A place in the literary field: Marvel Moreno as the “reserved writer”
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | spa |
Título da fonte: | Revista Estudos Feministas |
Texto Completo: | https://periodicos.ufsc.br/index.php/ref/article/view/66142 |
Resumo: | This article looks into the authorial figure of Colombian writer Marvel Moreno which is constructed around her inadequacy in the literary canon of the Colombian Caribbean and Latin America. This marginalization is rooted in the fact that she was a female writer in a male and masculinist dominated field. This position plays a double edge sword as it gives her own place in the field, but at the same time it excludes her from it to such an extent that she becomes invisible. First, we analyze the voices within her texts, which are related to her posture in the literary field. Then we focus on some critical texts about the author and her work to discern if her image corresponds to certain female figures of the writer’s imaginary such as: Judith Shakespeare, the ‘poète maudit’ or cursed poet, the little sister, and so on. Finally, we will see if the inclusion of a woman writer as Marvel Moreno in the Colombian literary field still is a problem nowadays. |
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A place in the literary field: Marvel Moreno as the “reserved writer”Un lugar en el campo literario: Marvel Moreno como la “escritora reservada”Um lugar no campo literário: Marvel Moreno como a “escritora reservada”This article looks into the authorial figure of Colombian writer Marvel Moreno which is constructed around her inadequacy in the literary canon of the Colombian Caribbean and Latin America. This marginalization is rooted in the fact that she was a female writer in a male and masculinist dominated field. This position plays a double edge sword as it gives her own place in the field, but at the same time it excludes her from it to such an extent that she becomes invisible. First, we analyze the voices within her texts, which are related to her posture in the literary field. Then we focus on some critical texts about the author and her work to discern if her image corresponds to certain female figures of the writer’s imaginary such as: Judith Shakespeare, the ‘poète maudit’ or cursed poet, the little sister, and so on. Finally, we will see if the inclusion of a woman writer as Marvel Moreno in the Colombian literary field still is a problem nowadays.El artículo indaga en la figura autorial de la colombiana Marvel Moreno, que se construye alrededor de su inadecuación en el canon literario caribeño colombiano y latinoamericano. Esta marginación sienta gran parte de sus bases en el hecho de ser una escritora en un campo mayoritariamente masculino y sin duda alguna masculinista. Tal posición juega un doble papel pues, al mismo tiempo que pretende darle un lugar propio en el campo, la excluye de él hasta el punto de invisibilizarla. Primero se analizarán las voces presentes en su narrativa, aspecto que se halla relacionado con el posicionamiento de la obra y de la autora en el campo literario. Seguidamente, nos centraremos en algunos textos críticos sobre la autora y su obra para observar cómo su imagen corresponde a ciertas figuras del imaginario propio de la escritora: Judith Shakespeare, la artista maldita, la hermana menor, entre otras. Finalmente se verá si la inclusión de una escritora como Marvel Moreno en el campo literario colombiano sigue siendo aún hoy problemática.Este artigo indaga acerca da figura autoral da colombiana Marvel Moreno, construída em torno a sua inadequação no cânone literário do Caribe colombiano e latino-americano. Essa marginação está estabelecida em grande parte sobre o fato de ela ser uma escritora dentro de um campo majoritariamente masculino e sem dúvida masculinista. Essa posição tem um duplo efeito, pois ao mesmo tempo que pretende oferecer a Moreno um lugar próprio dentro do campo literário também logra excluí-la desse campo, até torná-la invisível. Primeiramente, considerarei as vozes presentes na narrativa de Moreno, as quais se relacionam com posicionamento da autora e da sua obra no campo literário. Em seguida, analisarei alguns textos críticos sobre a autora e sua obra para observar se sua imagem pode corresponder a certas figuras do imaginário próprio da escritora: Judith Shakespeare, a artista maldita, a irmã mais nova, entre outras. Finalmente, tentarei mostrar se a inclusão de uma escritora como Marvel