Mestre Cheiroso chegou: percursos formativos do brincante Augusto Barreto
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFS |
Texto Completo: | https://ri.ufs.br/jspui/handle/riufs/19030 |
Resumo: | Mamulengo de Cheiroso is a Sergipe theater group that resists the challenges of time and remains active in contemporary. Affirming its artistic trajectory for forty-four years, the group has in the puppet the spokesperson of a poetics and an aesthetic of its own, inspired by the universe of dances, songs and craftsmanship, as well as in the popular circus dramas. In the construction of this trajectory, among so many actors, directors and playwrights who have passed through the group, there is a fundamental presence that is Augusto Barreto: master, craftsman, puppeteer and cultural manager of Mamulengo de Cheiroso. Given the significant presence of Augusto Barreto, for the construction and maintenance of this group, the guiding question of this research asks: How was the artistic and pedagogical training of the playful Augusto Barreto considering the theatrical carpentry of Mamulengo de Cheiroso? Tracing the backbone of this dissertation, I chose as a methodological foundation, Oral History (MEIHY, 2000 and MEIHY and HOLANDA, 2013), I understand that this is the compass that corroborates the researched field, from the premise of "seeing, hearing and attesting" (MEIHY, 2013), witnessed by the research collaborators, about the relationships with the investigated character. |
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Santos, Gustavo Floriano dosBenevides, Lourdisnete Silva2024-02-05T23:21:02Z2024-02-05T23:21:02Z2023-05-26SANTOS, Gustavo Floriano dos. Mestre Cheiroso chegou: percursos formativos do brincante Augusto Barreto. 2023. 180 f. Dissertação (Mestrado Interdisciplinar em Culturas Populares) – Universidade Federal de Sergipe, São Cristóvão, 2023.https://ri.ufs.br/jspui/handle/riufs/19030Mamulengo de Cheiroso is a Sergipe theater group that resists the challenges of time and remains active in contemporary. Affirming its artistic trajectory for forty-four years, the group has in the puppet the spokesperson of a poetics and an aesthetic of its own, inspired by the universe of dances, songs and craftsmanship, as well as in the popular circus dramas. In the construction of this trajectory, among so many actors, directors and playwrights who have passed through the group, there is a fundamental presence that is Augusto Barreto: master, craftsman, puppeteer and cultural manager of Mamulengo de Cheiroso. Given the significant presence of Augusto Barreto, for the construction and maintenance of this group, the guiding question of this research asks: How was the artistic and pedagogical training of the playful Augusto Barreto considering the theatrical carpentry of Mamulengo de Cheiroso? Tracing the backbone of this dissertation, I chose as a methodological foundation, Oral History (MEIHY, 2000 and MEIHY and HOLANDA, 2013), I understand that this is the compass that corroborates the researched field, from the premise of "seeing, hearing and attesting" (MEIHY, 2013), witnessed by the research collaborators, about the relationships with the investigated character.O Mamulengo de Cheiroso é um grupo de teatro sergipano que resiste aos desafios do tempo e permanece atuante na contemporaneidade. Afirmando sua trajetória artística há quarenta e quatro anos, o grupo tem no boneco o porta-voz de uma poética e uma estética próprias, inspiradas pelo universo das danças, folguedos e artesania, assim como nos dramas populares circenses. Na construção dessa trajetória, entre tantos atores, diretores e dramaturgos que passaram pelo grupo, há uma presença fundamental que é a de Augusto Barreto: mestre, artesão, bonequeiro e gestor cultural do Mamulengo de Cheiroso. Diante da presença significativa de Augusto Barreto, para a construção e manutenção desse grupo, a questão norteadora desta pesquisa interroga: Como se