O suicídio no conto brasileiro contemporâneo
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFS |
Texto Completo: | https://ri.ufs.br/handle/riufs/5768 |
Resumo: | This paper aims to analyze the suicidal representations on contemporary Brazilian tales from certain conceptions about contemporaneity. A corpus of twenty tales was gathered by the following writers: Marcelino Freire, Sérgio Sant’Anna, Adriana Lunardi, Lygia Fagundes Telles, Dalton Trevisan, Lucienne Samôr, Antonio Carlos Viana, Nivaldo Tenório, Caio Fernando Abreu, Rubem Fonseca, Marcelo Benvenutti, Nelson de Oliveira, located between the 1970’s and 2012. Through a comparative study between literary text and philosophical, sociological, psychological and political themes, as well as literary theory, a repetition of specific characteristics and themes was perceived. After reviewing literature about suicide, grounded mainly in Durkheim (2000), Camus (2008), Puente (2008), Dias (1991), and Marquetti, (2011), about tales in Cortázar (1974), Poe (1999), Piglia (2004), and Ogliari (2012), and about contemporaneity in Eagleton (1998), Harvey (1992), Jameson (2006a; 2006b), and Lyotard (2013), the literary composition was addressed by using conceptions of parody, metafiction and pastiche, which were treated from Hutcheon (1989; 1991) and Jameson (2006).Then the following themes were analyzed: suicide as sacrifice and ritual, Girard (1998, 2004), Derrida (2005), and Agamben (2007); the spectacularization of suicide, Marquetti (2011), Baudrillard (1995); the (mis)treating of the body when killing oneself, Le Breton (2011); the suicidal as strange and estrangement, Freud (1976), Chklovski (1978), and Ginzburg (2001); the usage of tale as a space of reflection about suicide, Ogliari (2012). This paper was guided on the quest of whether there could be any thematic and/or esthetic stability in this recurrence on the contemporary Brazilian tales that talk about suicidal stories. As hypothesis, we reached the proposition that there could be both a rupture in the moral and religious prohibition, and a reflection of cultural order, represented by the identity and/or otherness of the suicidal, considering that the internal tension in the narrative or between text and reader would be powered by the genre tale and by the way that authors build the plot. Considering the themes and forms they are written, it is possible to conclude that tale and suicidal keep a connected relationship about the gaps left in both, allowing that the genre act, in a more specific way, the silences that involve suicide. This way, tales about suicide gather and carry unique characteristics in the history of the Brazilian literature. |
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Rodrigues, Danielle SantosSantos, Josalba Fabiana doshttp://lattes.cnpq.br/82330541633429122017-09-27T13:40:14Z2017-09-27T13:40:14Z2015-07-03Rodrigues, Danielle Santos. O suicídio no conto brasileiro contemporâneo. 2015. 112 f. Dissertação (Pós-Graduação em Letras) - Universidade Federal de Sergipe, São Cristóvão, 2015.https://ri.ufs.br/handle/riufs/5768This paper aims to analyze the suicidal representations on contemporary Brazilian tales from certain conceptions about contemporaneity. A corpus of twenty tales was gathered by the following writers: Marcelino Freire, Sérgio Sant’Anna, Adriana Lunardi, Lygia Fagundes Telles, Dalton Trevisan, Lucienne Samôr, Antonio Carlos Viana, Nivaldo Tenório, Caio Fernando Abreu, Rubem Fonseca, Marcelo Benvenutti, Nelson de Oliveira, located between the 1970’s and 2012. Through a comparative study between literary text and philosophical, sociological, psychological and political themes, as well as literary theory, a repetition of specific characteristics and themes was perceived. After reviewing literature about suicide, grounded mainly in Durkheim (2000), Camus (2008), Puente (2008), Dias (1991), and Marquetti, (2011), about tales in Cortázar (1974), Poe (1999), Piglia (2004), and Ogliari (2012), and about contemporaneity in Eagleton (1998), Harvey (1992), Jameson (2006a; 2006b), and Lyotard (2013), the literary composition was addressed by using conceptions of parody, metafiction and pastiche, which were treated from Hutcheon (1989; 1991) and Jameson (2006).Then the following themes were analyzed: suicide as sacrifice and ritual, Girard (1998, 2004), Derrida (2005), and Agamben (2007); the spectacularization of suicide, Marquetti (2011), Baudrillard (1995); the (mis)treating of the body when killing oneself, Le Breton (2011); the suicidal as strange and estrangement, Freud (1976), Chklovski (1978), and Ginzburg (2001); the usage of tale as a space of reflection about suicide, Ogliari (2012). This paper was guided on the quest of whether there could be any thematic and/or esthetic stability in this recurrence on the contemporary Brazilian tales