The Migrant and the Shaman: Transcultural Agents in Two Contemporary Italian Novels

Detalhes bibliográficos
Autor(a) principal: Chiarini, Ana Maria
Data de Publicação: 2012
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Estudos Feministas
Texto Completo: https://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X2012000300017
Resumo: The aim of this work is to focus attention on the transcultural role played by female migrant workers in contemporary Italy, seen as a diasporic space, in the novels Apri le porte all’alba (1999), by Elena Gianini Belotti, and L’indecenza (2008), by Elvira Seminara. These social characters – participants in intercultural and interbodily exchanges – have become literary characters, and even though they are reduced to non-people or marked by a supposed essentialist ethnic center, they stimulate the differential and transgressive forces of a globalized cultural homogeneity, as stated by Hall (2003). In an attempt to highlight this role of the migrant, I make use of the shaman figure in the magic existential drama and in the crisis of presence, discussed by Ernesto de Martino, one of the founders of the Italian anthropology, in Il mondo magico (1948).
id UFSC-11_6b5ae781ac5d6dd6c23eb1eef20359f5
oai_identifier_str oai:periodicos.ufsc.br:article/27670
network_acronym_str UFSC-11
network_name_str Revista Estudos Feministas
repository_id_str
spelling The Migrant and the Shaman: Transcultural Agents in Two Contemporary Italian NovelsA migrante e o xamã: agentes transculturadores em dois romances italianos contemporâneosThe aim of this work is to focus attention on the transcultural role played by female migrant workers in contemporary Italy, seen as a diasporic space, in the novels Apri le porte all’alba (1999), by Elena Gianini Belotti, and L’indecenza (2008), by Elvira Seminara. These social characters – participants in intercultural and interbodily exchanges – have become literary characters, and even though they are reduced to non-people or marked by a supposed essentialist ethnic center, they stimulate the differential and transgressive forces of a globalized cultural homogeneity, as stated by Hall (2003). In an attempt to highlight this role of the migrant, I make use of the shaman figure in the magic existential drama and in the crisis of presence, discussed by Ernesto de Martino, one of the founders of the Italian anthropology, in Il mondo magico (1948).A proposta deste trabalho é evidenciar a função transculturadora exercida portrabalhadoras migrantes na Itália contemporânea, vista como espaço da diáspora, nosromances Apri le porte all’alba (1999), de Elena Gianini Belotti, e L’indecenza (2008), de ElviraSeminara. Essas personagens sociais – participantes de trocas interculturais e intercorporais –vêm se tornando personagens literárias e, embora reduzidas a não-pessoas ou marcadas porum pretenso núcleo étnico essencial, ativam as forças diferenciadoras e transgressoras dahomogeneidade cultural globalizada, citadas por Hall (2003). Visando acentuar esse papel damigrante, utilizo a figura do xamã no drama existencial mágico e na crise da presença, tratadospor Ernesto de Martino, um dos fundadores da antropologia italiana, em Il mondo magico (1948).Universidade Federal de Santa Catarina2012-09-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X201200030001710.1590/S0104-026X2012000300017Revista Estudos Feministas; Vol. 20 No. 3 (2012); 901-918Revista Estudos Feministas; Vol. 20 Núm. 3 (2012); 901-918Revista Estudos Feministas; v. 20 n. 3 (2012); 901-9181806-95840104-026Xreponame:Revista Estudos Feministasinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X2012000300017/23853Copyright (c) 2018 Revista Estudos Feministasinfo:eu-repo/semantics/openAccessChiarini, Ana Maria2018-08-14T16:35:21Zoai:periodicos.ufsc.br:article/27670Revistahttps://periodicos.ufsc.br/index.php/ref/indexPUBhttps://periodicos.ufsc.br/index.php/ref/oai||ref@cfh.ufsc.br1806-95840104-026Xopendoar:2022-11-21T11:38:14.556740Revista Estudos Feministas - Universidade Federal de Santa Catarina (UFSC)true
dc.title.none.fl_str_mv The Migrant and the Shaman: Transcultural Agents in Two Contemporary Italian Novels
A migrante e o xamã: agentes transculturadores em dois romances italianos contemporâneos
title The Migrant and the Shaman: Transcultural Agents in Two Contemporary Italian Novels
spellingShingle The Migrant and the Shaman: Transcultural Agents in Two Contemporary Italian Novels
Chiarini, Ana Maria
title_short The Migrant and the Shaman: Transcultural Agents in Two Contemporary Italian Novels
title_full The Migrant and the Shaman: Transcultural Agents in Two Contemporary Italian Novels
title_fullStr The Migrant and the Shaman: Transcultural Agents in Two Contemporary Italian Novels
title_full_unstemmed The Migrant and the Shaman: Transcultural Agents in Two Contemporary Italian Novels
title_sort The Migrant and the Shaman: Transcultural Agents in Two Contemporary Italian Novels
author Chiarini, Ana Maria
author_facet Chiarini, Ana Maria
author_role author
dc.contributor.author.fl_str_mv Chiarini, Ana Maria
description The aim of this work is to focus attention on the transcultural role played by female migrant workers in contemporary Italy, seen as a diasporic space, in the novels Apri le porte all’alba (1999), by Elena Gianini Belotti, and L’indecenza (2008), by Elvira Seminara. These social characters – participants in intercultural and interbodily exchanges – have become literary characters, and even though they are reduced to non-people or marked by a supposed essentialist ethnic center, they stimulate the differential and transgressive forces of a globalized cultural homogeneity, as stated by Hall (2003). In an attempt to highlight this role of the migrant, I make use of the shaman figure in the magic existential drama and in the crisis of presence, discussed by Ernesto de Martino, one of the founders of the Italian anthropology, in Il mondo magico (1948).
publishDate 2012
dc.date.none.fl_str_mv 2012-09-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X2012000300017
10.1590/S0104-026X2012000300017
url https://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X2012000300017
identifier_str_mv 10.1590/S0104-026X2012000300017
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X2012000300017/23853
dc.rights.driver.fl_str_mv Copyright (c) 2018 Revista Estudos Feministas
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Revista Estudos Feministas
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Catarina
publisher.none.fl_str_mv Universidade Federal de Santa Catarina
dc.source.none.fl_str_mv Revista Estudos Feministas; Vol. 20 No. 3 (2012); 901-918
Revista Estudos Feministas; Vol. 20 Núm. 3 (2012); 901-918
Revista Estudos Feministas; v. 20 n. 3 (2012); 901-918
1806-9584
0104-026X
reponame:Revista Estudos Feministas
instname:Universidade Federal de Santa Catarina (UFSC)
instacron:UFSC
instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Revista Estudos Feministas
collection Revista Estudos Feministas
repository.name.fl_str_mv Revista Estudos Feministas - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv ||ref@cfh.ufsc.br
_version_ 1789435250376441856