Self Writing as Minor Literature: The Letters of Anita Malfatti to Mário de Andrade
Autor(a) principal: | |
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Data de Publicação: | 2011 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Estudos Feministas |
Texto Completo: | https://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X2011000100007 |
Resumo: | In a falogocentric culture letter writing has been considered by literary critics as aminor form of literature. Historians, on their part, have considered personal letters as an inadequatesource of historical knowledge. In this text I seek to give positive value to the epistolary literatureoriginating from a private exchange of letters, stressing that this kind of literary production can beas transgressive as the so-called “great literature”, i.e. that literature that seeks to transpose thelimits of language, since in this specific case we recreate ourselves, transgressing the limits ofwhat we are in the intersubjective space of letter exchange and of friendship. Thus, I interpret thepersonal letters of the São Paulo plastic artist Anita Malfatti (1889), addressed to the modernistwriter Mário de Andrade (1893-1945), as a form of “minor literature”, in the sense given by GillesDeleuze and Felix Guattari. This private kind of writing is connected to the construction of a selfsculpture,an “art of oneself”, in the words of Michel Foucault. I therefore read the self writing in theletters of Malfatti as a counter hegemonic and political writing, for in the plot developed in herletters she produces an autonomous feminine subjectivity which resists subjectivities connectedto the family, to the state, and to the church. |
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Self Writing as Minor Literature: The Letters of Anita Malfatti to Mário de AndradeA escrita de si como prática de uma literatura menor: cartas de Anita Malfatti a Mário de AndradeIn a falogocentric culture letter writing has been considered by literary critics as aminor form of literature. Historians, on their part, have considered personal letters as an inadequatesource of historical knowledge. In this text I seek to give positive value to the epistolary literatureoriginating from a private exchange of letters, stressing that this kind of literary production can beas transgressive as the so-called “great literature”, i.e. that literature that seeks to transpose thelimits of language, since in this specific case we recreate ourselves, transgressing the limits ofwhat we are in the intersubjective space of letter exchange and of friendship. Thus, I interpret thepersonal letters of the São Paulo plastic artist Anita Malfatti (1889), addressed to the modernistwriter Mário de Andrade (1893-1945), as a form of “minor literature”, in the sense given by GillesDeleuze and Felix Guattari. This private kind of writing is connected to the construction of a selfsculpture,an “art of oneself”, in the words of Michel Foucault. I therefore read the self writing in theletters of Malfatti as a counter hegemonic and political writing, for in the plot developed in herletters she produces an autonomous feminine subjectivity which resists subjectivities connectedto the family, to the state, and to the church.No interior de uma cultura falocêntrica a escrita epistolar foi considerada peloscríticos literários uma literatura menor. Por sua vez, os historiadores entenderam por longosanos as cartas pessoais como uma fonte de pesquisa inapropriada ao conhecimento histórico.Neste texto, procuro positivar a literatura de si oriunda das correspondências originadas noâmbito privado, destacando que essa forma de produção literária pode ser tão transgressivaquanto a denominada “grande literatura”, isto é, aquela que visa transpor os limites da linguagem,pois nesse caso específico trata-se de recriar a nós mesmos, de transpor as fronteiras do quesomos no espaço intersubjetivo da troca epistolar e da amizade. Assim, interpreto as cartaspessoais da artista plástica paulista Anita Malfatti (1889-1964) endereçadas ao escritor modernistaMário de Andrade (1893-1945) como uma literatura menor, no sentido apontado por GillesDeleuze e Felix Guattari. Essa escrita de caráter privado está associada à construção de umaescultura de si, de uma estética da existência para usar o conceito formulado por MichelFoucault. Portanto, leio a literatura de si das cartas da artista plástica como uma escrituracontra-hegemônica e política, pois nas linhas de suas missivas o enredo que se compõe é o daprodução de uma subjetividade feminina autônoma que resiste às subjetivações