that talk about suicidal stories. As hypothesis, we reached the proposition that there could be both a rupture in the moral and religious prohibition, and a reflection of cultural order, represented by the identity and/or otherness of the suicidal, considering that the internal tension in the narrative or between text and reader would be powered by the genre tale and by the way that authors build the plot. Considering the themes and forms they are written, it is possible to conclude that tale and suicidal keep a connected relationship about the gaps left in both, allowing that the genre act, in a more specific way, the silences that involve suicide. This way, tales about suicide gather and carry unique characteristics in the history of the Brazilian literature.O objetivo deste trabalho é analisar as representações do suicídio no conto brasileiro contemporâneo a partir de determinadas concepções acerca da contemporaneidade. Foi reunido um corpus de vinte contos dos seguintes escritores: Marcelino Freire, Sérgio Sant’Anna, Adriana Lunardi, Lygia Fagundes Telles, Dalton Trevisan, Lucienne Samôr, Antonio Carlos Viana, Nivaldo Tenório, Caio Fernando Abreu, Rubem Fonseca, Marcelo Benvenutti, Nelson de Oliveira, localizados entre a década de 1970 e o ano de 2012. Por meio de um estudo comparativo entre o texto literário e temas da filosofia, da sociologia, da psicologia, da política, bem como da teoria da literatura, percebemos a repetição de determinadas características e temáticas. Após realizar a revisão da literatura sobre o suicídio, embasada principalmente em Durkheim (2000), Camus (2008), Puente (2008), Dias (1991) e Marquetti, (2011), sobre o conto, em Cortázar (1974), Poe (1999), Piglia (2004) e Ogliari (2012) e sobre a contemporaneidade em Eagleton (1998), Harvey (1992), Jameson (2006a; 2006b) e Lyotard (2013), abordamos a composição literária utilizandonos das concepções de paródia, metaficção e pastiche, as quais foram tratadas a partir de Hutcheon (1989; 1991) e Jameson (2006). Em seguida, analisamos as seguintes temáticas: o suicídio como sacrifício e ritual, Girard (1998, 2004), Derrida (2005) e Agamben (2007); a espetacularização do suicídio, Marquetti (2011), Baudrillard (1995); o (des)tratamento do corpo no ato de tirar a própria vida, Le Breton (2011); o suicídio/suicida como estranho e estranhamento, Freud (1976), Chklovski (1978) e Ginzburg (2001); a utilização do conto como um espaço de reflexão sobre o suicídio, Ogliari (2012). O trabalho foi norteado pela indagação se haveria alguma estabilidade temática e/ou estética nessa recorrência de contos brasileiros contemporâneos que enredam histórias de suicídio/suicidas. Como hipótese, chegou-se à proposição de que haveria desde uma ruptura da interdição de fundo moral e religioso até uma reflexão de ordem cultural, representada pela identidade e/ou alteridade do suicida, contando que a tensão interna à narrativa ou entre texto e leitor seria potencializada pelo gênero conto e pelo modo como os autores constroem o enredo. Considerando as temáticas e as formas como são escritos, pode-se concluir que o conto e o suicídio mantêm certa relação de afinidade no tocante às lacunas existentes em ambos, permitindo que o gênero veicule, de modo mais conforme, os silêncios que permeiam o suicídio. Nessa medida, os contos sobre suicídio agregam e carregam características ímpares na história da literatura brasileira.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfporUniversidade Federal de SergipePós-Graduação em LetrasUFSBrasilContos brasileirosSuicídioSuicídio na literaturaLiteratura brasileiraLiteratura (teoria)PsicologiaFIlosofiaContemporaneidadeBrazilian talesContemporaneityLINGUISTICA, LETRAS E ARTES::LETRASO suicídio no conto brasileiro contemporâneoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFSinstname:Universidade Federal de Sergipe (UFS)instacron:UFSORIGINALDANIELLE_SANTOS_RODRIGUES.pdfapplication/pdf673857https://ri.ufs.br/jspui/bitstream/riufs/5768/1/DANIELLE_SANTOS_RODRIGUES.pdf25e288d427dceacc0558c3c18d5ba1c8MD51TEXTDANIELLE_SANTOS_RODRIGUES.pdf.txtDANIELLE_SANTOS_RODRIGUES.pdf.txtExtracted texttext/plain289661https://ri.ufs.br/jspui/bitstream/riufs/5768/2/DANIELLE_SANTOS_RODRIGUES.pdf.txt0d57add227a0a5ec2138c7d4686e259bMD52THUMBNAILDANIELLE_SANTOS_RODRIGUES.pdf.jpgDANIELLE_SANTOS_RODRIGUES.pdf.jpgGenerated Thumbnailimage/jpeg1068https://ri.ufs.br/jspui/bitstream/riufs/5768/3/DANIELLE_SANTOS_RODRIGUES.pdf.jpg2dfd0a28c87dceb043d348316fea36cdMD53riufs/57682018-01-15 21:03:36.194oai:ufs.br:riufs/5768Repositório InstitucionalPUBhttps://ri.ufs.br/oai/requestrepositorio@academico.ufs.bropendoar:2018-01-16T00:03:36Repositório Institucional da UFS - Universidade Federal de Sergipe (UFS)false |
dc.title.por.fl_str_mv |
O suicídio no conto brasileiro contemporâneo |
title |
O suicídio no conto brasileiro contemporâneo |
