THE ETERNAL FLAME AND THE INFINITE MELODY: READING OF A SONNET BY JORGE DE LIMA
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Travessias Interativas |
Texto Completo: | https://periodicos.ufs.br/Travessias/article/view/18658 |
Resumo: | This article discusses the interconnections between poetry and music in a poem by Jorge de Lima - the sonnet "Essa pavana é para uma defunta", published in Livro de sonetos (1949). The relationship between poetry and music is flagrant in his poetry, not only because of the remarkable sonority of his poems, including those that stand out for their imagetic character, but also because of the broader conception of his writing. The sonnet in question, while performing in a virtuous way the celebrated classical model, also transgresses them through procedures deduced from a dialogue with musical conceptions related to the mythical, mystical, and suggestive universe present in procedures such as Richard Wagner's "infinite melody". This formal seeking, which accompanies the seeking for the figure of the dead beloved, the defunct infanta as the embodiment of poetry to be resurrected by the poet's transgressive desire, is profoundly musical in the broadest sense of the term and reveals a vast, progressive, and circular artistic vision in the poet in question, which also dialogues with Mário de Andrade's conceptions of melodic verse and harmonic verse. In the sonnet of the "defunct infanta" the classical and the modern come together erotically. |
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THE ETERNAL FLAME AND THE INFINITE MELODY: READING OF A SONNET BY JORGE DE LIMAA ETERNA CHAMA E A MELODIA INFINITA: LEITURA DE UM SONETO DE JORGE DE LIMAPoesiaMúsicaModernismo brasileiroJorge de LimaPoetryMusicBrazilian ModernismJorge de LimaThis article discusses the interconnections between poetry and music in a poem by Jorge de Lima - the sonnet "Essa pavana é para uma defunta", published in Livro de sonetos (1949). The relationship between poetry and music is flagrant in his poetry, not only because of the remarkable sonority of his poems, including those that stand out for their imagetic character, but also because of the broader conception of his writing. The sonnet in question, while performing in a virtuous way the celebrated classical model, also transgresses them through procedures deduced from a dialogue with musical conceptions related to the mythical, mystical, and suggestive universe present in procedures such as Richard Wagner's "infinite melody". This formal seeking, which accompanies the seeking for the figure of the dead beloved, the defunct infanta as the embodiment of poetry to be resurrected by the poet's transgressive desire, is profoundly musical in the broadest sense of the term and reveals a vast, progressive, and circular artistic vision in the poet in question, which also dialogues with Mário de Andrade's conceptions of melodic verse and harmonic verse. In the sonnet of the "defunct infanta" the classical and the modern come together erotically.Este artigo discute as interconexões entre poesia e música em um poema de Jorge de Lima – o soneto “Essa pavana é para uma defunta”, publicado no Livro de Sonetos (1949). A relação entre poesia e música é flagrante em sua poesia, não somente pela sonoridade marcante de seus poemas, inclusive naqueles que se destacam pelo caráter imagético, mas também pela concepção mais ampla de sua escrita. O soneto em questão, à medida em que realiza de forma virtuosa o célebre modelo clássico também os transgride a partir de procedimentos que podem ser deduzidos de um diálogo com concepções musicais afins ao universo mítico, místico e sugestivo presente em procedimentos como a “melodia infinita” de Richard Wagner. Essa busca formal, que acompanha a busca pela figura da amada morta, a infanta defunta como encarnação da poesia a ser ressuscitada pelo desejo transgressor do poeta, é profundamente musical no sentido mais amplo do termo e revela uma visão artística vasta, progressiva e circular no poeta em questão, a qual dialoga ainda com as concepções de verso melódico e verso harmônico de Mário de Andrade. No soneto da “infanta defunta” o clássico e o moderno juntam-se eroticamente.Universidade Federal de Sergipe - UFS2023-01-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufs.br/Travessias/article/view/1865810.51951/ti.v12i27.p71-87Travessias Interativas; No 27 (2022): Travessias Interativas → set-dez/2022; 71-87Travessias Interativas; n. 27 (2022): Travessias Interativas → set-dez/2022; 71-87Travessias Interativas; No. 27 (2022): Travessias Interativas → set-dez/2022; 71-87Travessias Interativas; Núm. 27 (2022): Travessias Interativas → set-dez/2022; 71-872236-740310.51951/ti.v12i27reponame:Travessias Interativasinstname:Universidade Federal de Sergipe (UFS)instacron:UFS-porhttps://periodicos.ufs.br/Travessias/article/view/18658/13579Copyright (c) 2023 Travessias Interativasinfo:eu-repo/semantics/openAccessClemente, Fabrício CarlosTorres, Luana Uchôa2023-02-14T21:56:06Zoai:ojs.ufs.emnuvens.com.br:article/18658Revistahttps://seer.ufs.br/index.php/Travessias/indexPUBhttps://seer.ufs.br/index.php/Travessias/oaiale1976@academico.ufs.br2236-74032236-7403opendoar:2023-02-14T21:56:06Travessias Interativas - Universidade Federal de Sergipe (UFS)false |
