A figura da mulher nordestina no romance Gabriela cravo e canela, de Jorge Amado
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Trabalho de conclusão de curso |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFS |
Texto Completo: | http://ri.ufs.br/jspui/handle/riufs/12361 |
Resumo: | It is worth emphasizing the representation of the different female faces in the novel Gabriela, clove and cinnamon, of the Bahian writer Jorge Amado, located in the social context of the Brazilian Northeast, more specifically, in the city of Ilhéus, Bahia coast, of women, their lack of freedom of expression has been one of the privileged themes in literature, almost always illustrated by the gaze of men, like the novel we chose as the corpus of the present work. In this work of fiction, published in 1958, we have as main characters Malvina, Glória and Gabriela, the last being our protagonist character, identified in the novel, by characteristics extremely opposite to what was expected of the women living in that scenario illustrated by Jorge Beloved. This study had as main theoretical references, Antônio Cândido [ET AL], 2007, The Character of Fiction, Roberto da Mota [ET AL], Jorge Amado KM 70, 1983. |
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Góis, Maria JoséQuintela, Vilma Mota2019-11-11T17:25:51Z2019-11-11T17:25:51Z2018-03-13GÓIS, Maria José. A figura da mulher nordestina no romance Gabriela cravo e canela, de Jorge Amado. 2018. 36 f. TCC (Graduação em Letras) - Universidade Federal de Sergipe, Itabaiana, SE, 2018 .http://ri.ufs.br/jspui/handle/riufs/12361It is worth emphasizing the representation of the different female faces in the novel Gabriela, clove and cinnamon, of the Bahian writer Jorge Amado, located in the social context of the Brazilian Northeast, more specifically, in the city of Ilhéus, Bahia coast, of women, their lack of freedom of expression has been one of the privileged themes in literature, almost always illustrated by the gaze of men, like the novel we chose as the corpus of the present work. In this work of fiction, published in 1958, we have as main characters Malvina, Glória and Gabriela, the last being our protagonist character, identified in the novel, by characteristics extremely opposite to what was expected of the women living in that scenario illustrated by Jorge Beloved. This study had as main theoretical references, Antônio Cândido [ET AL], 2007, The Character of Fiction, Roberto da Mota [ET AL], Jorge Amado KM 70, 1983.Cabe aqui ressaltar a representação das diversas faces femininas no romance Gabriela, cravo e canela, do escritor baiano Jorge Amado, situado no contexto social do Nordeste brasileiro, mais especificamente, na cidade de Ilhéus, litoral da Bahia, na década de 20. A submissão da mulher, a sua falta de liberdade de expressão tem sido um dos temas privilegiados na literatura, quase sempre ilustrada pelo olhar dos homens, a exemplo do romance que escolhemos como corpus do presente trabalho. Nessa obra de ficção, publicada em 1958, temos como principais personagens Malvina, Glória e Gabriela, sendo, a última, a nossa personagem protagonista, identificada, no romance, por características extremamente opostas ao que se esperava das mulheres viventes naquele cenário ilustrado por Jorge Amado. Este estudo teve como principais referenciais teóricos, Antônio Cândido [ET AL], 2007, A Personagem de Ficção, Roberto da Mota [ET AL], Jorge Amado KM 70, 1983.Itabaiana, SEporMulheresFicção brasileiraLiteratura brasileiraRepresentações da mulherRepresentations of womanFemale character studyLINGUISTICA, LETRAS E ARTES::LETRAS::LINGUA PORTUGUESAA figura da mulher nordestina no romance Gabriela cravo e canela, de Jorge Amadoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/bachelorThesisUFSDLI - Departamento de Letras – Letras, Língua Portuguesa – Itabaiana - Presencialreponame:Repositório Institucional da UFSinstname:Universidade Federal de Sergipe (UFS)instacron:UFSinfo:eu-repo/semantics/openAccessTEXTMaria_José_Góis.pdf.txtMaria_José_Góis.pdf.txtExtracted texttext/plain78190https://ri.ufs.br/jspui/bitstream/riufs/12361/3/Maria_Jos%c3%a9_G%c3%b3is.pdf.txtd685303d48fd0da43ae57a90f94885deMD53THUMBNAILMaria_José_Góis.pdf.jpgMaria_José_Góis.pdf.jpgGenerated