spellingShingle |
O suicídio no conto brasileiro contemporâneo Rodrigues, Danielle Santos Contos brasileiros Suicídio Suicídio na literatura Literatura brasileira Literatura (teoria) Psicologia FIlosofia Contemporaneidade Brazilian tales Contemporaneity LINGUISTICA, LETRAS E ARTES::LETRAS |
title_short |
O suicídio no conto brasileiro contemporâneo |
title_full |
O suicídio no conto brasileiro contemporâneo |
title_fullStr |
O suicídio no conto brasileiro contemporâneo |
title_full_unstemmed |
O suicídio no conto brasileiro contemporâneo |
title_sort |
O suicídio no conto brasileiro contemporâneo |
author |
Rodrigues, Danielle Santos |
author_facet |
Rodrigues, Danielle Santos |
author_role |
author |
dc.contributor.author.fl_str_mv |
Rodrigues, Danielle Santos |
dc.contributor.advisor1.fl_str_mv |
Santos, Josalba Fabiana dos |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/8233054163342912 |
contributor_str_mv |
Santos, Josalba Fabiana dos |
dc.subject.por.fl_str_mv |
Contos brasileiros Suicídio Suicídio na literatura Literatura brasileira Literatura (teoria) Psicologia FIlosofia Contemporaneidade Brazilian tales Contemporaneity |
topic |
Contos brasileiros Suicídio Suicídio na literatura Literatura brasileira Literatura (teoria) Psicologia FIlosofia Contemporaneidade Brazilian tales Contemporaneity LINGUISTICA, LETRAS E ARTES::LETRAS |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::LETRAS |
description |
This paper aims to analyze the suicidal representations on contemporary Brazilian tales from certain conceptions about contemporaneity. A corpus of twenty tales was gathered by the following writers: Marcelino Freire, Sérgio Sant’Anna, Adriana Lunardi, Lygia Fagundes Telles, Dalton Trevisan, Lucienne Samôr, Antonio Carlos Viana, Nivaldo Tenório, Caio Fernando Abreu, Rubem Fonseca, Marcelo Benvenutti, Nelson de Oliveira, located between the 1970’s and 2012. Through a comparative study between literary text and philosophical, sociological, psychological and political themes, as well as literary theory, a repetition of specific characteristics and themes was perceived. After reviewing literature about suicide, grounded mainly in Durkheim (2000), Camus (2008), Puente (2008), Dias (1991), and Marquetti, (2011), about tales in Cortázar (1974), Poe (1999), Piglia (2004), and Ogliari (2012), and about contemporaneity in Eagleton (1998), Harvey (1992), Jameson (2006a; 2006b), and Lyotard (2013), the literary composition was addressed by using conceptions of parody, metafiction and pastiche, which were treated from Hutcheon (1989; 1991) and Jameson (2006).Then the following themes were analyzed: suicide as sacrifice and ritual, Girard (1998, 2004), Derrida (2005), and Agamben (2007); the spectacularization of suicide, Marquetti (2011), Baudrillard (1995); the (mis)treating of the body when killing oneself, Le Breton (2011); the suicidal as strange and estrangement, Freud (1976), Chklovski (1978), and Ginzburg (2001); the usage of tale as a space of reflection about suicide, Ogliari (2012). This paper was guided on the quest of whether there could be any thematic and/or esthetic stability in this recurrence on the contemporary Brazilian tales that talk about suicidal stories. As hypothesis, we reached the proposition that there could be both a rupture in the moral and religious prohibition, and a reflection of cultural order, represented by the identity and/or otherness of the suicidal, considering that the internal tension in the narrative or between text and reader would be powered by the genre tale and by the way that authors build the plot. Considering the themes and forms they are written, it is possible to conclude that tale and suicidal keep a connected relationship about the gaps left in both, allowing that the genre act, in a more specific way, the silences that involve suicide. This way, tales about suicide gather and carry unique characteristics in the history of the Brazilian literature. |
publishDate |
2015 |
dc.date.issued.fl_str_mv |
2015-07-03 |
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2017-09-27T13:40:14Z |
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2017-09-27T13:40:14Z |
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info:eu-repo/semantics/masterThesis |
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Rodrigues, Danielle Santos. O suicídio no conto brasileiro contemporâneo. 2015. 112 f. Dissertação (Pós-Graduação em Letras) - Universidade Federal de Sergipe, São Cristóvão, 2015. |
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https://ri.ufs.br/handle/riufs/5768 |
identifier_str_mv |
Rodrigues, Danielle Santos. O suicídio no conto brasileiro contemporâneo. 2015. 112 f. Dissertação (Pós-Graduação em Letras) - Universidade Federal de Sergipe, São Cristóvão, 2015. |
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