deu a formação artística e pedagógica do brincante Augusto Barreto considerando a carpintaria teatral do Mamulengo de Cheiroso? Traçando a espinha dorsal dessa dissertação, elegi como fundamentação metodológica, a História Oral (MEIHY, 2000 e MEIHY e HOLANDA, 2013), entendo ser essa a bússola que corrobora com o campo pesquisado, a partir da premissa do “ver, ouvir e atestar” (MEIHY, 2013), testemunhados pelos colaboradores da pesquisa, acerca das relações com personagem investigado.São Cristovão/SEporCultura popularTeatro de fantoches em SergipeCompanhias de teatroSergipeHistóriaAugusto BarretoMamulengo de CheirosoTeatro de animaçãoAnimation theaterPopular culturesOUTROSMestre Cheiroso chegou: percursos formativos do brincante Augusto Barretoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisPós-Graduação Interdisciplinar em Culturas PopularesUniversidade Federal de Sergipe (UFS)reponame:Repositório Institucional da UFSinstname:Universidade Federal de Sergipe (UFS)instacron:UFSinfo:eu-repo/semantics/openAccessLICENSElicense.txtlicense.txttext/plain; charset=utf-81475https://ri.ufs.br/jspui/bitstream/riufs/19030/1/license.txt098cbbf65c2c15e1fb2e49c5d306a44cMD51ORIGINALGUSTAVO_FLORIANO_SANTOS.pdfGUSTAVO_FLORIANO_SANTOS.pdfapplication/pdf7362159https://ri.ufs.br/jspui/bitstream/riufs/19030/2/GUSTAVO_FLORIANO_SANTOS.pdf6862a2f990dc10a5bdea1182dc3d8928MD52TEXTGUSTAVO_FLORIANO_SANTOS.pdf.txtGUSTAVO_FLORIANO_SANTOS.pdf.txtExtracted texttext/plain348446https://ri.ufs.br/jspui/bitstream/riufs/19030/3/GUSTAVO_FLORIANO_SANTOS.pdf.txt554947c7a665e6c5a84e9ee3c2341b7dMD53THUMBNAILGUSTAVO_FLORIANO_SANTOS.pdf.jpgGUSTAVO_FLORIANO_SANTOS.pdf.jpgGenerated Thumbnailimage/jpeg1219https://ri.ufs.br/jspui/bitstream/riufs/19030/4/GUSTAVO_FLORIANO_SANTOS.pdf.jpg4fc61478e1e172c9285be1f7dd589fe8MD54riufs/190302024-02-06 16:06:08.649oai:ufs.br:riufs/19030TElDRU7Dh0EgREUgRElTVFJJQlVJw4fDg08gTsODTy1FWENMVVNJVkEKCkNvbSBhIGFwcmVzZW50YcOnw6NvIGRlc3RhIGxpY2Vuw6dhLCB2b2PDqiAobyBhdXRvcihlcykgb3UgbyB0aXR1bGFyIGRvcyBkaXJlaXRvcyBkZSBhdXRvcikgY29uY2VkZSDDoCBVbml2ZXJzaWRhZGUgRmVkZXJhbCBkZSBTZXJnaXBlIG8gZGlyZWl0byBuw6NvLWV4Y2x1c2l2byBkZSByZXByb2R1emlyIHNldSB0cmFiYWxobyBubyBmb3JtYXRvIGVsZXRyw7RuaWNvLCBpbmNsdWluZG8gb3MgZm9ybWF0b3Mgw6F1ZGlvIG91IHbDrWRlby4KClZvY8OqIGNvbmNvcmRhIHF1ZSBhIFVuaXZlcnNpZGFkZSBGZWRlcmFsIGRlIFNlcmdpcGUgcG9kZSwgc2VtIGFsdGVyYXIgbyBjb250ZcO6ZG8sIHRyYW5zcG9yIHNldSB0cmFiYWxobyBwYXJhIHF1YWxxdWVyIG1laW8gb3UgZm9ybWF0byBwYXJhIGZpbnMgZGUgcHJlc2VydmHDp8Ojby4KClZvY8OqIHRhbWLDqW0gY29uY29yZGEgcXVlIGEgVW5pdmVyc2lkYWRlIEZlZGVyYWwgZGUgU2VyZ2lwZSBwb2RlIG1hbnRlciBtYWlzIGRlIHVtYSBjw7NwaWEgZGUgc2V1IHRyYWJhbGhvIHBhcmEgZmlucyBkZSBzZWd1cmFuw6dhLCBiYWNrLXVwIGUgcHJlc2VydmHDp8Ojby4KClZvY8OqIGRlY2xhcmEgcXVlIHNldSB0cmFiYWxobyDDqSBvcmlnaW5hbCBlIHF1ZSB2b2PDqiB0ZW0gbyBwb2RlciBkZSBjb25jZWRlciBvcyBkaXJlaXRvcyBjb250aWRvcyBuZXN0YSBsaWNlbsOnYS4gVm9jw6ogdGFtYsOpbSBkZWNsYXJhIHF1ZSBvIGRlcMOzc2l0bywgcXVlIHNlamEgZGUgc2V1IGNvbmhlY2ltZW50bywgbsOjbyBpbmZyaW5nZSBkaXJlaXRvcyBhdXRvcmFpcyBkZSBuaW5ndcOpbS4KCkNhc28gbyB0cmFiYWxobyBjb250ZW5oYSBtYXRlcmlhbCBxdWUgdm9jw6ogbsOjbyBwb3NzdWkgYSB0aXR1bGFyaWRhZGUgZG9zIGRpcmVpdG9zIGF1dG9yYWlzLCB2b2PDqiBkZWNsYXJhIHF1ZSBvYnRldmUgYSBwZXJtaXNzw6NvIGlycmVzdHJpdGEgZG8gZGV0ZW50b3IgZG9zIGRpcmVpdG9zIGF1dG9yYWlzIHBhcmEgY29uY2VkZXIgw6AgVW5pdmVyc2lkYWRlIEZlZGVyYWwgZGUgU2VyZ2lwZSBvcyBkaXJlaXRvcyBhcHJlc2VudGFkb3MgbmVzdGEgbGljZW7Dp2EsIGUgcXVlIGVzc2UgbWF0ZXJpYWwgZGUgcHJvcHJpZWRhZGUgZGUgdGVyY2Vpcm9zIGVzdMOhIGNsYXJhbWVudGUgaWRlbnRpZmljYWRvIGUgcmVjb25oZWNpZG8gbm8gdGV4dG8gb3Ugbm8gY29udGXDumRvLgoKQSBVbml2ZXJzaWRhZGUgRmVkZXJhbCBkZSBTZXJnaXBlIHNlIGNvbXByb21ldGUgYSBpZGVudGlmaWNhciBjbGFyYW1lbnRlIG8gc2V1IG5vbWUocykgb3UgbyhzKSBub21lKHMpIGRvKHMpIApkZXRlbnRvcihlcykgZG9zIGRpcmVpdG9zIGF1dG9yYWlzIGRvIHRyYWJhbGhvLCBlIG7Do28gZmFyw6EgcXVhbHF1ZXIgYWx0ZXJhw6fDo28sIGFsw6ltIGRhcXVlbGFzIGNvbmNlZGlkYXMgcG9yIGVzdGEgbGljZW7Dp2EuIAo=Repositório InstitucionalPUBhttps://ri.ufs.br/oai/requestrepositorio@academico.ufs.bropendoar:2024-02-06T19:06:08Repositório Institucional da UFS - Universidade Federal de Sergipe (UFS)false |