dc.title.none.fl_str_mv |
THE ETERNAL FLAME AND THE INFINITE MELODY: READING OF A SONNET BY JORGE DE LIMA A ETERNA CHAMA E A MELODIA INFINITA: LEITURA DE UM SONETO DE JORGE DE LIMA |
title |
THE ETERNAL FLAME AND THE INFINITE MELODY: READING OF A SONNET BY JORGE DE LIMA |
spellingShingle |
THE ETERNAL FLAME AND THE INFINITE MELODY: READING OF A SONNET BY JORGE DE LIMA Clemente, Fabrício Carlos Poesia Música Modernismo brasileiro Jorge de Lima Poetry Music Brazilian Modernism Jorge de Lima |
title_short |
THE ETERNAL FLAME AND THE INFINITE MELODY: READING OF A SONNET BY JORGE DE LIMA |
title_full |
THE ETERNAL FLAME AND THE INFINITE MELODY: READING OF A SONNET BY JORGE DE LIMA |
title_fullStr |
THE ETERNAL FLAME AND THE INFINITE MELODY: READING OF A SONNET BY JORGE DE LIMA |
title_full_unstemmed |
THE ETERNAL FLAME AND THE INFINITE MELODY: READING OF A SONNET BY JORGE DE LIMA |
title_sort |
THE ETERNAL FLAME AND THE INFINITE MELODY: READING OF A SONNET BY JORGE DE LIMA |
author |
Clemente, Fabrício Carlos |
author_facet |
Clemente, Fabrício Carlos Torres, Luana Uchôa |
author_role |
author |
author2 |
Torres, Luana Uchôa |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Clemente, Fabrício Carlos Torres, Luana Uchôa |
dc.subject.por.fl_str_mv |
Poesia Música Modernismo brasileiro Jorge de Lima Poetry Music Brazilian Modernism Jorge de Lima |
topic |
Poesia Música Modernismo brasileiro Jorge de Lima Poetry Music Brazilian Modernism Jorge de Lima |
description |
This article discusses the interconnections between poetry and music in a poem by Jorge de Lima - the sonnet "Essa pavana é para uma defunta", published in Livro de sonetos (1949). The relationship between poetry and music is flagrant in his poetry, not only because of the remarkable sonority of his poems, including those that stand out for their imagetic character, but also because of the broader conception of his writing. The sonnet in question, while performing in a virtuous way the celebrated classical model, also transgresses them through procedures deduced from a dialogue with musical conceptions related to the mythical, mystical, and suggestive universe present in procedures such as Richard Wagner's "infinite melody". This formal seeking, which accompanies the seeking for the figure of the dead beloved, the defunct infanta as the embodiment of poetry to be resurrected by the poet's transgressive desire, is profoundly musical in the broadest sense of the term and reveals a vast, progressive, and circular artistic vision in the poet in question, which also dialogues with Mário de Andrade's conceptions of melodic verse and harmonic verse. In the sonnet of the "defunct infanta" the classical and the modern come together erotically. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-01-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufs.br/Travessias/article/view/18658 10.51951/ti.v12i27.p71-87 |
url |
https://periodicos.ufs.br/Travessias/article/view/18658 |
identifier_str_mv |
10.51951/ti.v12i27.p71-87 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufs.br/Travessias/article/view/18658/13579 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Travessias Interativas info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Travessias Interativas |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Sergipe - UFS |
publisher.none.fl_str_mv |
Universidade Federal de Sergipe - UFS |
dc.source.none.fl_str_mv |
Travessias Interativas; No 27 (2022): Travessias Interativas → set-dez/2022; 71-87 Travessias Interativas; n. 27 (2022): Travessias Interativas → set-dez/2022; 71-87 Travessias Interativas; No. 27 (2022): Travessias Interativas → set-dez/2022; 71-87 Travessias Interativas; Núm. 27 (2022): Travessias Interativas → set-dez/2022; 71-87 2236-7403 10.51951/ti.v12i27 reponame:Travessias Interativas instname:Universidade Federal de Sergipe (UFS) instacron:UFS- |
instname_str |
Universidade Federal de Sergipe (UFS) |
instacron_str |
UFS- |
institution |
UFS- |
reponame_str |
Travessias Interativas |
collection |
Travessias Interativas |
repository.name.fl_str_mv |
Travessias Interativas - Universidade Federal de Sergipe (UFS) |
repository.mail.fl_str_mv |
ale1976@academico.ufs.br |
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1798328416997474304 |