ligadas àfamília, ao Estado e à Igreja.Universidade Federal de Santa Catarina2011-01-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X201100010000710.1590/S0104-026X2011000100007Revista Estudos Feministas; Vol. 19 No. 1 (2011); 91Revista Estudos Feministas; Vol. 19 Núm. 1 (2011); 91Revista Estudos Feministas; v. 19 n. 1 (2011); 911806-95840104-026Xreponame:Revista Estudos Feministasinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X2011000100007/18395Copyright (c) 2018 Revista Estudos Feministasinfo:eu-repo/semantics/openAccessIonta, Marilda2018-08-14T16:48:30Zoai:periodicos.ufsc.br:article/19991Revistahttps://periodicos.ufsc.br/index.php/ref/indexPUBhttps://periodicos.ufsc.br/index.php/ref/oai||ref@cfh.ufsc.br1806-95840104-026Xopendoar:2022-11-21T11:38:07.206311Revista Estudos Feministas - Universidade Federal de Santa Catarina (UFSC)true |
dc.title.none.fl_str_mv |
Self Writing as Minor Literature: The Letters of Anita Malfatti to Mário de Andrade A escrita de si como prática de uma literatura menor: cartas de Anita Malfatti a Mário de Andrade |
title |
Self Writing as Minor Literature: The Letters of Anita Malfatti to Mário de Andrade |
spellingShingle |
Self Writing as Minor Literature: The Letters of Anita Malfatti to Mário de Andrade Ionta, Marilda |
title_short |
Self Writing as Minor Literature: The Letters of Anita Malfatti to Mário de Andrade |
title_full |
Self Writing as Minor Literature: The Letters of Anita Malfatti to Mário de Andrade |
title_fullStr |
Self Writing as Minor Literature: The Letters of Anita Malfatti to Mário de Andrade |
title_full_unstemmed |
Self Writing as Minor Literature: The Letters of Anita Malfatti to Mário de Andrade |
title_sort |
Self Writing as Minor Literature: The Letters of Anita Malfatti to Mário de Andrade |
author |
Ionta, Marilda |
author_facet |
Ionta, Marilda |
author_role |
author |
dc.contributor.author.fl_str_mv |
Ionta, Marilda |
description |
In a falogocentric culture letter writing has been considered by literary critics as aminor form of literature. Historians, on their part, have considered personal letters as an inadequatesource of historical knowledge. In this text I seek to give positive value to the epistolary literatureoriginating from a private exchange of letters, stressing that this kind of literary production can beas transgressive as the so-called “great literature”, i.e. that literature that seeks to transpose thelimits of language, since in this specific case we recreate ourselves, transgressing the limits ofwhat we are in the intersubjective space of letter exchange and of friendship. Thus, I interpret thepersonal letters of the São Paulo plastic artist Anita Malfatti (1889), addressed to the modernistwriter Mário de Andrade (1893-1945), as a form of “minor literature”, in the sense given by GillesDeleuze and Felix Guattari. This private kind of writing is connected to the construction of a selfsculpture,an “art of oneself”, in the words of Michel Foucault. I therefore read the self writing in theletters of Malfatti as a counter hegemonic and political writing, for in the plot developed in herletters she produces an autonomous feminine subjectivity which resists subjectivities connectedto the family, to the state, and to the church. |
publishDate |
2011 |
dc.date.none.fl_str_mv |
2011-01-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X2011000100007 10.1590/S0104-026X2011000100007 |
url |
https://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X2011000100007 |
identifier_str_mv |
10.1590/S0104-026X2011000100007 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X2011000100007/18395 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Revista Estudos Feministas info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Revista Estudos Feministas |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Catarina |
publisher.none.fl_str_mv |
Universidade Federal de Santa Catarina |
dc.source.none.fl_str_mv |
Revista Estudos Feministas; Vol. 19 No. 1 (2011); 91 Revista Estudos Feministas; Vol. 19 Núm. 1 (2011); 91 Revista Estudos Feministas; v. 19 n. 1 (2011); 91 1806-9584 0104-026X reponame:Revista Estudos Feministas instname:Universidade Federal de Santa Catarina (UFSC) instacron:UFSC |
instname_str |
Universidade Federal de Santa Catarina (UFSC) |
instacron_str |
UFSC |
institution |
UFSC |
reponame_str |
Revista Estudos Feministas |
collection |
Revista Estudos Feministas |
repository.name.fl_str_mv |
Revista Estudos Feministas - Universidade Federal de Santa Catarina (UFSC) |
repository.mail.fl_str_mv |
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