher em filmes de horror hollywodianos. 2023. 175 f. Dissertação (Mestrado em Letras) – Universidade Federal de Sergipe, São Cristóvão, 2023. |
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https://ri.ufs.br/jspui/handle/riufs/18711 |
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