Thumbnailimage/jpeg1224https://ri.ufs.br/jspui/bitstream/riufs/12361/4/Maria_Jos%c3%a9_G%c3%b3is.pdf.jpgceb4c834f39e935c2019538f879bce2aMD54LICENSElicense.txtlicense.txttext/plain; charset=utf-81475https://ri.ufs.br/jspui/bitstream/riufs/12361/1/license.txt098cbbf65c2c15e1fb2e49c5d306a44cMD51ORIGINALMaria_José_Góis.pdfMaria_José_Góis.pdfapplication/pdf351494https://ri.ufs.br/jspui/bitstream/riufs/12361/2/Maria_Jos%c3%a9_G%c3%b3is.pdfbb1f4730e2d711cdc84830fb8b93e6e5MD52riufs/123612019-11-11 14:25:51.488oai:ufs.br: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Repositório InstitucionalPUBhttps://ri.ufs.br/oai/requestrepositorio@academico.ufs.bropendoar:2019-11-11T17:25:51Repositório Institucional da UFS - Universidade Federal de Sergipe (UFS)false |
dc.title.pt_BR.fl_str_mv |
A figura da mulher nordestina no romance Gabriela cravo e canela, de Jorge Amado |
title |
A figura da mulher nordestina no romance Gabriela cravo e canela, de Jorge Amado |
spellingShingle |
A figura da mulher nordestina no romance Gabriela cravo e canela, de Jorge Amado Góis, Maria José Mulheres Ficção brasileira Literatura brasileira Representações da mulher Representations of woman Female character study LINGUISTICA, LETRAS E ARTES::LETRAS::LINGUA PORTUGUESA |
title_short |
A figura da mulher nordestina no romance Gabriela cravo e canela, de Jorge Amado |
title_full |
A figura da mulher nordestina no romance Gabriela cravo e canela, de Jorge Amado |
title_fullStr |
A figura da mulher nordestina no romance Gabriela cravo e canela, de Jorge Amado |
title_full_unstemmed |
A figura da mulher nordestina no romance Gabriela cravo e canela, de Jorge Amado |
title_sort |
A figura da mulher nordestina no romance Gabriela cravo e canela, de Jorge Amado |
author |
Góis, Maria José |
author_facet |
Góis, Maria José |
author_role |
author |
dc.contributor.author.fl_str_mv |
Góis, Maria José |
dc.contributor.advisor1.fl_str_mv |
Quintela, Vilma Mota |
contributor_str_mv |
Quintela, Vilma Mota |
dc.subject.por.fl_str_mv |
Mulheres Ficção brasileira Literatura brasileira Representações da mulher |
topic |
Mulheres Ficção brasileira Literatura brasileira Representações da mulher Representations of woman Female character study LINGUISTICA, LETRAS E ARTES::LETRAS::LINGUA PORTUGUESA |
dc.subject.eng.fl_str_mv |
Representations of woman Female character study |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::LETRAS::LINGUA PORTUGUESA |
description |
It is worth emphasizing the representation of the different female faces in the novel Gabriela, clove and cinnamon, of the Bahian writer Jorge Amado, located in the social context of the Brazilian Northeast, more specifically, in the city of Ilhéus, Bahia coast, of women, their lack of freedom of expression has been one of the privileged themes in literature, almost always illustrated by the gaze of men, like the novel we chose as the corpus of the present work. In this work of fiction, published in 1958, we have as main characters Malvina, Glória and Gabriela, the last being our protagonist character, identified in the novel, by characteristics extremely opposite to what was expected of the women living in that scenario illustrated by Jorge Beloved. This study had as main theoretical references, Antônio Cândido [ET AL], 2007, The Character of Fiction, Roberto da Mota [ET AL], Jorge Amado KM 70, 1983. |
publishDate |
2018 |
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2018-03-13 |
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2019-11-11T17:25:51Z |
dc.date.available.fl_str_mv |
2019-11-11T17:25:51Z |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/bachelorThesis |
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bachelorThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
GÓIS, Maria José. A figura da mulher nordestina no romance Gabriela cravo e canela, de Jorge Amado. 2018. 36 f. TCC (Graduação em Letras) - Universidade Federal de Sergipe, Itabaiana, SE, 2018 . |
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http://ri.ufs.br/jspui/handle/riufs/12361 |
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GÓIS, Maria José. A figura da mulher nordestina no romance Gabriela cravo e canela, de Jorge Amado. 2018. 36 f. TCC (Graduação em Letras) - Universidade Federal de Sergipe, Itabaiana, SE, 2018 . |
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