Moreno no campo literário colombiano ainda é um problema.Universidade Federal de Santa Catarina2021-10-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/ref/article/view/6614210.1590/1806-9584-2021v29n266142Revista Estudos Feministas; Vol. 29 No. 2 (2021)Revista Estudos Feministas; Vol. 29 Núm. 2 (2021)Revista Estudos Feministas; v. 29 n. 2 (2021)1806-95840104-026Xreponame:Revista Estudos Feministasinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCspahttps://periodicos.ufsc.br/index.php/ref/article/view/66142/47484Copyright (c) 2021 Revista Estudos Feministashttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessGonzález-Rubio, Mercedes Ortega2021-10-21T15:03:44Zoai:periodicos.ufsc.br:article/66142Revistahttps://periodicos.ufsc.br/index.php/ref/indexPUBhttps://periodicos.ufsc.br/index.php/ref/oai||ref@cfh.ufsc.br1806-95840104-026Xopendoar:2022-11-21T11:38:50.850518Revista Estudos Feministas - Universidade Federal de Santa Catarina (UFSC)true |
dc.title.none.fl_str_mv |
A place in the literary field: Marvel Moreno as the “reserved writer” Un lugar en el campo literario: Marvel Moreno como la “escritora reservada” Um lugar no campo literário: Marvel Moreno como a “escritora reservada” |
title |
A place in the literary field: Marvel Moreno as the “reserved writer” |
spellingShingle |
A place in the literary field: Marvel Moreno as the “reserved writer” González-Rubio, Mercedes Ortega |
title_short |
A place in the literary field: Marvel Moreno as the “reserved writer” |
title_full |
A place in the literary field: Marvel Moreno as the “reserved writer” |
title_fullStr |
A place in the literary field: Marvel Moreno as the “reserved writer” |
title_full_unstemmed |
A place in the literary field: Marvel Moreno as the “reserved writer” |
title_sort |
A place in the literary field: Marvel Moreno as the “reserved writer” |
author |
González-Rubio, Mercedes Ortega |
author_facet |
González-Rubio, Mercedes Ortega |
author_role |
author |
dc.contributor.author.fl_str_mv |
González-Rubio, Mercedes Ortega |
description |
This article looks into the authorial figure of Colombian writer Marvel Moreno which is constructed around her inadequacy in the literary canon of the Colombian Caribbean and Latin America. This marginalization is rooted in the fact that she was a female writer in a male and masculinist dominated field. This position plays a double edge sword as it gives her own place in the field, but at the same time it excludes her from it to such an extent that she becomes invisible. First, we analyze the voices within her texts, which are related to her posture in the literary field. Then we focus on some critical texts about the author and her work to discern if her image corresponds to certain female figures of the writer’s imaginary such as: Judith Shakespeare, the ‘poète maudit’ or cursed poet, the little sister, and so on. Finally, we will see if the inclusion of a woman writer as Marvel Moreno in the Colombian literary field still is a problem nowadays. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-10-21 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufsc.br/index.php/ref/article/view/66142 10.1590/1806-9584-2021v29n266142 |
url |
https://periodicos.ufsc.br/index.php/ref/article/view/66142 |
identifier_str_mv |
10.1590/1806-9584-2021v29n266142 |
dc.language.iso.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://periodicos.ufsc.br/index.php/ref/article/view/66142/47484 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Revista Estudos Feministas https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Revista Estudos Feministas https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Catarina |
publisher.none.fl_str_mv |
Universidade Federal de Santa Catarina |
dc.source.none.fl_str_mv |
Revista Estudos Feministas; Vol. 29 No. 2 (2021) Revista Estudos Feministas; Vol. 29 Núm. 2 (2021) Revista Estudos Feministas; v. 29 n. 2 (2021) 1806-9584 0104-026X reponame:Revista Estudos Feministas instname:Universidade Federal de Santa Catarina (UFSC) instacron:UFSC |
instname_str |
Universidade Federal de Santa Catarina (UFSC) |
instacron_str |
UFSC |
institution |
UFSC |
reponame_str |
Revista Estudos Feministas |
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Revista Estudos Feministas |
repository.name.fl_str_mv |
Revista Estudos Feministas - Universidade Federal de Santa Catarina (UFSC) |
repository.mail.fl_str_mv |
||ref@cfh.ufsc.br |
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