dc.title.pt_BR.fl_str_mv |
Mestre Cheiroso chegou: percursos formativos do brincante Augusto Barreto |
title |
Mestre Cheiroso chegou: percursos formativos do brincante Augusto Barreto |
spellingShingle |
Mestre Cheiroso chegou: percursos formativos do brincante Augusto Barreto Santos, Gustavo Floriano dos Cultura popular Teatro de fantoches em Sergipe Companhias de teatro Sergipe História Augusto Barreto Mamulengo de Cheiroso Teatro de animação Animation theater Popular cultures OUTROS |
title_short |
Mestre Cheiroso chegou: percursos formativos do brincante Augusto Barreto |
title_full |
Mestre Cheiroso chegou: percursos formativos do brincante Augusto Barreto |
title_fullStr |
Mestre Cheiroso chegou: percursos formativos do brincante Augusto Barreto |
title_full_unstemmed |
Mestre Cheiroso chegou: percursos formativos do brincante Augusto Barreto |
title_sort |
Mestre Cheiroso chegou: percursos formativos do brincante Augusto Barreto |
author |
Santos, Gustavo Floriano dos |
author_facet |
Santos, Gustavo Floriano dos |
author_role |
author |
dc.contributor.author.fl_str_mv |
Santos, Gustavo Floriano dos |
dc.contributor.advisor1.fl_str_mv |
Benevides, Lourdisnete Silva |
contributor_str_mv |
Benevides, Lourdisnete Silva |
dc.subject.por.fl_str_mv |
Cultura popular Teatro de fantoches em Sergipe Companhias de teatro Sergipe História Augusto Barreto Mamulengo de Cheiroso Teatro de animação |
topic |
Cultura popular Teatro de fantoches em Sergipe Companhias de teatro Sergipe História Augusto Barreto Mamulengo de Cheiroso Teatro de animação Animation theater Popular cultures OUTROS |
dc.subject.eng.fl_str_mv |
Animation theater Popular cultures |
dc.subject.cnpq.fl_str_mv |
OUTROS |
description |
Mamulengo de Cheiroso is a Sergipe theater group that resists the challenges of time and remains active in contemporary. Affirming its artistic trajectory for forty-four years, the group has in the puppet the spokesperson of a poetics and an aesthetic of its own, inspired by the universe of dances, songs and craftsmanship, as well as in the popular circus dramas. In the construction of this trajectory, among so many actors, directors and playwrights who have passed through the group, there is a fundamental presence that is Augusto Barreto: master, craftsman, puppeteer and cultural manager of Mamulengo de Cheiroso. Given the significant presence of Augusto Barreto, for the construction and maintenance of this group, the guiding question of this research asks: How was the artistic and pedagogical training of the playful Augusto Barreto considering the theatrical carpentry of Mamulengo de Cheiroso? Tracing the backbone of this dissertation, I chose as a methodological foundation, Oral History (MEIHY, 2000 and MEIHY and HOLANDA, 2013), I understand that this is the compass that corroborates the researched field, from the premise of "seeing, hearing and attesting" (MEIHY, 2013), witnessed by the research collaborators, about the relationships with the investigated character. |
publishDate |
2023 |
dc.date.issued.fl_str_mv |
2023-05-26 |
dc.date.accessioned.fl_str_mv |
2024-02-05T23:21:02Z |
dc.date.available.fl_str_mv |
2024-02-05T23:21:02Z |
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info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
SANTOS, Gustavo Floriano dos. Mestre Cheiroso chegou: percursos formativos do brincante Augusto Barreto. 2023. 180 f. Dissertação (Mestrado Interdisciplinar em Culturas Populares) – Universidade Federal de Sergipe, São Cristóvão, 2023. |
dc.identifier.uri.fl_str_mv |
https://ri.ufs.br/jspui/handle/riufs/19030 |
identifier_str_mv |
SANTOS, Gustavo Floriano dos. Mestre Cheiroso chegou: percursos formativos do brincante Augusto Barreto. 2023. 180 f. Dissertação (Mestrado Interdisciplinar em Culturas Populares) – Universidade Federal de Sergipe, São Cristóvão, 2023. |
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