Inscriptions of the Feminine: Romantic Literature and Caboclas Possession at Umbanda

Detalhes bibliográficos
Autor(a) principal: Rotta, Raquel Redondo
Data de Publicação: 2007
Outros Autores: Bairrão, José Francisco Miguel Henriques
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Estudos Feministas
Texto Completo: https://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X2007000300007
Resumo: As far as the Afro-Brazilian religious context is concerned, some researchers consider the caboclo the result of a process in which the negro, trying to assure a collocation in the country after slavery being extinct, nationalize some African habits in order to turn themselves into what they imagine being an Indian might be, based on the Indian image expressed by the romantic literature. This article discusses the relevance of this argument by investigating the presence of the spiritual entity female representatives through a comparison between them and the idealized image of romantic Indians. It is stated that to understand the female caboclo’s role in the umbanda cult as well as in contemporary women’s lives it will be necessary to listen to these women by means of their spiritualistic mediums relating what they say to these women’s life stories and to the actual social experience of the communities in which the entity is worshiped.
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spelling Inscriptions of the Feminine: Romantic Literature and Caboclas Possession at UmbandaInscrições do feminino: literatura romântica e transe de caboclas na umbandaAs far as the Afro-Brazilian religious context is concerned, some researchers consider the caboclo the result of a process in which the negro, trying to assure a collocation in the country after slavery being extinct, nationalize some African habits in order to turn themselves into what they imagine being an Indian might be, based on the Indian image expressed by the romantic literature. This article discusses the relevance of this argument by investigating the presence of the spiritual entity female representatives through a comparison between them and the idealized image of romantic Indians. It is stated that to understand the female caboclo’s role in the umbanda cult as well as in contemporary women’s lives it will be necessary to listen to these women by means of their spiritualistic mediums relating what they say to these women’s life stories and to the actual social experience of the communities in which the entity is worshiped.No contexto religioso afro-brasileiro, alguns pesquisadores defendem ser o caboclo resultado do processo de nacionalização de hábitos africanos, em que o negro transmuta-se no que acredita ser indígena, a partir da imagem do índio na literatura romântica, tentando garantir um lugar para si no país após a escravidão. Neste artigo discute-se a pertinência desse argumento ao investigar a presença de entidades caboclas em sua vertente feminina, através de uma comparação destas com as imagens idealizadas de índias românticas. Advoga-se que, para entender a função das caboclas no panteão umbandista e em vidas de mulheres contemporâneas, será preciso dar ouvidos ao que elas dizem através de suas médiuns, relacionando seu discurso com as histórias de vida dessas mulheres e com a experiência social concreta das comunidades que se lhes devotam.Universidade Federal de Santa Catarina2007-09-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X200700030000710.1590/S0104-026X2007000300007Revista Estudos Feministas; Vol. 15 No. 3 (2007); 629Revista Estudos Feministas; Vol. 15 Núm. 3 (2007); 629Revista Estudos Feministas; v. 15 n. 3 (2007); 6291806-95840104-026Xreponame:Revista Estudos Feministasinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X2007000300007/1192Copyright (c) 2018 Revista Estudos Feministasinfo:eu-repo/semantics/openAccessRotta, Raquel RedondoBairrão, José Francisco Miguel Henriques2020-01-30T09:15:00Zoai:periodicos.ufsc.br:article/1476Revistahttps://periodicos.ufsc.br/index.php/ref/indexPUBhttps://periodicos.ufsc.br/index.php/ref/oai||ref@cfh.ufsc.br1806-95840104-026Xopendoar:2022-11-21T11:37:19.004851Revista Estudos Feministas - Universidade Federal de Santa Catarina (UFSC)true
dc.title.none.fl_str_mv Inscriptions of the Feminine: Romantic Literature and Caboclas Possession at Umbanda
Inscrições do feminino: literatura romântica e transe de caboclas na umbanda
title Inscriptions of the Feminine: Romantic Literature and Caboclas Possession at Umbanda
spellingShingle Inscriptions of the Feminine: Romantic Literature and Caboclas Possession at Umbanda
Rotta, Raquel Redondo
title_short Inscriptions of the Feminine: Romantic Literature and Caboclas Possession at Umbanda
title_full Inscriptions of the Feminine: Romantic Literature and Caboclas Possession at Umbanda
title_fullStr Inscriptions of the Feminine: Romantic Literature and Caboclas Possession at Umbanda
title_full_unstemmed Inscriptions of the Feminine: Romantic Literature and Caboclas Possession at Umbanda
title_sort Inscriptions of the Feminine: Romantic Literature and Caboclas Possession at Umbanda
author Rotta, Raquel Redondo
author_facet Rotta, Raquel Redondo
Bairrão, José Francisco Miguel Henriques
author_role author
author2 Bairrão, José Francisco Miguel Henriques
author2_role author
dc.contributor.author.fl_str_mv Rotta, Raquel Redondo
Bairrão, José Francisco Miguel Henriques
description As far as the Afro-Brazilian religious context is concerned, some researchers consider the caboclo the result of a process in which the negro, trying to assure a collocation in the country after slavery being extinct, nationalize some African habits in order to turn themselves into what they imagine being an Indian might be, based on the Indian image expressed by the romantic literature. This article discusses the relevance of this argument by investigating the presence of the spiritual entity female representatives through a comparison between them and the idealized image of romantic Indians. It is stated that to understand the female caboclo’s role in the umbanda cult as well as in contemporary women’s lives it will be necessary to listen to these women by means of their spiritualistic mediums relating what they say to these women’s life stories and to the actual social experience of the communities in which the entity is worshiped.
publishDate 2007
dc.date.none.fl_str_mv 2007-09-11
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10.1590/S0104-026X2007000300007
url https://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X2007000300007
identifier_str_mv 10.1590/S0104-026X2007000300007
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X2007000300007/1192
dc.rights.driver.fl_str_mv Copyright (c) 2018 Revista Estudos Feministas
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Revista Estudos Feministas
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Catarina
publisher.none.fl_str_mv Universidade Federal de Santa Catarina
dc.source.none.fl_str_mv Revista Estudos Feministas; Vol. 15 No. 3 (2007); 629
Revista Estudos Feministas; Vol. 15 Núm. 3 (2007); 629
Revista Estudos Feministas; v. 15 n. 3 (2007); 629
1806-9584
0104-026X
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