Mídias sociais e etnografia da recepção : o filme Jogos Vorazes e algumas interpretações possíveis a partir do Facebook

• Autor(a) principal: Rego, Carla Luedy
• Data de Publicação: 2016
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Repositório Institucional da UFS
• Texto Completo: https://ri.ufs.br/handle/riufs/3200
• topic: Antropologia; Antropologia cultural; Etnologia; Comunicação de massa e cultura; Facebook; Cinema (etnologia); Cultura de massas; Etnografia da recepção; Indústria cultural; Mídias sociais; Sociedades multiculturais; Cultural industry; Ethnography reception; Mass culture; Multicultural societies; Social media; CIENCIAS HUMANAS::ANTROPOLOGIA

From a historical-cultural approach, this work promotes the development of a reception ethnography through observation of the comments posted by individuals inside a Facebook social media community. This community was chosen because of its central theme, the American blockbuster The Hunger Games, released in filmic format in 2012 and widely marketed and released in Brazil. Initially we built a brief historical overview of the various issues that revolve around the use of academic research in images as well as scientific works, by virtue of its forms design and use by individuals so far. This predilection is discussed and questioned, and the conditions that made possible, especially from the First World War - 1914/1918 - (with a significant worsening after World War II - 1939/1945). The birth of the capitalist economic model led by the United States of post-war America, and the linked development of the film industry in Hollywood are considered decisive factors for the global distribution of their film productions. Finally, we discuss the emergence of social networks, especially social media chosen as virtual such as Facebook (which has North American), origin and is situated between the three social media most used by Brazilians with Internet access currently , showing the various possibilities of social manifestations of individuals who present themselves both as members participants as producers and disseminators of many speeches.